Top videos
Host Busara delivers another episode of Warriors Over Weasels
Join Host Attorney Anthony Muhammad for The Business Hour Featuring special Guest Dr. Kamau Kambon
Listen to Sankofa Revolutionary Radio in Birmingham on FM 95.1 and online from anywhere you are.
Live at 9AM Eastern and
Rebroadcast at 3 PM and 6 PM
Listen to WSYP https://www.SankofaYDP.com
For More Info Visit www.KamauKambon.org
Special Interview. This coming Thursday, August 27, 2020
Learn about Black Liberation solutions to protect yourself and your family in this renewed brazen system of racism and white terror domination.
African School Theme SongMusic promoted by The Free Cat: http://tiny.cc/50cnpz
27 years on and Thomas Sankara's legacy still lives on. Sankara was a profound leader with deep love for his country, Burkina Faso. But he would not live long enough to see his vision change his country for better. He was assassinated.
"Faces of Africa" takes you through Sankara's journey and how his ideas have stuck in the minds of the young generation, now seeking to resuscitate the country's economic and political status.
Creator(s): Office of Economic Opportunity. Office of Public Affairs. 1964-1981 (Most Recent)Series: Motion Picture Films From the "Police" Program Series, ca. 1971 - ca. 1971Record Group 381: Records of the Community Services Administration, 1963 - 1981Production Date: 1971General Note(s): Credits: Id/Dir. Robert Pierce.Contributor: Producer, Office of Economic Opportunity. Made by Guggenheim Productions.Scope & Content: Documentary: Documents the early, turbulent years of OEO'S experiment in police-community relations in Washington, DC R.1: Police and citizens express their attitudes toward each other. A citizens committee is appointed by the D.C. government, but dissension ensues over control of the program. Project director, Robert Shallow addresses the group; community leader Marion Barry urges citizen control, A pilot precinct is finally selected. R. 2: Police engage in training sessions, and community leaders struggle to replace the committee with elected representatives. A citizens' board is elected and the white project leader is replaced by a black official, Fred Lander. R. 3: Dissension between OEO and the community continues, but several programs including citizen riders, an emergency center, local police recruiting and an escort service, get underway. The board continues to struggle, and the program is refunded. At the films close, a small boy expresses his bitterness towards the police.Contact(s): National Archives at College Park - Motion Pictures (RD-DC-M), National Archives at College Park, 8601 Adelphi RoadCollege Park, MD 20740-6001Phone: 301-837-3540, Fax: 301-837-3620, Email: mopix@nara.govNational Archives Identifier: 73174Local Identifier: 381-P-1https://catalog.archives.gov/id/73174
From its source on the Angolan-Zambian border to its delta in Mozambique, the Zambezi river flows through a number of distinct and beautiful habitats on its 1,600-mile journey to the Indian ocean.Follow the river as it tumbles, meanders and winds to the spectacular Victoria falls, and wonder at the immense ecosystems that are superbly adapted to its many moods.
Subscribe to see more full documentaries every week:https://bit.ly/2lneXNy
TRACKS publishes unique, unexpected and untold stories from across the world every week.
Facebook: https://www.facebook.com/TRACKSTravelChannel/
Content licensed from Sky Vision to Little Dot Studios.Any queries, please contact us at: owned-enquiries@littledotstudios.com
At least one elderly person loses their life every week in the name of witchcraft in Kenya’s stunning Kilifi coast. Africa Eye investigates the true motives behind these brutal acts, revealing that many are targeted by the very people who should be protecting them - their own families.
This super-rare conversation between The GOAT and Irish broadcaster Cathal O'Sannon is the hands down the most insightful and reflective I have ever seen with the Champ. And it has never been broadcast on American TV. Originally shared on the RTE Television Archive website. I do not own the rights.
Like/Comment/Subscribe. Ali Boom-aye!
#####
Reelblack's mission is to educate, elevate, entertain, enlighten, and empower through Black film. If there is content shared on this platform that you feel infringes on your intellectual property, please email me at Reelblack@mail.com and info@reelblack.com with details and it will be promptly removed.
Actor/Composer/Musicoligist JESTER HAIRSTON (Amos ‘n Andy, Amen) tells the story of Slavery in America and his choir performs religious songs in this very rare recording from 1978. Great history designed for young people and adults. shared for historical purposes.Jester Joseph Hairston (July 9, 1901 – January 18, 2000) was an American composer, songwriter, arranger, choral conductor, and actor. He was regarded as a leading expert on Negro spirituals and choral music. His notable compositions include "Amen," a gospel-tinged theme from the film Lilies of the Field and a 1963 hit for The Impressions, and the Christmas song "Mary's Boy Child".
Thank you for watching, and for your support.
Please continue to support me.
Link to this channel: youtube.com/yorubalessons
Email: yorubarelated@gmail.com
My Intro: https://youtu.be/TU-BSdybVM8
Writing: https://highpriestesswords.com/
2nd Channel - The High Priestess: https://www.youtube.com/channe....l/UCF4YyBWtXnqXP3SJ7
VIDEO TITLE WITHOUT TONE MARKS FOR EASY SEARCH:
Yoruba Folktale (Alo Apagbe) 3: The Story of Alade | Alade Huwo!
CHANNEL ADOPTION/SUPPORT:
To adopt and/or help me grow my channel, you may click on the 👍 button, share my videos, sponsor me on Patreon- https://patreon.com/yorubalessons, or send me monetary gifts via PayPal- https://paypal.me/aderonkebabajide.
It will mean a lot to me, and the funds will be put to good use, especially towards the upgrading and promotion of this channel, the promotion of the Yorùbá culture at large, and charity.
CHARITY SUPPORTED:
Preauthorized monthly donations are made to:
SickKids Foundation
Toronto, Ontario
August 2019 - Present
For more details: http://freshwaters.website2.me/
YORUBA SOCIAL MEDIA:
Facebook: https://www.facebook.com/yorubalessonsaderonke/
Instagram:
Yorùbá Lessons: https://www.instagram.com/yorubalessons/
Yorùbá Music: https://www.instagram.com/yorubamusic/
Yorùbá Hairstyles: https://www.instagram.com/yorubahairs...
Yorùbá Clothes: https://www.instagram.com/yorubaclothes/
Yorùbá Dancers: https://www.instagram.com/yorubadancers/
Twitter: https://twitter.com/yorubalessons/
COPYRIGHT DISCLAIMER:
All songs, images, narratives, and performances in any of my videos that were not created by me remain the sole properties of their respective artists, artistes, and/or copyright holders, known or unknown. They do not imply a challenge to intellectual property/ownership. They are intended strictly for entertainment, educational, and historical purposes only. My apologies if any creative is offended by the use of their work prior to express permission granting.
RULE:
Your participation on this platform is allowed, encouraged, and highly appreciated, as long as you warrant that you will not post any messages that are harmful to young people (especially children), disrespectful, actively or passively aggressive, hateful, hurtful, racist, deliberately offensive, homophobic, threatening, defamatory, damaging or otherwise violative of any laws. Comments that do not align with the previously-stated expectations will be deleted swiftly.
E̩ je̩ èbùré̩, awo olùgbe̩bè̩.
K E Y W O R D S
Yoruba | Yoruba Lesson | Learn Yoruba | Yoruba Class | Yoruba Course | Yoruba People | Yoruba Culture | Yoruba Tradition | Yoruba Dressing | Yoruba Lessons with Aderonke | Yoruba Teacher | Yoruba Lessons for Beginners
T A G S
#Yoruba #YorubaLesson #LearnYoruba #YorubaClass #YorubaCourse #YorubaPeople #YorubaCulture #YorubaTradition #YorubaDressing #YorubaLessonsWithAderonke #YorubaTeacher #LearnYorubaWithAderonke #BasicYoruba #YorubaLessonsforBeginners
From the archives of the UCLA Communications Studies Department. Digitized 2013.
The views and ideas expressed in these videos are not necessarily shared by the University of California, or by the UCLA Communication Studies Department.