Schedule your own repatriation consultation at https://www.r2gh.com/quiz

Listen to a caller tell her success story using the Herbal Results Protocol. For more information, please go to herbalresults.net.

Dr Ben Dr Clarke Dr Van Sertima Interview

The film is a modern adaptation of an Ananse tale adapted to the living environment of children from Accra's notorious e-waste slum 'Agbogbloshi'. Students from the 'Bethel Evangelical Church of Ghana School' in the heart of the slum often called 'Sodom and Gomorra' created this film together with German filmmaker Johannes Preuß and Professor Bea Lundt from the University of Flensburg.

⁣Black Manhood Crisis: Who REALLY Benefits From It?

Northern Soul

Las Caras Lindas is a famous song by the ⁣renown Black Boricua singer, Ismael Rivera. It is a song that gave us Abibifo⁣ɔ from the spanish-terrorized regions of the world much pride in our Blackness. The Beautiful Faces of My Black People!

Lyrics translated to english:



A la le, a la le, a
la lee, la la le le

The beautiful faces
of my Black people
Are a parade of
blossoming molasses
That when it passes
in front of me, my heart rejoices
In their Blackness

The beautiful faces
of my dark-skinned race
Hold tears, sorrow,
and pain
They are the truths
that life challenges
But they carry much
love within

We are the molasses
that laughs
The molasses that
cries
We are the molasses
that loves
And in every kiss,
it is moving

That's why I live
proud of their color
We are kind,
dark-skinned people, with clear poetry
They have their
rhythm, they have melody
The beautiful faces
of my Black people

The beautiful faces
(how beautiful, but), the beautiful faces (but look how beautiful
they are)
The beautiful faces
of my Black people
They have, they
have, they have, they have tears, much melody, I tell you
They have beauty and
they also have very beautiful poetry

The beautiful faces,
the beautiful faces
The beautiful faces
of my Black people
Beautiful faces of
Black people, of which I have many in my calm moments
The beautiful faces
of my Black people are a blast

The beautiful faces,
the beautiful faces (how beautiful they are)
The beautiful faces
of my Black people
We are, I tell you,
the molasses that laughs, ha, ha, ha, ha, ha, that sings and that
cries
And in every kiss,
very moving and captivating

The beautiful faces
(beautiful, beautiful), the beautiful faces (beautiful, beautiful,
beautiful, how beautiful they are)
The beautiful faces
of my Black people
I tell you that in
Portobelo, Panama, I saw the most beautiful and pure face
And that's why my
heart rejoices in its Blackness, that one is truly beautiful

The beautiful faces,
the beautiful faces
The beautiful faces
of my Black people (it sounds)

How beau-, how
beau-, how beautiful they are
Pure Blackness
How beau-, how
beau-, how beautiful they are

The beautiful faces,
the beautiful faces (but how beautiful they are)
The beautiful faces
of my Black people

Listen to me, but
how They are beautiful
They are pretty,
they are lovely
They are beautiful,
how pretty they are
Pretty as you'll
see, that's how they are
Pretty faces like
that one that tells you with a playful tease
A sweet, playful
tease with your sweet, melon-like heart

For the pretty faces
of Llorens Torres
Tell them, Mario

How pretty, how
pretty, how pretty, how pretty, how lovely they are
How beautiful they
are, very beautiful, how lovely they are, how pretty they are
Pretty faces,
pretty, pretty they are, take me!

How pretty they are,
they are pretty
But how pretty they
are, but how pretty they are
How pretty they are,
they are pretty

Many pretty faces
But how pretty, how
pretty, how pretty they are, here they come!

For all the pretty
faces of latin america

But how pretty, but
look how pretty the pretty faces are
Of my Black people,
there are so many
The pretty faces,
the pretty faces
The pretty faces of
my Black people

A parade of
Blackness, of the pure kind that comes from down there
The pretty faces of
my Black people, they are a playful tease
The pretty faces,
the pretty faces
The pretty faces of
my Black people

Molasses that
laughs, molasses that laughs, ha, ha, ha, ha, ha, ha
Oh, that sings and
that cries
And in every kiss,
so moving
But how pretty


Original content info:
Provided to YouTube by Universal Music GroupLas Caras Lindas · Ismael RiveraEsto Si Es Lo Mío℗ 1978 Craft Recordings.Released on: 1978-01-01Producer, Vocalist: Ismael RiveraProducer: Javier VázquezRecording Engineer: Irv GreenbaumChorus: Rubén BladesChorus: Adalberto SantiagoChorus: Nestor SanchezChorus: Héctor LavoeComposer Lyricist: Tite Curet AlonsoAuto-generated by YouTube.

History of Scramble for Africa | The Scramble For Africa | What was the SCRAMBLE for AFRICA? |

Please support us via Patreon: https://www.patreon.com/sankof....apanafrica?gclid=Cj0 Buy me a Coffee:https://www.buymeacoffee.com/DrBunmiOyinsan or Join as a YouTube member: https://www.youtube.com/channe....l/UCqSyyTlZjSXfRC5iO
The Scramble for Africa also called the Partition of Africa, was the invasion, occupation, division, and colonization of most of Africa by European powers.


You can now listen to our series via podcasts
Anchor - https://anchor.fm/sakonfapanafricaseries
Spotify - https://open.spotify.com/show/....2ZbOTJx2B6E91T8NsV85
Breaker - https://www.breaker.audio/sank....ofa-pan-african-seri
Google Podcast -https://podcasts.google.com/fe....ed/aHR0cHM6Ly9hbmNob
Pocket Casts - https://pca.st/46wfkp3n
Radio Republic - https://radiopublic.com/sankof....a-pan-african-series

#africascramble #historyofafricascramble @SankofaPanAfricanSeries

⁣Ready to fill your February with powerful words? ✨ Join us for Black Poetry Bingo — a month-long celebration of Black poets,voices, and verse.



📅 Runs: Feb 1 – Feb 28

📝 Howto play:

✅ Complete 5 squares in a row (anydirection)

✅ Only 1 square per day — slowdown and savor the poetry


✅ Share your journey and tag @KotokoAcademy with #blackpoetrybingo so we can cheer you on!






Let’s discover new voices, revisit favorites, and buildcommunity—one poem at a time. Who’s in?

🔗 kotokoacademy.info/black-poetry-bingo

⁣ Part 4

The leaders of the Alliance of Sahel States are not slowing down. In Burkina Faso, President Ibrahim Traoré has launched the country's first specialist hospital dedicated to elderly care—a groundbreaking step for social development in West Africa. Meanwhile, in Mali, President Assimi Goïta has overseen the arrival of over 1 million doses of the malaria vaccine, aimed at saving hundreds of thousands of young lives. These bold moves show that the AES is not just talking about sovereignty and independence—they’re building it, brick by brick, dose by dose.

Follow us:

Facebook: https://www.facebook.com/pg/CitiTVGH/
Twitter: https://twitter.com/CitiTVGH
Instagram: https://www.instagram.com/cititvgh/
Website: http://cititvonline.com/

Black people have been murdered by Whites and gotten away with it, Blacks are also being imprisoned based on White lies.

Franck Zanu of @FranckZanu joins the State of the Nation for one of the most explosive and thought-provoking conversations we’ve had all year.

Zanu — whose viral insights on Africa, culture, development and geopolitics have sparked global debate — confronts the ideas many leaders avoid:
• Why African countries continue to struggle economically
• What “culture” really means for development
• Why corruption isn’t the true root cause
• How colonialism is misunderstood
• Why South Africa’s political structure is destined for conflict
• The controversial “tribal nation” model he believes could save the continent
• And why Western countries secretly want Africa to succeed

This is not a conversation about blaming or excuses.
It’s a conversation about responsibility, culture, identity, and hard truths.

If you care about Africa’s future, South Africa’s political direction, or global geopolitics — you will not forget this episode.

✨ Tell us in the comments: Is Franck Zanu right or wrong?

SPONSOR

Thank you to Pace Car Rental for supporting this episode.
Use code SONA for a discount on your next rental.

FOLLOW US

TikTok, Instagram, X, and Facebook: @sonacoza

Produced by Stream IN Studios
https://www.streamin.co.za

Chapters:
00:00 – Intro: Franck Zanu joins State of the Nation
02:25 – Sound issue fixed & restart
03:44 – Should South Africa be part of the G20?
05:25 – What is really holding Africa back?
06:48 – Culture vs development: Zanu’s core argument
08:27 – “Is Africa being held back?” Zanu’s controversial answer
09:07 – Does Africa actually have the ‘potential’ we assume?
11:06 – Why Europe wants Africa to succeed
12:59 – Corruption is NOT why Africa is poor
14:23 – How culture shapes innovation and development
15:19 – The experiment of South Africa
16:48 – Zanu describes his visit to Durban’s decayed rail system
17:30 – Apartheid, history, and the true meaning of development
18:56 – Why Africa has not taken responsibility
19:12 – Does Africa WANT to stay this way?
21:02 – Why activists and politicians cannot admit they’re wrong
22:47 – Walter Rodney’s book & the damage of bad ideas
24:52 – What Dubai teaches Africa
26:56 – The Orania experiment and lessons from it
29:05 – What is Africa’s REAL problem? A one-word diagnosis
30:08 – Why the revolution must start with thinking, not doing
31:05 – How narratives trap African progress
32:47 – Colonization myths vs historical reality
34:28 – How a single book derailed a generation
35:22 – What white nations must stop doing
36:33 – Why post-colonial models failed
37:18 – Elections will NOT fix Africa
39:06 – Zanu explains cultural mismatches in nation-building
40:33 – Why African “countries” are artificial constructs
42:52 – Should we dismantle African states?
45:02 – Zanu’s “Tribal Nation” blueprint
46:47 – Why America succeeded with diversity but Africa didn’t
49:50 – Why immigrant communities recreate their home cultures abroad
51:14 – The West’s immigration mistakes
53:12 – Cultural traits Africans must understand
55:55 – Monochronic vs Polychronic cultures explained
57:39 – The tribe vs the nation: which one wins?
58:54 – Will Africa break apart? Zanu’s prediction
01:01:15 – Can Africa be saved? The role of think tanks
01:02:43 – South Africa’s unique struggle explained
01:05:32 – What apartheid changed — and didn’t
01:09:04 – Colonization vs African agency
01:10:39 – Why Africans refused real independence
01:12:10 – Closing thoughts & part two incoming

⁣Kemet vs. Ancient Egypt: What Drives this Name Game Among Experts? - Ɔbenfo ⁣Ọbádélé Kambon Pt.3

Ɔbenfo ⁣Ọbádélé Kambon is a world-renowned master linguist, scholar, and architect of Abibitumi, the oldest and largest Black social education network on the planet.

In pt.3 of this reasoning, Ɔbenfo ⁣Ọbádélé Kambon explains why many Egyptologist use the name Ancient Egypt instead of Kemet.

Please click link below to learn more about Ɔbenfo ⁣Ọbádélé Kambon and his work:
https://www.repatriatetoghana.com/
https://www.sankofajourney.com/
https://www.abibitumi.com/shop
https://www.abibitumi.com/quietwarrior

This is Bullerengue, a rich Black genre made by the Abibifo⁣ɔ of Caribbean 'Colombia' and the Darien province of 'Panama'. It is known for being one of the Diaspora genres for retaining most of its Abibiman heritage.

Original video info:


Achicanoa presents: El Pescador by El Buda Afro Tambó Written by/ Escrita por: Alexis Castro Gonzales y Luis Alfonso ValenciaVideo directed by Esteban CardonaSound engineer/ingeniero de sonido: Matias Duarte and Esteban Cardona Mixed by/mezclado por: Esteban Cardona Mastered by/ Masterizado por: Luis Bonilla Dop/Dirección de fotografía: Miguel Delgado GPostProducción: Miguel Delgado GRecorded in /grabado en María la Baja, Bolivar, Colombia. 7/12/2019#bullerengue #bailescantados #Tradición #folclor #afrocolombia #tambor

Listen to Nana Ama (Mama Brenda) tell her story from Nursing in the u.s. to becoming Queen Mother of Tutu, Akuapem, Ghana. As a Registered Nurse, by career, she engages in wellness/health checks for the residents of Tutu, particularly the elderly and women via free screenings and support groups.

https://www.r2gh.com

Currulao is the main traditional genre of Abibifo⁣ɔ music out of the Southern Pacific Coast of 'colombia' and Northern Pacific Coast of 'ecuador'. This group is specifically from Timbiqui, Cauca, a Pacific Coastal town in the biogeographic Choco region. Timbiqui is also the name of the river where the community of Timbiqui is located. This song is about singing to the river asking for a safe passage, to let them go up the river, don't drown us (no me vayas a hogar), don't wet us (no me vayas a mojar), let me go up (dejame subi'). This is a continuation of evidence of our Kmtyu worldview regardless of location and colonial language. Reverence and respect for nature, the oceans, the rivers, and the source of life, water. This can be seen as a libation song for traveling up the Timbiqui river safely. The main instrument is the marimba, made from the palm trees in the Choco rainforest, and said to be a reconstructed descendant of the balafon made by Abibifo⁣ɔ in a new context. We carried Abibiman with us!


original video info:
Provided to YouTube by ONErpmRio Timbiqui · Canalón de TimbiquíDejame Subi℗ Canalon de TimbiquiReleased on: 2004-02-06Auto-generated by YouTube.

⁣Mhenga Frances Cress Welsing vs William Shockley
Tony Brown's Journal
[1974]