https://www.decadeofourrepatriation.com

⁣⁣Renee Bach was a young American missionary who set up a charity for malnourished children in Jinja, Uganda. But shocking allegations arose that Renee was treating the sick children herself, without any medical qualifications.

S1.E1 ∙ God Doesn't Call the Qualified, He Qualifies the Called

Disturbing allegations are made about an American missionary and her involvement in the medical care of children at her charity in Uganda.

https://www.abibitumi.com/bppcubs

A song documenting the life of Kmtyu in a global eurasian economic system - everything has gone up.


Official Music Video for Gone Up by CapletonGone Up is a track performed by reggae / dancehall music recording artist Capleton. Produced by: Produced by: Control Tower SquadDownload/Stream: https://Hapilos.lnk.to/Capleton-GoneUp#capleton #goneup #controltowersquad #dancehall #reggae@capleton @controltowersquadStream:Apple Music: https://music.apple.com/us/alb....um/gone-up-single/17 Follow:Instagram: https://www.instagram.com/capletonmusic/Instagram: https://www.instagram.com/cont....rol_tower_squad/?hl= https://www.tiktok.com/@caplet....onmusichttp://vevo.l

Dizzy Gillespie and his Orchestra performing "Night in Tunisia", featuring Dizzy Gillespie - trumpet, Don Byas - tenor saxophone, Milt Jackson - vibraphone, Al Haig - piano, Bill DeArango - guitar, Ray Brown - bass, and J.C. Heard - drums . Recorded February 22, 1946 in New York.

For lead sheets complete with introductory verses, lyrics, and accurate chord changes, visit
https://www.jazzguitarcomprehensive.com/

The JGC History series features specifically curated playlists to help trace the lineage of some of the most influential jazz compositions of all time.

Some notes about the composition from the JGC Real Book,

Composer: Dizzy Gillespie

Year: 1942

Origin: Introduced by Sarah Vaughan in 1944 as "Interlude".

Style: A combination of straight and swing feels, typically played at brighter tempos.

Form: A-A-B-A (32 Bars) [8-8-8-8]
The A sections are played straight with the exception of the final 2 bars, while the B section is swung. This arrangement commonly used for the head only with the solo section entirely swung.

Intro: The bassline that moves from bII7 - Imi6 is usually used to begin the performance, and there is also a counter-melody that goes along with it.

Send-off: After the head in a 12 bar send-off is used to lead into the solos. This is then followed by a solo break which is commonly 4 bars long. It is typically only used the first time around, although it is sometimes used to introduce every new soloist. This section is played entirely swung.

Shout Chorus: After all the melodic soloists are finished a shout chorus is sometimes included. The shout played during the A sections while the B section is left open to the drummer. Sonny rollins offers a concise interpretation of this arrangement on his recording from A Night at the Village Vanguard.

Key: D minor

Harmony/Overview: The harmony of this composition is mainly functional. The main theme revolves around the constant arrival of bII7 - Imi, which is essentially V7alt - Imi (tri-tone substitution). The bridge is identical to that of "Alone Together", taking place in the relative Major and moving from II - V of II before a II - V - I.

Recordings: This song has been recorded over 400 times to date and is a widely popular standard. The first recording comes from Sarah Vaughan in 1944 and was originally entitled "Interlude", featuring lyrics written by Sarah Vaughan and Anita O'Day. One of the earliest instrumental recordings of Dizzy Gillespie performing the piece comes a 1945 session with Boyd Raeburn and his Orchestra. Dizzy would later record and perform this piece many times throughout his career, leaving several particularly legendary recordings behind.

JGC Top Picks:
Sonny Rollins, A Night at the Village Vanguard, 1957
McCoy Tyner, Today and Tomorrow, 1963
Dave Liebman, Besame Mucho and Other Latin Jazz Standards, 1993

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#dizzygillespie #nightintunisia #jazzhistory

https://www.abibitumi.com/traore

⁣Pan-Abibiwiase (Black World) musical collaboration when the marimba meets the balafon, and Abibifoɔ across the ocean re-connect. The marimba is from Abibiman developed in 'colombia' by Abibifoɔ and the main instrument of the Black genre from the southern hemisphere called Currulao. The balafon is an ancient Abibiman instrument heavily found in the present day countries of the ancient Mali empire, such as Senegal as represented here. Currulao players have theorized the marimba is a descendant of the balafon, reconstructed in the Choco rainforest of the Southern hemisphere from the memory ⁣Abibifoɔ had of back home. The marimba player is Hugo Candelario, from Guapi, Cauca, and one of the country's best marimba players.

Original video info:
Title: ⁣´Fanta Diallo´ canción popular de Senegal (popular song from Senegal)

Aprendiendo el toque en la Marimba de ´Fanta Diallo´, una canción popular de Senegal….gracias Maestros!

🎬 Welcome to [FXPRO ENTERTAINMENT LLC] – the official home for Haitian mini series, short films, and funny clips!
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⁣Renet Dennard, 76 years old talks about her Stage 4 Liver Cancer, being given 6 months to live, refusing chemotherapy and radiation. She used Herbal Results Olive Leaf Extract and achieved a reversal in not only her cancer but also high blood pressure and pre-diabetes. Got to herbalresults.net for more info.

⁣Check the original post here: https://www.linkedin.com/posts..../diasporaaffairs_dia
Greetings Abibitumfoɔ,

I’m inviting you to join the new Decade of Our Repatriation (DOOR) group on Abibitumi. This will be our space to share updates, key resources, announcements, and coordinated steps for those actively moving toward repatriation and those supporting the work.

Join here! https://www.abibitumi.com/grou....ps/decade-of-our-rep

ABIBITUMI! ABIBIFAHODIE!
Ɔbenfo Ọbádélé Bakari Kambon

Translation exercise

Our steamed elder, Mama Marimba Ani addresses the crowd during the closing remarks of the National Race 1st Convention in Baltimore, Maryland, 2025.

In this powerful address, Mama Marimba Ani calls us to recapture the tradition of African sovereignty that was lost when leadership lost vision and accommodation replaced determination.

She reminds us that:
𓅃𓇴 We are at war for our people — a matter of life and death.
𓅃𓇴 African people cannot find safety in systems built by our oppressors — true security is only through African power.
𓅃𓇴 Our children must be raised as leaders, visionaries, and protectors, prepared for sovereignty worldwide.
𓅃𓇴 Liberation is not a weekend activity — it must become a way of life.

This message is more than words — it’s a call to organize, unify, and build systems that ensure our future. 💚❤🖤

🌍 African sovereignty is not optional — it is our path to survival and victory.

#iloveplm #blackhistory #panafricanism #blackliberation #fatiuforever #scientificpanafricanism #urbanphilosophy #baltimore #africansovereignty #blackliberation #blacknationalism #ancestors

This video captures goodwill messages delivered during the historic MoU signing and unveiling of the Black Panther Party Cubs (BPPC) Ghana Community Embassy / Continental Liaison Office hosted at Abibitumi Headquarters in Akuapem Mampɔn, Ghana on Saturday, 24 January 2026.Nana Yirenkyi, Apɛsɛmakahene and representative of the Akuapem Mampɔn Traditional Council shared remarks pledging to engage traditional leadership to support and promote the Abibitumi agenda, and expressed gratitude on behalf of the people and traditional rulers. Other participants also offered goodwill messages in support of the initiative.Dr. Ɛfo Sela Adjei and D.O.O.R. partner Cashawn Myers of HABESHA Foundation speaker thanked Chairman Dr. Fred Hampton Jr. for joining and for taking the initiative to open an important new chapter for Black people in Ghana. They affirmed ongoing support “on the ground,” emphasizing the shared commitment to nurturing a new generation of Black founders and freedom fighters through principled unity and practical collaboration.Event context (for accurate reportage):• This program unveiled the BPPC Ghana Community Embassy at Abibitumi Headquarters.• This is a community embassy / continental liaison office — not a diplomatic embassy issuing state documents.• The focus is repatriation and structured pathways for diaspora-based Black people to reconnect and build in Ghana and beyond.Location: Abibitumi Headquarters, 1 Abibitumi Way, Akuapem Mampɔn, Ghana#abibitumi #blackpantherpartycubs #repatriation #ghana #AkuapemMampɔn #fredhampton #blackpowerranger https://www.decadeofourrepatriation.com

ABIBITUMI! ABIBIFAHODIE!This live community briefing brings on-the-ground updates on Ghana’s citizenship vetting (interview) process for historic diasporans—including what changed, what the vetting panel is actually looking for, what documents to bring, and how to prepare strategically (financially, legally, and organizationally).Panel representatives include leaders connected to:DOOR (Decade of Our Repatriation)RepatriateToGhana.comAfrican-American Association of Ghana (AAAG)Real Repatriation ConsultationRastafari Counciland other community partners working together to advocate for a clearer, fairer process.Key Updates Shared in This Session✅ Vetting is in-person (not virtual) — you must be physically in Ghana for the interview/vetting stage.✅ Vetting happens BEFORE payment — you can complete vetting first, and only proceed to upload/pay after confirmation.✅ Core focus areas being assessed (case-by-case):Time in Ghana (cumulative) — guidance shared that 1 year cumulative may be acceptable (not necessarily continuous), and panelists may consider less depending on the case.Strong ties to Ghana — examples discussed include business activity, land/home building, community/NGO contributions, speaking a Ghanaian language, and other measurable social/economic impact.Background checks — home-country background check + Ghana police clearance.✅ Items reportedly removed/softened vs earlier portal requirements: DNA test requirement (removed), and other prior portal demands were described as no longer central in the updated flow.💰 Fee discussed: GHS 25,000 (current as stated in the call) after vetting confirmation; leaders emphasized ongoing advocacy framed as restoration of birthright / reparative justice, not “pay-to-belong.”What to Bring to Vetting (As Emphasized in the Call)Bring multiple copies (the recommendation shared was 3 copies):Birth certificate (copy)Passport bio-data page (copy)Passport photo (red background mentioned in the call)Home-country background check (recent)Ghana police clearance/background check (CID HQ at Nima Police Station mentioned)Evidence of strong ties (bring “more rather than less”): business documents, land paperwork, building documentation, language/community work proof, etc.Important Notes & Warnings DiscussedDeadlines & scheduling may shift. The call noted uncertainty about the final day of vetting beyond the dates being circulated.Avoid scams and “cash-grab” operators. The panel emphasized using vetted organizations and trusted networks.Citizenship is not the end of the journey. Repatriation requires planning—housing, health, income strategy, and realistic budgeting.Financial strategy matters. Leaders stressed thinking beyond the passport: sustainable income, emergency funds, and not moving “on vibes alone” without a plan (even while respecting spiritual conviction).Featured Voices (As Heard in the Call)Shannan Nana Akosua McGee — President, African-American Association of Ghana (AAAG)Ɔbenfo (Professor) Ọbádélé Bakari Kambon — DOOR / RepatriateToGhana.com / AbibitumiNataki Kambon — DOOR (Decade of Our Repatriation)Yazid Muhammad — Real Repatriation Consultation (Eastern Region / Akosombo area)Mama One Africa — One Africa Health Resort / CRAAG elder councilRas Aswad — Rastafari Council (plus community activism and business work referenced)Chapters / Timestamps00:08 – Welcome, recording confirmation, opening context01:45 – Panel introductions (AAAG, DOOR, repatriation support leaders)09:39 – Summary of updated vetting guidance (time in Ghana, strong ties, background checks)12:42 – Portal changes and what’s no longer emphasized15:01 – “One year cumulative” clarification + what interviewers are saying on the ground19:18 – Documents to bring + vetting flow explained20:49 – Confirmation after vetting + payment follows later27:21 – Next rounds & scheduling uncertainty45:36 – Fee discussion + advocacy framing (restoration/birthright)49:11 – Strategic narrative: avoid framing as indigence; center reparative justice51:36 – Repatriation is bigger than citizenship (housing, income, stability)1:23:14 – Warning about misunderstandings, scams, and “buying citizenship” talk1:26:10 – Why joining trusted organizations matters2:01:56 – Closing notes: follow-up email with org contacts + next stepsLinks & ContactDOOR (Decade of Our Repatriation): https://decadeofourrepatriation.comRepatriation services: https://repatriatetoghana.comSupport email: support@repatriatetoghana.comAbibitumi: https://abibitumi.comSankɔfa Journey: https://www.sankofajourney.comAbibitumiTV: https://abibitumitv.com#DOOR #repatriatetoghana #ghanacitizenship #historicdiaspora #blackliberation #abibifahodie #abibitumi #repatriation #ghana

⁣Sankɔfa Journey Interest and Sharing Session

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This video is about California Cops Kidnap Man Eating Lunch In His Car*WALL OF SHAME: California Deputy Bruno De Oliveira & Deputy Alexander Tovali of the Los Angeles County Sheriff's DepartmentPlease Support Independent Journalism - Uncensored, deleted scenes & extended versions of our investigations - https://www.patreon.com/m/ASDDOCSAll social media - @asddocsKentucky Cops Use Dirty Tactics Forcing Drivers Out Of Their Cars, Named In Three Separate Lawsuits - https://youtu.be/jWV6-naHMp0WALL OF SHAME: California Deputy Bruno De Oliveira & Deputy Alexander Tovali of the Los Angeles County Sheriff's DepartmentIf you want to donate to me directly, I appreciate you. Anything helps.Venmo: donandre-spotlight

https://www.r2gh.com https://www.decadeofourrepatriation.com

⁣Witness the majestic dancing horses of Gbewaa Palace as skilled horsemen communicate with them through rhythmic drumming! 🐎

This stunning display of culture, tradition, and equestrian mastery showcases the deep connection between man, music, and horse.

🔥 Watch as the horses respond to drum beats with graceful movements, a sight rarely seen anywhere else!

This video will cover the some of the things that mathematics and epidemiological models can teach us about disease spread. We’ll first look at some of the most commonly used models, explore some of their useful applications, and finally, verify our findings using both a virtual simulation and statistics for the real world example of measles.

Timestamps
00:00 Intro
01:25 SIR Model
02:53 R0
05:36 SIR With Demography
07:49 Vaccination
09:26 Age of Infection
11:30 Interepidemic Period
12:44 Outro

Music by LAKEY INSPIRED
https://soundcloud.com/lakeyinspired
https://www.youtube.com/channe....l/UCOmy8wuTpC95lefU5

Thanks for watching