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Black South African Xenophobe Welcomes White Immigrant With Open Arms
Black South African Xenophobe Welcomes White Immigrant With Open Arms Kwabena Ofori Osei 28 Views • 4 months ago

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Various ‎– The Tanzania Sound 1960's Tanzanian Pop Music
Various ‎– The Tanzania Sound 1960's Tanzanian Pop Music Ambakisye-Okang Dukuzumurenyi 62 Views • 5 years ago

Tracklist1 –Kiko Kids Nimeona Uwa 00:002 –Kiko Kids Sili, Sishibi, Silali 02:443 –Salim Abdullah with Cuban Marimba Band Wanawake Wa Tanzania 05:34 4 –Salim Abdullah with Cuban Marimba Band Ubeberu 08:265 –Kilwa Jazz Band Vilionitendea 11:126 –Nuta Jazz Band Janja Yako 14:007 –Hodi Boys Mapenzi Tu 16:438 –National Jazz Band Nora 19:339 –Western Jazz Band Lipa Kodi Ya Nyumba 22:25 10 –Atomic Jazz Band Dunia Ina Mambo 26:15 11 –Dar Es Salaam Jazz Band Fitina Nyingi 29:1212 –Dar Es Salaam Jazz Band Mpenzi Una Nini 33:0813 –Nuta Jazz Band Safari Ye Nuta 36:2514 –Njohole Jazz Band Naona Ajabu 40:1915 –Atomic Jazz Band Dunia Ina Mambo 43:3616 –Dar Es Salaam Jazz Band Fitina Niyingi 47:5917 –Dar Es Salaam Jazz Band Mpenzi Una Nini 50:5718 –Nuta Jazz Safari Ya Nuta Jazz 54:4719 –Njohole Jazz Band Naona Ajabu 59:371960's Tanzanian pop.Sounds like some songs have been transferred from vinyl, and have some hiss and crackle* All materials presented on this channel are copyrighted by their respective copyright owners, and are subject to use for INFORMATIONAL PURPOSES ONLY!SUPPORT THE MUSICIANS, BUY THEIR MUSIC!** If you (being a musician or a copyright owner) don't approve your music material to be presented on this channel (or would like any additional info to be published), please contact me (via my Youtube channel ) and I'll remove it in seconds (or add necessary info)!Thank you in advance for your understanding!

Why So Many Black Women Aren't Leaving the Hospital Alive After Giving Birth
Why So Many Black Women Aren't Leaving the Hospital Alive After Giving Birth Baka Omubo 18 Views • 3 months ago

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Why are so many mothers struggling in silence?

In Pt.2 of this powerful reasoning, Alexia Doubouya and LaKeisha Entsuah of Coco Life examine why Black women continue to experience disproportionately high maternal mortality rates, regardless of income, education, or social status. They discuss the systemic challenges within healthcare, the realities of maternal health disparities, and why too many Black mothers are not making it home after giving birth.

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Free Your Mind (Return To The Source African Origins: Dr. Asa Hilliard
Free Your Mind (Return To The Source African Origins: Dr. Asa Hilliard Ambakisye-Okang Dukuzumurenyi 152 Views • 5 years ago

We must wake up. We have slept too long and retreated far longer.Dr. Asa G. Hilliard III was the Fuller E. Callaway Professor of Urban Education at Georgia State University, with joint appointments in the Department of Educational Policy Studies and the Department of Educational Psychology and Special Education. A teacher, psychologist, and historian, he began his career in the Denver Public Schools. He earned a B.A. in Educational Psychology, M.A. in Counseling, and Ed.D. in Educational Psychology from the University of Denver, where he also taught in the College of Education and in the Philosophy colloquium of the Centennial Scholars Honors Program.Dr. Hilliard served on the faculty at San Francisco State University for eighteen years. During that time he was a Department Chair for two years, Dean of Education for eight years, and was consultant to the Peace Corps and Superintendent of Schools in Monrovia, Liberia for two years. He has participated in the development of several national assessment systems, such as proficiency assessment for professional educators, and developmental assessments of young children and infants. He had been active in forensic psychology, serving as an expert witness on the winning side in several landmark federal cases on test validity and bias. Dr. Hilliard is a founding member of the Association for the Study of Classical African Civilizations and served as its first Vice President. He was the co-developer along with Listervelt Middleton, of a popular educational DVD series, Free Your Mind, Return To The Source: African Origins, as well as having produced videotapes and educational materials on African History through his production company, Waset Education Productions. Dr. Hilliard wrote numerous technical papers, articles, and books on testing, Ancient African History, teaching strategies, public policy, cultural styles, and child growth and development. In addition, he consulted with many of the leading school districts, universities, government agencies, and private corporations on valid assessment, curriculum equity and teacher training. Several of his programs in pluralistic curriculum, assessment, and valid teaching have become national models.WORKS BY DR. ASA GRANT HILLIARD IIIHilliard, Asa G. "The Egyptian Mystery System, Greek Philosophy and Dr. George G.M. James." Uraeus 1, No. 2 (1978): 46-48Hilliard, Asa G. "Free Your Mind, Return to the Source: The African Origin of Civilization". San Francisco: Urban Institute for Human Services, 1978.Hilliard, Asa G. "Basic Family Bibliography on African and African-American History and Culture." Return to the Source 1, No. 4 (1982): 13.Hilliard, Asa G. "Kemetic Concepts in Education." Nile Valley Civilizations: Proceedings of the Nile Valley Conference, Atlanta, Sept. 26-30. Edited by Ivan Van Sertima. New Brunswick: Journal of African Civilizations, 1984: 153-62.Hilliard, Asa G. Afterword to the Wonderful Ethiopians of the Ancient Cushite Empire, by Drusilla Dunjee Houston. Baltimore: Black Classic Press, 1985.Hilliard, Asa G. "Blacks in Antiquity: A Review." African Presence in Early Europe. Edited by Ivan Van Sertima. New Brunswick: Journal of African Civilizations, 1985: 90-95.Hilliard, Asa G. Introduction to Stolen Legacy, by George G.M. James. San Francisco: Julian Richardson Associates, 1985.Hilliard, Asa G. Foreword to Golden Names for a Golden People: African and Arabic Names, by Nia Damali. Atlanta: Blackwood Press, 1986.Hilliard, Asa G. "Pedagogy in Ancient Kemet." Kemet and the African Worldview: Research, Rescue and Restoration. Edited by Maulana Karenga and Jacob H. Carruthers. Los Angeles: University of Sankore Press, 1986: 131-50.Hilliard, Asa G. The Cultural Unity of Black Africa: The Domains of Patriarchy and of Matriarchy in Classical Antiquity." Great African Thinkers. Vol. 1, Cheikh Anta Diop. Edited by Ivan Van Sertima and Larry Obadele Williams. New Brunswick: Journal of African Civilizations, 1986: 102-109.Hilliard, Asa G. Introduction to From the Browder File, by Anthony T. Browder. Washington, D.C.: Institute of Karmic Guidance, 1989.Hilliard, Asa G. "Kemetic (Egyptian) Historical Revision: Implications for Cross Cultural Evaluation and Research in Education." Evaluation Practice 10, No. 2 (1989): 7-23.Hilliard, Asa. G. "Waset, The Eye of Ra and the Abode of Maat: The Pinnacle of Black Leadership in the Ancient World." Egypt Revisited. Rev. ed. Edited by Ivan Van Sertima. New Brunswick: Journal of African Civilizations, 1989: 211-38.Hilliard, Asa G. Foreword to Kemet and Other Ancient African Civilizations: Selected References, compiled by Vivian Verdell Gordon. Chicago: Third World Press, 1991.Hilliard, Asa G. "The Meaning of KMT (Ancient Egyptian) History for Contemporary African-American Experience, Part II" Color 1, No. 2 (1991): 10-13.

"If Your Child Has A Learning Disability, You Need To Start Doing This Today" | Baba Kwaw
"If Your Child Has A Learning Disability, You Need To Start Doing This Today" | Baba Kwaw Kwadwo Danmeara Tòkunbọ̀ Datɛ 77 Views • 2 years ago

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Watch more reasonings from Baba Kwaw Imana:
Pt.2 https://youtu.be/u2D97zdwNm0?feature=shared

Baba Kwaw Imana is an executive director of the BaoBab Tree Foundation and the founder and executive director of the Wilson Baker Academy Homeschool collective.

In pt.1 this reasoning, Baba Kwaw Imana gives solid advice to parents who have a child with a learning disability.

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Mulatu Astatke & His Ethiopian Quintet - Afro-Latin Soul
Mulatu Astatke & His Ethiopian Quintet - Afro-Latin Soul Ambakisye-Okang Dukuzumurenyi 43 Views • 5 years ago

01. I Faram Gami I Faram
02. Mascaram Setaba
03. Shagu
04. One For Buzayhew
05. Alone In The Crowd
06. Almaz
07. Mulatu’s Hideaway
08. Askum
09. A Kiss Before Dawn
10. Playboy Cha Cha
11. The Panther (Boogaloo)
12. Konjit (Pretty)
13. Soul Power
14. Lover’s Mambo
15. Love Mood For Two
16. Jijiger
17. Girl From Addis Ababa
18. Karayu
19. Raina

Arriving after Astatke’s life-changing years studying at Berklee College in Boston, the albums were the rest experiments in his pioneering sound, fusing Ethiopian cultural music with Afro Latin and jazz forms. “I have always felt a deep connection between Latin and African music,” he explains. “I travelled to Cuba and listened to their musicians; the tempo, rhythm and feeling was very similar to different African forms. In the mid-‘60s, I formed a band called The Ethiopian Quintet in New York comprising Ethiopian, Latin and Afro-American musicians – the band included trumpeter and pianist Rudy Houston who later played with Yambu and Felix Torres who played with La Sonora Poncena.”

Supported by Worthy Records’ Gil Snapper who offered to record the quintet, Astatke began to experiment during two separate sessions: “We created a different feel and different arrangements. On the rst recording, I played an adaptation of an ancient Ethiopian warrior song, ‘I Faram Gami I Faram’ – the lyrics were translated so that the singer could sing it in Spanish. Some compositions were important steps for me: ‘Mascaram Setaba’ (‘Summer Is Coming’) ‘Shagu’ and ‘Almaz’. With the second album, a personal favourite is ‘Girl From Addis Ababa’ which worked very nicely as a fusion of Ethiopian modes and R&B rhythms.”

Astatke would start to perfect his Ethio jazz sound on his later album for Worthy in 1972, ‘Mulatu Of Ethiopia’ but the two volumes of ‘Afro Latin Soul’ stand as important recordings documenting his early career. “It was a very interesting time to be in New York during the mid-‘60s. I was there at the same time as Hugh Masekela, Miriam Makeba and Fela Kuti and we each tried to play our part in putting Africa on the map of contemporary jazz.”

http://www.strut-records.com

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