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#delefarotimi © [2026] [Dele Farotimi]. All rights reserved. This video is protected by copyright law. No unauthorized downloading, reuploading, clipping, commercial use, or redistribution permitted without written permission. Fair use may apply in limited cases (commentary/news reporting), but wholesale copies violate copyright. #nigeria #nigerianrevolution #df #nigerianpolitics #1999constitution #nigerianyouth #nigerianprotests #nigeriangovernment
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The African country of Uganda is one of the world’s largest consumers of bananas. But for every ton of the fruit, plantations leave behind two tons of refuse. TexFad transforms them into tough fiber that can be woven into rugs, place mats, and even hair extensions.
MORE WORLD WIDE WASTE VIDEOS:
How Sacred Flowers Are Turned Into Incense Sticks | World Wide Waste
https://www.youtube.com/watch?v=7DR-NG5H-9Q
How Old Tires Are Turned Into Electricity | World Wide Waste
https://www.youtube.com/watch?v=oYOrN3rupbg
How Avocado Waste Is Turned Into Plastic | World Wide Waste
https://www.youtube.com/watch?v=uJY2A-HaQRY
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#BananaTrunks #Recycling #BusinessInsider
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How Banana Waste Is Turned Into Rugs, Fabric, And Hair Extensions | World Wide Waste
In this Harlem Liberation School video, Agyei Tyehimba discusses Bomani Baruti's groundbreaking book, "Message to the Warriors."
This is definitely a book you want to purchase and read for yourself. To purchase this or any other book by Mwalimu Baruti:
https://akobenhouse.com/
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Purchase the full presentation here: https://www.abibitumi.com/crimeagainsthumanityIn this Asaase Radio interview recorded on Wednesday, March 25, 2026, Ɔbenfo Ọbádélé Bakari Kambon breaks down Ghana’s landmark UN resolution calling for the transatlantic chattel slave trade to be recognized as a crime against humanity.This important discussion explores what the resolution means, why it matters, what reparatory justice should look like in practice, and why symbolic recognition is not enough. Ɔbenfo also highlights the connection between reparations and repatriation, pointing to the importance of concrete pathways for restoration rather than empty words.If you are interested in Black history, justice, reparations, repatriation, and Ghana’s role in this global conversation, this interview is for you.Purchase the full presentation here:https://www.abibitumi.com/crimeagainsthumanity
Hausa architecture of Northern Nigeria and Niger Republic
// Architecture haoussa du Niger et du Nord du Nigeria.
ENGLISH (French below/Français plus bas):
Hausa architecture is a distinct sub-style among the different Sudano-Sahelian architectural styles found throughout the Sahel-geographic band of Africa. It is mostly prevalent in the Hausaland region (North Western Nigeria and Southern Niger Republic) inhabited by the Hausawa people, but the previous popularity of Hausa architects brought it to Northern Niger and Cameroon. The one or two storey buildings are made with dry mud bricks. They are characterized by the extensive use of parapets, the stucco detail used for decoration on the facades, and the Hausa vault.
Different types of urban houses, royal palaces and mosques can be seen in this video,
FRANÇAIS :
L’architecture haoussa est une branche distincte de l’architecture Soudano-sahélienne du Sahel africain. On la retrouve principalement dans la région du Pays Haoussa (Nord-ouest du Nigeria et Sud de la République du Niger), habitée par le peuple Hausawa ou Haoussa, mais la popularité ancienne des architectes haoussas l’a amenée jusqu’au Nord du Niger ou du Cameroun. Les bâtiments, d’un ou deux étages, sont construits avec des briques en terre séchée. Ils sont caractérisés par l’usage récurrent de parapets, de détails en stuc pour la décoration des façades, ainsi que de la voûte haoussa. Divers exemples de maisons citadines, palais royaux et mosquées sont présentés dans cette vidéo.
For more information / Pour plus d’informations :
Building facades in Hausa architecture: http://www.thinkingafritecture.org/?p...
Hausa architecture on afropedea: http://www.afropedea.org/hausa-archit...
MUSIC / MUSIQUE:
ABDOU SALAM, Dunia Labari
MAMMAN SANI, Dan Yar Mata
SAADOU BORI, Yelleru
AKAZAMA, Chakirari
HAPI Talks with Dr. Oba T’Shaka about the rise and fall of Black Movements.
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