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Mambo Ama Mazama - Voodoo & The Afrikan Liberation Fight
In this video, we take an in-depth look at the ancient Tichitt culture of West Africa and examine how it supports the groundbreaking theories of historian and anthropologist Cheikh Anta Diop. Diop argued that African civilizations were far more advanced than often recognized, with Africa’s history frequently overlooked or misunderstood. According to his model, many modern West African populations trace their roots back to the Nile Valley (the Hapi River basin), having migrated over millennia. This perspective reshapes our understanding of African civilizations as interconnected and deeply influential in the ancient world.
The Tichitt culture, which flourished around 2000 BCE in what is now Mauritania, provides compelling evidence of an advanced society with organized agriculture, monumental stone settlements, and a structured social order. New archaeological findings reveal how this culture aligns with Diop's theories, not only affirming Africa's role in early civilization but also challenging misconceptions about Africa's historical contributions.
Join us as we explore the connections between the Hapi River basin and Tichitt, uncovering how these migrations shaped West African culture and heritage. Discover why Tichitt’s ancient legacy is essential for understanding Africa's place in global history and how it serves as proof of Diop’s enduring influence on the study of African civilizations.
0:00 Intro
1:44 Pastoral Domesticates
3:00 John Henry Clarke Refutes Christopher Wise
3:52 Yéréré Testimony
5:20 Kobadi Culture
7:37 Post Dynastic Migrations
8:20 Yoro Dyao Testimonies
9:07 Dinga Cissé Testimonies
10:35 Gao Assemblages
12:10 Segambian Glass Beads from Kmt
12:50 Sudanic Tumuli
14:56 Wangara Narratives
16:15 Senegambian Megaliths
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Draft for Project currently devising for simultaneous broadcast weekly Video and Podcast on Pan-Afrikan Economics. Comments welcome.
Professor Kofi Asare Opuku on University TV on how we lack confidence in ourselves due to our estrangment from our culture.
Bob Marley, Gregory Isaacs, Lucky Dube, Peter Tosh, Jimmy Cliff, Eric Donaldson - Legends of Reggae
🌷Reggae is a vibrant music genre, with a free-spirited Jamaican vibe and a strong spirit of resistance. If you combine legends like Bob Marley, Ziggy Marley, Sean Paul, Lucky Dube, Jimmy Cliff and Eric Donaldson in a common song, it will be a blend of deep melodies, meaningful messages and diverse styles.
🌷Bob Marley - the great icon of reggae, bringing immortal songs of peace, freedom and love. Ziggy Marley - who continues his father's legacy, brings a modern breath with reggae mixed with pop. Sean Paul - the master of dancehall, adds a vibrant and energetic rhythm. Lucky Dube - the South African reggae singer, conveys anti-apartheid messages. Jimmy Cliff - one of the pioneers of reggae, stands out with his emotional voice and inspirational songs. Eric Donaldson - the master of classic reggae with nostalgic hits.
🌷 Don't forget to LIKE 👍, SHARE 💌, and SUBSCRIBE 🔔 for more amazing OPM love songs! Let the music bring us closer together. 💞🎸
Mulatu Astatke | Album: Mulatu of Ethiopia | Ethio-Jazz | Ethiopia | 1972
1. Mulatu (0:00)
2. Mascaram Setaba (5:02)
3. Dewel (7:53)
4. Kulunmanquelesh (12:07)
5. Kasalefkut-Hulu (14:19)
6. Munaye (16:44)
7. Chifara (20:13) *
* Favorite Song
Stakeholders discuss the role of youth and agri-tech in Ghana’s dev’t - News Desk on JoyNews (15-7-21)
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Dr. Jemima Pierre, born in Gros Morne, Haiti and raised in Miami, Florida, speaks to The Other Narrative about why Haiti is paying a price - 220 years after it yanked Independence from the jaws of colonizers. Dr. Pierre speaks about the resilience of Haitians and their struggle against imperialism - in all of its iterations - and the fact that Haiti's emancipation is part and parcel of the global African/Black emancipation.
Dr. Pierre also speaks about the importance of Haiti to US imperialism; the way the West manufactures narratives; racism in international structures; regional neocolonial countries in service of imperialism; and so much more.
Dr. Jemima Pierre is Professor of Global Race in the Institute of Race, Gender, Sexuality and Social Justice (GRSJ) at the University of British Columbia and a research associate at the Centre for the Study of Race, Gender and Class at the University of Johannesburg.
Trained as a sociocultural anthropologist in the African Diaspora Program at the University of Texas, Austin, her research and teaching engages with Africa and the African diaspora across three broad areas of inquiry: 1) the relationship of political economy to race, as articulated through capitalism, white supremacy, and imperialism; 2) migration, transnationalism, and diaspora; and 3) the ethics and politics of western knowledge production and disciplinary formation.
Dr. Pierre has published widely; her essays and articles have examined the racial history of the discipline of anthropology, race and colonialism, theories of the African diaspora, the cultural politics of racial formation in Africa, Western resource extraction in Africa, and the history and politics of U.S. imperialism in Haiti and the Caribbean.
She is also the author of The Predicament of Blackness: Postcolonial Ghana and the Politics of Race. The Predicament of Blackness was winner of the 2014 Elliot Skinner Book Award in Africanist Anthropology and long listed for the 2013 OCM – BOCAS Literary Prize.
Her next book, titled Of Natives, Ethnics, and True Negroes: A Counter-History of Anthropology, will be published in 2024.
Source: https://grsj.arts.ubc.ca/profile/jemima-pierre/
Thanks to the use of the Kemetic cosmological argument, the natural systematic theology of Bukôngo,
this video sustains that the worshipping of divine spirits in Voodoo and their use to control nature is not a superstitious belief but a the practice of a science.
The ideas of this video have been inspired by my book titled BUKÔNGO, available at this link:
http://www.amazon.com/s/ref=nb_sb_noss?=-alias%3Daps&field-keywords=kiatezua
Captain Ibrahim Traore inaugurated the Mining residue processing plant.Captain Traore said the opening of the factory was all part of his regime's bid to have the country manage its own resources. He invited other African states to bring their own mining waste to Burkina Faso "because we have the technology to process."The establishment of the plant is designed to allow Burkina Faso to process onsite and have full control of the waste.
Documentary
Thomas Sankara: The Upright Man
Honoring the ancestors who paved the way for Afrikan people gives us to fuel to keep fighting. In this video we visit the birthplace of the Honorable Marcus Mosiah Garvey. It was an unforgettable experience for our family that we will forever cherish. ♥🖤💚
Orin Egúngún w/ Norley
Orin Egúngún w/ Norley
Orin Egúngún w/ Norley
Brazil freed the enslaved Africans but never wanted to resolve the legacy of slavery on Black popula
Brazil's government ended its slavery regime in 1888, but it never sought to deal with the conditions in which it left the black population and deep scar left on Brazilian society
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Black Women give their unfiltered testimony and plea to urge Black Mothers not to keep their children away from their Fathers.
‘For Mothers who won't let Fathers see their Children,’ is an all-women’s response to Mothers as well as court systems directly affecting Father’s visitation rights and direct positive relationships with their children. Women will discuss and examine women’s role in the matter or the role they have experienced with other women to take part in this matter. More so to make a positive argument and narrative regarding the importance of having the father or man in the household and directly in the child’s life in any capacity. Women will be the primary voices in the discussion and discourse regarding this topic.
Nware Rahsaan Burge is currently a PhD candidate, an Adjunct Professor at Kean University in Union, New Jersey; Essex County College, in Newark, New Jersey; and Medgar Evers College in Brooklyn, New York. Nware is also a History and Special Education High School teacher and an Award-Winning Independent Documentary filmmaker. Nware holds a Bachelor’s degree in Liberal Arts/Political Science from Medgar Evers College in Brooklyn, New York, a Master’s degree in Education from Brooklyn College, in Brooklyn, New York and is a PhD candidate in Humanities and Culture at Union Institute and University in Cincinnati, Ohio. Nware has taught and worked in urban public schools for more than 17 years and as a University Professor for 4 years.
Nware was born in Hackensack, New Jersey and raised in Newark, New Jersey. He lived in Brooklyn, New York for 15 years, as well as Philadelphia for 3 Years, and currently resides in his hometown of Newark, New Jersey. As a first-time filmmaker and director, Nware has created his first feature documentary film, which is in its final editing stage, entitled: DNA-Using Genealogy to Change My SLAVE Last Name. The premise of the film poses the complex and sensitive question, “Should Black people change their White last name?” The film features Dr. Gina Paige of AfricanAncestry.Com as well as New York State Senator Kevin Parker, Historian and Scholar Dr. Leonard Jeffries and other scholars who give their insight on the topic. This complex and sensitive subject matter that his documentary film is based, has qualified Nware’s film to win the Yaa Asante Waa award for Best Documentary at the Black Star International Film Festival in Accra, Ghana.
Nware Burge’s film, DNA-Using Genealogy to Change My Slave Last Name, proposes the idea that people of African descent in the Americas, specifically African Americans and Caribbean’s alike, should contemplate the idea of using DNA genealogy results to change their European surname to the name of their genetic African ethnic origin. Nware plans to use his results from his DNA genealogy test to decide on a new surname, as well as applying for dual citizenship, which he urges other African Americans to consider as possibilities.
Another aim of his documentary DNA is to enlighten others and bring to the forefront that people of African descent in the Americas have carried and passed on the legacy of chattel slavery, imperialism, and colonization, as they continue to pass on their slave master’s European surname, from generation to generation without much grievance. The film reflects love, cultural pride, and the perplexity regarding his family surname of BURGE. Nware’s film DNA, also addresses the importance of people of African descent reclaiming their cultural and original mores, norms and spiritual systems from West Africa that were lost due to the Trans-Atlantic Slave Trade.
Nware will be releasing his totally independent documentary film titled: For Mothers who won’t let Fathers see their Children (An All-Women’s Narrative), this Father’s Day, Sunday, June 16th, 2024, in which he attends to shedding light and understanding concerning general issues of Black fathers being separated from their children through a legacy of systematic governmental politics as well as the volition of mothers through parental alienation.
Nware is also in pre-production of his independent film titled: BLACK BEACHES in America – Our Maroon Societies. A film which will be centered around educating and sharing the great stories about some of the iconic Black Beaches in America that many people, never knew existed.
Overall, Nware understands the importance of history and culture as it applies to people of direct African descent and indigenous people across the world and hopes that all are inspired after viewing his films.
Verona from Ancestral Voices speaks with Prof. Bayyinah Bello where we explore Haitian Vodou, the importance of self knowledge, nature as a spiritual teacher & more...
Prof. Bayyinah Bello
Website: https://en.fondasyonfelicitee.com
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Email: bayyinahbello@fondasyonfelicitee.com
SHEROES of the Haitian Revolution https://thorobredbooks.com
Ancestral Voices
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How much African ancestry does one have to have in order to be considered black and what percentage has to meet this criteria in order to be considered a black nation? Millions of Africans have been emigrating to Europe and the Americas in increasing numbers, constituting new African diaspora communities not directly connected with the slave trade. Other sources show that Africans had been present in Asia, Europe and even the Americas long before Christopher Columbus' travels.
Stay Tuned and Remember to Subscribe!
**2024 Ghanaian Citizenship Ceremony Video**
The 2024 Ghanaian Citizenship Ceremony Video captures the powerful and emotional moments of a historic event where individuals of Abibifoɔ (Black people) officially reconnect with their ancestral homeland by acquiring Ghanaian citizenship. This poignant video showcases the rich cultural heritage of Ghana through vibrant traditional music, dance, and regal displays of Akan chieftaincy and other cultural customs.
Highlights of the video include the ceremonial oath-taking led by government officials and traditional leaders, symbolizing a commitment to Ghanaian values and identity. Personal stories of repatriates resonate throughout, expressing their journeys to rediscover their heritage and contribute to the nation. The event also features remarks from prominent figures, including Ɔbenfo Ọbádélé Kambon, a central figure in the movement for repatriation and citizenship recognition, emphasizing the significance of this milestone in Pan-Abibifoɔ unity and the global Abibifoɔ Renaissance.
The video beautifully encapsulates the unity, pride, and hope shared among attendees, blending ceremonial grandeur with heartfelt human connection. It stands as a testament to Ghana's continued leadership in welcoming the Abibifoɔ Diaspora home, making it an inspiring visual representation of reconnection, renewal, and reclamation.
Ɔbenfo Ọbádélé Kambon and Nataki Kambon interview with Blakk Rasta
