Describes how to login and join into a Abibitumi Group to engage with group members and use the Buddymeet videoconferencing system.

Rage, Resistance, Rebellion Restoration:
Speak Out! Voice your opinions and solutions for resistance, rebellion, revolution, and restoration.
Join Us Sunday, June 14, 2020, at 3:00 PM Eastern


We of the Black Therapy Central network share in our collective rage against the ongoing global injustice to our humanity. Murder by police is but one of the many violent acts against us.


We stand in support of our people who righteously are in rebellion against those people and their systems that continue to engage in and support the murder, rape, theft, oppression and subjugation of Black people.


These rebellions are for the very survival of our people and of our planet.


We at Black Therapy Central are committed to our collective healing, yet, we recognize total healing cannot occur in an unjust world. This system, indeed, this world must change.

We are here to hear us, support us, and help us organize and mobilize solutions to make our lives different and better now and for future generations.

Join us for a public forum with invited special guests where you can speak your piece and be with others who share your feelings and views. Let's develop solutions that will lead to power-Power that will restore, defend and build for ourselves, our people, our communities. Let us define and create justice for our humanity.


Visit our website at BlackTherapyCentral.com. Let us heal mind, body and spirit so we can ultimately heal the world. Join us for a public forum with special invited guests where you can speak your piece and contribute to solutions that can translate to power.

Join us on BlackTherapyCentral.com Saturday, June 13 at 7 PM EDT.

In Part 2 - We explore Afrikan Centred Concepts of "God", The Universe & Indigenous Cosmologies.

If you Would Like: https://www.paypal.me/abengapparel

In Part 1 - We explore the meaning & purpose of Culture, Religion & Spirituality. We then go on to investigate whether the concept of “Afrikan Spirituality” is justified or completely fabricated.

If you Would Like: https://www.paypal.me/abengapparel

Find ShakaRa on Social Media:
https://www.instagram.com/shakaraspeaks
https://www.facebook.com/shakaraspeaks
https://twitter.com/shakarabks

Are "African americans" oburoni? What this word means to Ghanaians
Panel Discussion
Moderator: Dr. Obadele Kambon (Research Fellow, Institute of African Studies, University of Ghana)
Panelists: Professor Kofi Agyekum (Director School of Performing Arts; Professor Linguistics - University of Ghana)
Dr. De-Valera NYM Botchway (Lecturer - University of Cape Coast)
Mr. Laurence Bosiwah (Lecturer - University of Cape Coast)
Mr. Terron Wilkerson (Exchange Student, University of California/University of Ghana)

#AiWeek2020 Fireside chat with Dr. Molefi Kete Asante

In this vdeo I explain to you how to navigate, find things (information, features, n.k) on Abibitumi site easily.
Abibitumi.com

Playlist "FULL ALBUMS": https://www.youtube.com/playli....st?list=PLPThW41PhDc
01-00:00 Bi Lambam 02-04:58 Salaman 03-11:12 Kita Kaira 04-20:15 Bafoulabe
05-26:42 Cheikhna Demba 06-31:12 Kora Bali 07-40:20 Kadiatou 08-48:09 Yamfa
All music composed by Toumani Diabate. Recorded in Bamako, Mali at the Palais de Congres on September 23, 1997. Re-equalized by Luca Durand. CD Hannibal Records HNCD 1428 (1999).

Taken from the classic album, Songs of the Motherland by Anum Iyapo (Aunkh Anum), This song tells the story of a man returning to Mama Afrika for the first time and trying to reclaim his language.

"When one thinks of contemporary African pop, the kora isn't the first instrument that comes to mind. A string instrument with a harp-like sound, the it has been a part of traditional African tribal music for centuries -- and for the most part, traditional settings are where you can expect to find it. Nonetheless, the kora hasn't been excluded from African pop, and it is used for both traditional and more modern sounds on this rewarding album by Malian kora virtuoso Mamadou Diabate. Coming from a family of Manding griots, Diabate is well schooled in traditional tribal music but is also open to more modern elements. Much of Tunga is quite traditional -- "Djanjo," for example, is a piece that goes back to the 13th century -- but "Dounuya" has strong blues leanings, and it is among the tracks that employs an electric bassist, Cheick Barry. The other bass player heard on this album is Ira Coleman, an acoustic jazz bassist who has played with such greats as Joe Henderson, Herbie Hancock, and the late Betty Carter, and joins Diabate on five of Tunga's nine tracks. Whether he is incorporating Western elements or favoring a traditional approach, Diabate brings a lot of charisma to this engaging, mostly instrumental album." - Alex Henderson

Buy the digital album here : http://www.qobuz.com/es-en/alb....um/tunga-mamadou-dia

Buy the album (CD format) here : http://www.africantreasures.co....m/product/tunga-cd-m

1 - Dagna 0:00
2 - Dounuya 4:58
3 - Tunga 10:01
4 - Larsidan 16:32
5 - Soutoukou 21:06
6 - Mamadou Diawara 24:44
7 - Djanjo 30:10
8 - Djelimory 34:56
9 - Mande 39:53

Subscribe to my channel : https://www.youtube.com/channe....l/UCM-AWvXvybgrQi6lo

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