RIP Claudius. 'Backra' is for the slave, is when the 'backra' is 'back', your back is raw. They always rip the slaves at the back, so when they hit them they said the 'back-ra(w)'. When they hit these guys the guy said (sings): 'Backraaaa massa, backraaaa massa, no give me them life I'm living here, 'cause when the sun goes down the moon comes around, the falling of one tribe is the rising of the other, if you see me mister Backraaaa massaaaa, no gimme them life I'm living ya, I'm gonna catch the freedom train that's bound to Zion I would say, I'm gonna catch that freedom train Backra massa, Backraaaa massa, Backra massaaa-a-a, no give me the life I'm living ya, no gimme them life I'm living here...'

Album : Vincy Mas
Arranged By Frankie McIntosh. 1986

For the second consecutive year, NPR teamed up with globalFEST in January 2021 for a thrilling online music festival we call Tiny Desk Meets globalFEST: three nights, nine bands, and a world of musical traditions hosted by African pop star Angélique Kidjo. Now, we're posting all the sets from our festival as individual Tiny Desk (home) concerts.Bob Boilen | January 28, 2022Born from the rich musical and historical heritage of San Basilio de Palenque, Colombia (the first free Black town in the Americas), Kombilesa Mí fuses the traditional sounds of the community with urban pop. The band's members experiment with the instruments created by their ancestors (and introduced to them when they were young) by layering them between new sounds.Over traditional percussion, metal handmade drums of their own design, and marímbula, Kombilesa Mí rhymes and raps in Spanish and the traditional Palenquero language, a fusion of African Bantu, Portuguese, French and English. During the performance, you'll hear them call their music "RFP," which means Rap Folklórico Palenquero, a combo of cumbia, son de negro, mapalé and son palenquero. --The globalFEST staffSET LIST"I Tando Pa Palenge""I A Piyá Bó""Kumo Kusa Tá""Los Peinados""Asina Gue""Ma Nduse""Ata Uto Begá"MUSICIANSAndris Padilla Julio: vocalsKeila Regina Miranda Pérez (KR MP): vocalsAlí Fernando Navarro (MCPM): vocals, tambor alegreMartín Elias Maza: tambor llamadorKendri Cassiani: tamborasOrlys Reyes: marímbulaEdwin Valdes: maracasCREDITSProduction: Guillermo CamachoAudio: Fernando ManzurVideo: Guillermo CamachoCamera: Royman Reales MartinezSpecial thanks: Real Films Cartagena, Viviana Benitez, novaproduccionesTiny Desk Meets globalFESTTiny Desk TeamProducer: Bob BoilenVideo Producer: Maia SternAudio Mixing: Josh RogosinTiny Production Team: Bobby Carter, Kara Frame, Joshua Bryant, Sofie Hernandez-SimeonidisExecutive Producer: Keith JenkinsSenior VP, Programming: Anya GrundmannglobalFEST Artistic TeamCo-Directors: Shanta Thake, Isabel Soffer, Bill Bragin2022 Curators: Shanta Thake, Isabel Soffer, Bill Bragin, Gabrielle DavenportglobalFEST Production TeamEvent Producer: Ian ThakeProducer: THE OFFICE performing arts + film*Video Producer: Karim TabbaaSpecial ThanksThe Andrew W. Mellon Foundation, National Endowment for the Arts, NYC Department of Cultural Affairs, NYC Mayor's Office of Media and Entertainment, JanArtsNYC, Valerie French (social media), Yuri Kwon of Pitch Perfect PR (publicity), Tamizdat (legal services) and Duane Morris (legal services)*THE OFFICE performing arts + film consists of Rachel Chanoff, Laurie Cearley, Olli Chanoff, Erica Zielinski, Nadine Goellner, Lynn Koek, Noah Bashevkin, Catherine DeGennaro, Gabrielle Davenport, Chloe Golding, Kyla Gardner, Tess Peppis, Zion Jackson, Scout Eisenberg and Jose Alvarado

Northern Soul

⁣Pan-Abibiwiase (Black World) musical collaboration when the marimba meets the balafon, and Abibifoɔ across the ocean re-connect. The marimba is from Abibiman developed in 'colombia' by Abibifoɔ and the main instrument of the Black genre from the southern hemisphere called Currulao. The balafon is an ancient Abibiman instrument heavily found in the present day countries of the ancient Mali empire, such as Senegal as represented here. Currulao players have theorized the marimba is a descendant of the balafon, reconstructed in the Choco rainforest of the Southern hemisphere from the memory ⁣Abibifoɔ had of back home. The marimba player is Hugo Candelario, from Guapi, Cauca, and one of the country's best marimba players.

Original video info:
Title: ⁣´Fanta Diallo´ canción popular de Senegal (popular song from Senegal)

Aprendiendo el toque en la Marimba de ´Fanta Diallo´, una canción popular de Senegal….gracias Maestros!

Currulao is the main traditional genre of Abibifo⁣ɔ music out of the Southern Pacific Coast of 'colombia' and Northern Pacific Coast of 'ecuador'. This group is specifically from Timbiqui, Cauca, a Pacific Coastal town in the biogeographic Choco region. Timbiqui is also the name of the river where the community of Timbiqui is located. This song is about singing to the river asking for a safe passage, to let them go up the river, don't drown us (no me vayas a hogar), don't wet us (no me vayas a mojar), let me go up (dejame subi'). This is a continuation of evidence of our Kmtyu worldview regardless of location and colonial language. Reverence and respect for nature, the oceans, the rivers, and the source of life, water. This can be seen as a libation song for traveling up the Timbiqui river safely. The main instrument is the marimba, made from the palm trees in the Choco rainforest, and said to be a reconstructed descendant of the balafon made by Abibifo⁣ɔ in a new context. We carried Abibiman with us!


original video info:
Provided to YouTube by ONErpmRio Timbiqui · Canalón de TimbiquíDejame Subi℗ Canalon de TimbiquiReleased on: 2004-02-06Auto-generated by YouTube.