Latest videos

Fie
Ns?m a w?akyer?w

Closing the Breast Feeding Gap and White Supremacy Kwadwo Danmeara Tòkunbọ̀ Datɛ 25 Nhwɛso • 5 mfe a atwam

www.bittermedicineblogs.com – A recent New York Times article, “Working to Close the Breast Feeding Gap” totally surprised us! In it, the article says that Black women are not encouraged to nurse as much as white women, due to the history of their own mothers not breast feeding them.

Shockingly, Black newborns are nine times more likely than white babies to get formula in hospitals. Initially, white women led the charge to raise their children on baby formula, and Black women followed suit. However, at some point white women ditched baby formula, realizing “breast is best”, but Black women did not follow. It should be noted: White women leading the charge towards feeding babies with baby formula is rooted in Slavery.

Many Black women today shun breast feeding because it reminds them of days gone by, during slavery, when Black women were forced to not only work the fields, but also be wet nurses to white families.

We examine the reasons why there isn’t more lactation assistance in our community; Black women’s traumatic history with being wet nurses to their oppressor’s children; the pros and cons of breast feeding from both a scientific and metaphysical stance; and we relate all of this to why white supremacy discourages breast feeding in the Black community.

These and other topics are discussed. Listen to find out more!

Follow Us on:

Twitter: https://twitter.com/bittermedz
Facebook: https://www.facebook.com/BitterMedicineShow/
Instagram: https://www.instagram.com/bittermedicine/
Tumblr: https://www.tumblr.com/blog/bittermedz
Website: http://www.bittermedicineblogs.com/bittermedicinepodcasts

The Spiritual Nature of African Dance Njideka Karmo 33 Nhwɛso • 5 mfe a atwam

A useful video that helps to explain the cultural functionality and spiritual nature of Afrikan Dance.

Filipa César, Jin Mustafa – Meteorisations: Reading Amílcar Cabral's Agro-Poetics of Liberation Ambakisye-Okang Dukuzumurenyi 53 Nhwɛso • 5 mfe a atwam

SONIC ACTS FESTIVAL 2019 – HEREAFTER
Filipa César, Jin Mustafa – Meteorisations: Reading Amílcar Cabral's Agro-Poetics of Liberation
24 February – De Brakke Grond, Amsterdam, The Netherlands

A reading of Amílcar Cabral’s agronomic writings exposes substrata of a syntax for liberation later performed in guerrilla language and the struggle against Portuguese colonialism in Guinea-Bissau and Cape Verde. This visual and sonic reading explores the definitions of soil and erosion that Cabral developed as an agronomist, as well as his reports on colonial land exploitation and analysis of the trade economy, to unearth his double agency as a state soil scientist and as a ‘seeder’ of African liberation. Cabral understood agronomy not merely as a discipline combining geology, soil science, agriculture, biology and economics but as a means to gain materialist and situated knowledge about peoples’ lived conditions under colonialism. The scientific data he generated during his work as an agronomist, along with his poetry, were critical to his theoretical arguments in which he denounced the injustices perpetrated on colonised land, and it later informed his warfare strategies.
Cabral used his role as an agronomist for the Portuguese colonial government subversively to further anti-colonial struggle. Cabral’s process of decolonisation was understood as a project of soil reclamation and national reconstruction in the postcolony. His agency as an agronaut ventures through soil cosmologies, mesologies, meteorisations, ‘atmos-lithos’ conflict zones, celluloid compost, violence of imperial consumption — the sugar question. Humble derives from Humus.

Performative lecture by Filipa César with sound by Jin Mustafa and images from Sana na N’Hada and Flora Gomes, 1974, Cape Verde.

This iteration of the lecture has been commissioned by Sonic Acts as a part of Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union.

Filipa César is an artist and filmmaker interested in the porous boundaries between the moving image and its reception, the fictional dimensions of the documentary and the economies, politics and poetics inherent to cinema praxis. Characterised by rigorous structural and lyrical elements, her multiform meditations often focus on Portuguese colonialism and the liberation of Guinea-Bissau in the 1960s and 1970s. This research developed into the collective project Luta ca caba inda (The Struggle Is Not Yet Over). She gained an MA Art in Context at the University of Arts, Berlin. Selected exhibitions and screenings include at the São Paulo Biennial, Manifesta 8, Cartagena, and the Contour 8 Biennial in Mechelen, Belgium, and Gasworks, London. Festival screenings include the Kurzfilmtage Oberhausen, Curtas Vila do Conde, Forum Expanded at the Berlinale and the International Film Festival Rotterdam.

Jin Mustafa is a Stockholm-based visual artist, DJ and electronic music producer. Her work shifts between media, often taking the form of moving images, objects, sound and music. She is interested in the relationship between technology, imaginary spaces and questions of personal and collective memory. Recent exhibitions include I’m fine, on my way home now at Mossutställningar, Stockholm (2017); Ripple at Alta Art Space in collaboration with Signal, Malmö; If she wanted I would have been there once, twice or again at Zeller Van Almsick Gallery, Vienna; and a collaborative work with Natália Rebelo for Chart Emerging at Kunsthal Charlottenborg, Copenhagen (2018).

Nationbuilding: Theory & Practice in Afrikan Centered Education (1) [BITTER MEDICINE PODCAST] Kwadwo Danmeara Tòkunbọ̀ Datɛ 35 Nhwɛso • 5 mfe a atwam

#AfricanCenteredEducation #Nationbuilding #Akoto
In this episode we read portions of 'Nationbuilding Theory & Practice in Afrikan Centered Education' by by Kwame Agyei Akoto (Author). Join Us to learn more.

This episode continues our drive to understanding the need for a new African-centered curriculum for Black children and family units. Ask Us how can you help.

Join our Discord server: https://discord.gg/dVcbGvUvqW

** DONATE 2 THE SHOW: $bittermedz**

Follow Us on:
Twitter: https://www.twitter.com/bittermedz
Facebook: https://www.facebook.com/BitterMedici...
Instagram: https://www.instagram.com/thebmpodcast
Tumblr: https://www.tumblr.com/blog/bittermedz
Website: linktr.ee/bmpodcast

Follow KWAZ RADIO:
Facebook: https://www.facebook.com/KWAZRADIO/
Instagram: https://www.instagram.com/kwazradio
Twitter: http://www.twitter.com/kwazradio
YouTube: https://goo.gl/a6eXJZ
Website: https://www.kwazradio.com

Prof. Kaba Hiawatha Kamene - Ptah Seker Ausar: A Kemetic Cosmic New Year | 2018 Ambakisye-Okang Dukuzumurenyi 99 Nhwɛso • 5 mfe a atwam

Brought to you by: 1st FREQUENCY DAILY GAGUTICAL PROSPERITY AFFIRMATIONS (Book 1 - 72 pages) https://gum.co/arHqH
--------------------------

If you are following the Gregorian calendar, you must be prepared for the frequencies and energies of the New Year from a Kemetic, African centered consciousness.

Professor Kaba Hiawatha Kamene and the Keeper of our Time, Ptah Seker Ausaur will offer their expertise and guidance for a new you in the New Year.

Related:
1st Frequency of Oneness, Science, Manifestation and Prosperity with Rev. Philippe SHOCK Matthews http://bit.ly/2wyTFCp
50+ Reasons Why African Americans Succeed At Failing Financially By: Rev. Philippe SHOCK Matthews https://gum.co/cLCOD
1st FREQUENCY DAILY GAGUTICAL PROSPERITY AFFIRMATIONS (Book 1 - 72 pages) https://gum.co/arHqH

GhanaWeb TV Live: 1 September 2021 Ambakisye-Okang Dukuzumurenyi 59 Nhwɛso • 5 mfe a atwam

Stay tuned for a line-up of compelling programmes and national events here on GhanaWeb TV.

Disclaimer: Please note no copyright infringement is intended.
We do not own rights to any third party Videos/Audios or any music used in this video.

Get the latest headlines: https://www.ghanaweb.com/

Like and subscribe for more videos ► http://youtube.com/TheGhanawebTV

Copyright Disclaimer: Under Section 107 of the US Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship and research.

And the Ghana Copyright Act, 2005 (Act 690), the use of a literary or artistic work either in the original language or in translation shall not be an infringement of the right of the author as the room is made for the purposes of fair practice.

With the exception of live interviews, we do not own the right to audios and videos in this live stream. They are being used for promotional purposes.

Prof. James Small, Prof. Kaba Hiawatha Kamene, Dr. David Imhotep: 1804 - Hidden History of Haiti Ambakisye-Okang Dukuzumurenyi 48 Nhwɛso • 5 mfe a atwam

The First Americans Were Africans: Expanded and Revised https://amzn.to/3jaVH5m

ADEPT: [Professor James Small] The SHOCK Metaphysics Virtual Kemetic Wisdom School https://goo.gl/UEZFDh
--------------
The First Americans Were Africans: Expanded and Revised https://amzn.to/3jaVH5m

In this exciting episode of the Philippe Matthews Show, Professor Kaba Hiawatha Kamene, Professor James Small and Dr. David Imhotep will unpack the untold, hidden history of Haiti and the Haitian revolution.

Haiti beat five nations including the british! Dr. David Imhotep says, “We shall give the public a completely new perspective on Haiti after I first cover her GLORIOUS PAST! Long live DESSALINES, BOUKMAN & TOUSSAINT!"

LINKS OF INTEREST:

DOWNLOAD: The Life History of the Human Race by Kaba Hiawatha Kamene (38 page E-Book) http://bit.ly/2j8w2ul
What is Philippe Reading: http://a.co/iDE6rkw
What is Philippe Watching: http://a.co/7R34m5m

-~-~~-~~~-~~-~-
Please watch: "The Innerground Railroad Official Trailer"
https://www.youtube.com/watch?v=cUn2jWxsaoY
-~-~~-~~~-~~-~-