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Friday, 30 October 2026 · Cedi Conference Centre, University of Ghana, Legon
8 AM Presidential/Royal Panel · 12 noon Debate · 1:30 PM Plenaries (GMT)
Afrobeats And Its Links To US Secret CIA Intelligence
Have you ever found yourself wondering why Afrobeats - the joyful soundtrack to the "Africa Rising" era from the late 2000s through the early 2010s - seems to have lost much of its energy and lustre of recent? Does it seem to you like the music no longer belongs to the fans and has become a distant, expensive product that nobody can relate with anymore?
You are not imagining it - in fact the reality of what has happened to Afrobeats is a lot darker than you would possibly imagine. Far from just a fresh music genre that embodied the sounds and aspirations of a new generation across the continent, it has been coopted into the arsenal of the US government's extensive foreign influence and interference tools. In fact, your favourite Afrobeats artist, as incredible as it sounds, most likely now has a handler permanently assigned to them by the US State Department.
In this special report, The Spearhead Senior Reporter Mckay Chukwu examines a story that has been hiding in plain sight for years, detailing the State Department's well-funded cultural interference infrastructure which has been deployed all over the Global South to bend entire populations and their governments toward the foreign policy goals of the US government.
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1 month ago
Ever found yourself wondering why Afrobeats - the joyful soundtrack to the "Africa Rising" era from the late 2000s through the early 2010s - seems to have lost much of its energy and lustre of recent?
Does it seem to you like the Afrobeats no longer belongs to the fans and has become a distant, expensive product that nobody can relate with anymore?
Well, you are not imagining it or dreaming!!!
Musical artists and celebrities usually become agents of western colonialism/ imperialism in exchange for money, riches and fame.
I am not surprised because generally speaking, Black artists and celebrities are never modeled citizens or freedom fighters for Black liberation.
1 month ago
Nigerians created Afrobeats. But Nigerians does not own or control the global Afrobeats industry —Just like Black American music industry.
Follow the money, ownership, distribution, and promotion.
The same (Jewish) corporate machinery that spent decades deciding which Black American voices became commercially dominant is now buying, financing, funding and distributing much of Africa's most visible music to the world.
The U.S. government openly describes music as an instrument of foreign policy —Louis Armstrong Jazz Band and the covert CIA operation in the Kongo.
You don't need a secret conspiracy theory to see the power structure in the global music industry.
It is all in the open.
It is in the contracts.
It is who they are putting their money behind to push and promote to the Black community.
FOLLOW THE MONEY!!!