Le Groupe Bogolan KASOBANE est né à la fin des années 70 quand des jeunes étudiants sortant de l´Institut National des Arts (I.N.A) du Mali à Bamako se sont unis pour la promotion de leur propre culture autour du bogolan, une technique ancestrale de dessin et de peinture, pouvant atténuer l´influence occidentale artistique enseignée à l´I.N.A.

Le nom « KASOBANE » est composé à partir de l’initial du prénom des membres du groupe.
KA pour Kandioura Coulibaly et Klétigui Dembélé ;
SO pour Souleymane Goro ;
BA pour Baba Keita et Boubacar Doumbia ;
NE pour Néné Thiam.

L’objectif principal du Groupe KASOBANE est de promouvoir le Bogolan en créant un nouveau courant artistique pour réaliser des œuvres contemporaines mettant en avant les techniques et valeurs locales.

L’originalité du groupe KASOBANE réside dans son mode d’inspiration et de création commune, sous une signature unique qui n’exclut pas la particularité, ni le génie créateur de chacun, et ce, contrairement à l’individualisme classique propre à l’Artiste. Par ce choix délibéré le groupe perpétue ainsi l’esprit de partage et de communion en hommage aux mères du bogolan.
Grâce à sa persévérance, son travail artistique, ses enquêtes, son enseignement, depuis plus de 45 ans, KASOBANE fut à la fois promoteur de génie et innovateur soucieux de la transmission d’une technique ancestrale malienne qui aurait pu disparaître.

Soundiata est un spectacle multidisciplinaire interpretée ici par le Balais National, le Koteba National, le Badema National et l'ensembe instrumental du Mali. Il nous plonge dans la legende de l'epopée mandingue et l'histoire de Soundiata Keita. Cette piece est inspirée de l'oeuvre de Mamadou Badjian Kouyaté.

How can a Black man have a white God ? The weaponization of religion to facilitate the destruction of the black race. How religion have been used as a tool to indoctrinate the Black mind into surrendering sovereignty to the white criminals and their satanic agendas.
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From the Plantation to the Pulpit.
© 2008
Speaker : Ayo Kimathi AKA Irritated Genie of Soufeese.

COMING UP LIVE NOW ON PAN-AFRICAN DAILY TV with Dr Susan Tatah, Bamenda Girl (BG)

Kumbukeni co-host Nduku is joined by her brothers in the Jumuiya ya Nguzo Saba community to discuss the importance of preserving and spreading Kiswahili as our Afrikan Language of Unity, and the work they are doing to ensure this. The conversation will be based on Nduku's presentation on Kiswahili at the African Languages Conference which is currently taking place until the 28th of February.

Provided to YouTube by Universal Music Group

Low Gravy · Paul Gonsalves

Gettin' Together!

℗ 1987 Fantasy, Inc.

Released on: 1987-01-01

Composer Lyricist: Jelly Roll Morton

Auto-generated by YouTube.

Stealing A Nation is an extraordinary film about the plight of the people of the chagos islands in the Indian Ocean - secretly and brutally expelled from their Homeland by British government in the late 1960s and early 1970s, to make way for an American military base. The base, on the main island of Diego Garcia, was a launch pad for the invasions of Afghanistan and Iraq.
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Directed, written and reported by John Pilger.
© 2004 Granada Television

Latio Cosmos

He puts on a sad face but the fact of the matter is they he helped take
down Brother Malcolm X and set his people back forever until the end
of time. He prevented Malcolm from getting into the United Nations.
He worked with the oppressive white system and set Malcolm up to be
gunned down by the puppets in The Nation of Islam. This creep just like
his partner Raymond Woods was pure shit. Now we are left with a bunch
of Black individuals who are monetarily successful but collectively we
are a bunch of damn bums. Nothings has changed, when we get around
each other we only want to talk about material possessions we already
obtained or seeking to get. We've been ran into the ground.

If another Black person makes more money than the next the think they
are superior. We've been turned into clowns.

Now come on and argue with me so I can show you how crazy you are.
If you think we are at where we are suppose to be as a people you are out
of your mind, - Omar Shabazz.