Official video for “Shape Nice" by Afro B x Vybz Kartel x Dre Skull

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Why are unelected leaders speaking at the G20 conference? The G20 is a summit for global elected leaders, yet Bill Gates and Klaus Schwab are both there. As one person put it on Twitter: It is no longer a conspiracy theory to ask why those unelected leaders are there talking about a new world order!

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Wongel Zelalem reports on the Vanuatu tribes mourning the death of their 'god' prince Philip, formal period of mourning is now underway.

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Hope Vocals, Di Genius - Kumina Medley (Walk In Deh) | Hill & Gully Riddim

Di Genius presents

Hope Vocals - Kumina Medley (Walk In Deh)
From the Hill & Gully Riddim

Directed by Shane Creative
@4fortyfourAtelier

Stream Here:
https://onerpm.link/KuminaMedleyWalkinDeh

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In this Harlem Liberation School video, Agyei Tyehimba discusses Bomani Baruti's groundbreaking book, "Message to the Warriors."

This is definitely a book you want to purchase and read for yourself. To purchase this or any other book by Mwalimu Baruti:
https://akobenhouse.com/

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Baaba Maal & Mansour Seck - Djam Leelii: The Adventurers
Djam Leelii

00:00 Lam Tooro
06:41 Loodo
12:52 Muudo Hormo
19:06 Salminanam
23:35 Maacina Tooro
29:25 Djam Leelii
35:27 Bibbe Leydy
41:55 Sehilam
48:19 Kettodee
53:15 Ko Wone Mayo
01:02:44 Daande Lenol

Baaba Maal & Mansour Seck - Djam Leelii: The Adventurers
Djam Leelii is the first widely distributed album of Senegalese musician Baaba Maal and guitarist Mansour Seck. Several of the tracks have been released on Baaba Maal's later releases. It was originally recorded in 1984 and released in 1989.
The album was featured in the book 1001 Albums You Must Hear Before You Die.

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The Palm Channel will present some of the highlights from our catalogue, an eclectic mix of original short films, interviews from our archives exploring the roots and branches of Jamaican music, and much more.

Created by Island Records founder Chris Blackwell (Bob Marley, U2, Grace Jones etc.). Palm Pictures has always pushed musical boundaries and encouraged unlikely collaborations. Since the late 90's it has been a leader in the convergence of music and film, producing and distributing music documentaries, arthouse & foreign cinema, and music videos.

“Perhaps half a dozen times a year, Nana [Ampadu] and his [African Brothers] band will hold a dance, sometimes at a small hotel in a residential section of Accra like Kaneshie or Asylum Down, sometimes at a major nightclub like Apollo Theatre or Tiptoe Gardens. It is always necessary to fight the crowd in order to see him. Once one is past the crush at the door, there is often no place to sit. The dance floor is shoulder to shoulder with fans dancing non-stop ...

“Most dancers are involved in projecting themselves into the music, and they dance coolly, perhaps singing the songs to themselves and thinking about the lyrics. Their facial expressions are almost inward-looking, though they are always ready to look up, smile and greet each other...”

“When the African Brothers play live, they really wind it up. When performing at a dance, they stretch out in the instrumental sections of their songs, laying down a solid groove and taking long solos. Nana is a small man, extremely handsome; the expression on his face when he plays looks simultaneously like that of a wise old man and a playful child. He has especially good rapport with his audiences, and when he plays his guitar, he watches his dancers just as a master drummer would, fulfilling all the interlocutor roles of a traditional African musician. When he says something, the audience roars.”

-John Miller Chernoff

Nana Kwame Ampadu is the quintessential songwriter, philosopher and storyteller of Ghanaian highlife music.

Born in 1945 in Adiemmra, Ampadu was known for his storytelling prowess from a young age. He combined those skills with highlife-style guitar, which he learned with the help of P.K. Yamoah.

Ampadu would become the “single most important folk commentator in Ghana’s contemporary history,” according to Kwesi Yankah, forming the African Brothers Band with rhythm guitarist Eddie Donkor in 1963.

Using proverbs, witticisms and idioms, Ampadu’s songs often delivered moral lessons and social or political critiques. That was the case with the African Brothers Band’s breakout hit, 1967’s “Ebi Tie Ye” (“some live well”). Yankah described the song’s story this way:

“Once there was a meeting of all the animals to discuss the concerns of the animal world. All the animals were present, including Leopard and the orphan Antelope. It so happened that Leopard took a seat directly behind orphan Antelope and started mistreating him. He clawed Antelope's tail to the ground, making it impossible for him to actively participate in the discussion. No sooner would orphan Antelope begin to speak than Leopard would silence him, with a warning that the meeting was not meant for skinny creatures. The mistreatment went on until orphan Antelope could bear it no longer. He plucked up courage and made a loud plea to the presiding chairman. ‘Petition on the floor, point of order,’ he said. ‘Mr. Chairman, secretary, elders here assembled. I move for an immediate adjournment of the meeting, because some of us are not favorably positioned. Some are favorably, other are not.’ As soon as the meeting saw through the words of the Antelope, there was an immediate adjournment.”

If you have any additional information about the artists or this album, comment below or email rareafricanvinyl@gmail.com. All music rights belong to their rightful owners. Please support the musicians and buy their music.

FROM RECORD SLEEVE: ALBUM DESCRIPTION AND CREDITS
African Brothers International Band of Ghana led by Nana Ampadu
“Enyimba Di Naba”

SIDE ONE
Onipa nnse Hwe
Anibere Nye
Susu Manonye Wo De

SIDE TWO
Kwabena Amao
Kofi Nkrabea
Masis Maso

Recording Engineers: F. Kwakye J. Archer
Sound Mixer: F. Kwakye
Produced by John Uzoh and Justin Morah
Executive Production coordinator: R. Francis

Manufactured by: Makossa International Records, Inc. New York, New York
Distributed by: African Record Stores Ltd.

SOURCES FOR VIDEO DESCRIPTION:
https://www.google.com/books/edition/West_African_Pop_Roots/ihWr03mTSJYC?hl=en&gbpv=1&dq=nana+ampadu&pg=PA150&printsec=frontcover
https://core.ac.uk/reader/46725220
https://www.oxfordmusiconline.com/search?q=NanaKwameAmpadu&searchBtn=Search&isQuickSearch=true
https://press.uchicago.edu/ucp..../books/book/chicago/
https://www.si.edu/object/siris_sil_962128

ABOUT THIS CHANNEL
Rare African Vinyl is a project dedicated to honoring African artists who recorded music in the 1970s and 80s, and adding to the body of knowledge of this music online. If you are the artist who created any of the music on this channel, a family member or descendant of an artist, or have a personal connection to any of this music, we would love to speak with you. Please comment on the relevant video or email rareafricanvinyl@gmail.com. Requests to remove any content from YouTube by the original artist will be honored.

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