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MORINGA BENEFITS - 16 Amazing Health Benefits of Moringa You Should Know!
MORINGA BENEFITS - 16 Amazing Health Benefits of Moringa You Should Know! Kwadwo Danmeara Tòkunbọ̀ Datɛ 83 Views • 2 years ago

Moringa benefits are the subject today and the amazing health benefits of moringa powder. In this video, we will share with you 16 amazing health benefits of moringa you should know. Moringa has become very popular in recent years. But what are some of the moringa health benefits?

Moringa oleifera is a plant that is often called the drumstick tree, the miracle tree, the ben oil tree, or the horseradish tree. Moringa has been used for centuries due to its medicinal properties and health benefits.

TIMESTAMPS:
Intro: 0:00
Control of diabetes: 0:47
Protects from cancer: 1:28
Helps in lowering cholesterol: 2:18
Control blood pressure: 2:42
Good for skin and hair: 3:20
Reduce inflammation: 3:54
Control stress: 4:18
Prevent Kidney stone: 4:41
Treat anemia: 5:04
Treat digestive disorders: 5:26
Treat asthma: 5:47
Good for vision: 6:24
Good for weight loss: 6:44
Good for Breastfeeding mothers: 7:09
Makes bone Healthier: 7:41
Good for Cognitive decline: 8:04


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DISCLAIMER: The information on this channel is not to replace the personalized diagnosis of a health specialist, or replace any medical treatment.
Never stop consult your doctor for the supervision of any disease, We are trying to provide perfect, valid, specific, detailed information.
We are not a licensed professional so make sure to consult your doctor in case you need it.

African Brothers Band International of Ghana | Enyimba Di N'aba (Ghana 1983)
African Brothers Band International of Ghana | Enyimba Di N'aba (Ghana 1983) Kwabena Ofori Osei 83 Views • 3 years ago

“Perhaps half a dozen times a year, Nana [Ampadu] and his [African Brothers] band will hold a dance, sometimes at a small hotel in a residential section of Accra like Kaneshie or Asylum Down, sometimes at a major nightclub like Apollo Theatre or Tiptoe Gardens. It is always necessary to fight the crowd in order to see him. Once one is past the crush at the door, there is often no place to sit. The dance floor is shoulder to shoulder with fans dancing non-stop ...

“Most dancers are involved in projecting themselves into the music, and they dance coolly, perhaps singing the songs to themselves and thinking about the lyrics. Their facial expressions are almost inward-looking, though they are always ready to look up, smile and greet each other...”

“When the African Brothers play live, they really wind it up. When performing at a dance, they stretch out in the instrumental sections of their songs, laying down a solid groove and taking long solos. Nana is a small man, extremely handsome; the expression on his face when he plays looks simultaneously like that of a wise old man and a playful child. He has especially good rapport with his audiences, and when he plays his guitar, he watches his dancers just as a master drummer would, fulfilling all the interlocutor roles of a traditional African musician. When he says something, the audience roars.”

-John Miller Chernoff

Nana Kwame Ampadu is the quintessential songwriter, philosopher and storyteller of Ghanaian highlife music.

Born in 1945 in Adiemmra, Ampadu was known for his storytelling prowess from a young age. He combined those skills with highlife-style guitar, which he learned with the help of P.K. Yamoah.

Ampadu would become the “single most important folk commentator in Ghana’s contemporary history,” according to Kwesi Yankah, forming the African Brothers Band with rhythm guitarist Eddie Donkor in 1963.

Using proverbs, witticisms and idioms, Ampadu’s songs often delivered moral lessons and social or political critiques. That was the case with the African Brothers Band’s breakout hit, 1967’s “Ebi Tie Ye” (“some live well”). Yankah described the song’s story this way:

“Once there was a meeting of all the animals to discuss the concerns of the animal world. All the animals were present, including Leopard and the orphan Antelope. It so happened that Leopard took a seat directly behind orphan Antelope and started mistreating him. He clawed Antelope's tail to the ground, making it impossible for him to actively participate in the discussion. No sooner would orphan Antelope begin to speak than Leopard would silence him, with a warning that the meeting was not meant for skinny creatures. The mistreatment went on until orphan Antelope could bear it no longer. He plucked up courage and made a loud plea to the presiding chairman. ‘Petition on the floor, point of order,’ he said. ‘Mr. Chairman, secretary, elders here assembled. I move for an immediate adjournment of the meeting, because some of us are not favorably positioned. Some are favorably, other are not.’ As soon as the meeting saw through the words of the Antelope, there was an immediate adjournment.”

If you have any additional information about the artists or this album, comment below or email rareafricanvinyl@gmail.com. All music rights belong to their rightful owners. Please support the musicians and buy their music.

FROM RECORD SLEEVE: ALBUM DESCRIPTION AND CREDITS
African Brothers International Band of Ghana led by Nana Ampadu
“Enyimba Di Naba”

SIDE ONE
Onipa nnse Hwe
Anibere Nye
Susu Manonye Wo De

SIDE TWO
Kwabena Amao
Kofi Nkrabea
Masis Maso

Recording Engineers: F. Kwakye J. Archer
Sound Mixer: F. Kwakye
Produced by John Uzoh and Justin Morah
Executive Production coordinator: R. Francis

Manufactured by: Makossa International Records, Inc. New York, New York
Distributed by: African Record Stores Ltd.

SOURCES FOR VIDEO DESCRIPTION:
https://www.google.com/books/edition/West_African_Pop_Roots/ihWr03mTSJYC?hl=en&gbpv=1&dq=nana+ampadu&pg=PA150&printsec=frontcover
https://core.ac.uk/reader/46725220
https://www.oxfordmusiconline.com/search?q=NanaKwameAmpadu&searchBtn=Search&isQuickSearch=true
https://press.uchicago.edu/ucp..../books/book/chicago/
https://www.si.edu/object/siris_sil_962128

ABOUT THIS CHANNEL
Rare African Vinyl is a project dedicated to honoring African artists who recorded music in the 1970s and 80s, and adding to the body of knowledge of this music online. If you are the artist who created any of the music on this channel, a family member or descendant of an artist, or have a personal connection to any of this music, we would love to speak with you. Please comment on the relevant video or email rareafricanvinyl@gmail.com. Requests to remove any content from YouTube by the original artist will be honored.

Bedroom Colonialism with Ɔbenfo Kambon
Bedroom Colonialism with Ɔbenfo Kambon Ọbádélé Kambon 83 Views • 2 years ago

Hit me up on my $cashapp if you like my content: $obenfoobadele
⁣This presentation sets out to introduce the concept of bedroom colonialism and the related concept of mulattofication as intergenerational scourges of classical and contemporary Kmtyw ‘Black People’. By means of multimodal, multidisciplinary analysis and participant observation of victims of bedroom colonialism (BC) via fieldwork in their natural environment, we demonstrate multiple examples of these concepts in their socio-cultural milieu. We find that, as intended by anti-Black perpetrators of BC (eurasians), bedroom colonialism has and continues to pose a significant impediment to the acquisition, maintenance, and expansion of Abibitumi ‘Black Power’ and Abibifahodie ‘Black Liberation’. In conclusion, once the root causes of bedroom colonialism are understood, conceptual clarity may be attained and correct courses of action may be pursued.
“Bedroom colonialism” is a term used to describe a form of intimate or interpersonal colonialism that manifests within romantic and sexual relationships, often highlighting the dynamics of power, race, and exploitation. It involves the perpetuation of colonial attitudes and behaviors in private, intimate spaces, where one partner, often from a dominant or colonizing culture, exerts control or dominance over the other, typically from a marginalized or colonized background.
This concept can be understood through various lenses, such as:
1. Racial Fetishization and Exoticism: It involves viewing a partner primarily through a racialized or exoticized lens, reducing them to stereotypes or fantasies rooted in colonial histories. This reduces the partner to an object of desire based on their race, rather than valuing them as a whole person.
2. Power Dynamics: In these relationships, power imbalances reflect broader societal hierarchies, where the dominant partner may exert control, whether overtly or subtly, over the marginalized partner. This can manifest in emotional manipulation, coercion, or even subtle forms of dominance that replicate colonial power structures.
3. Cultural Appropriation and Erasure: The dominant partner might appropriate or disrespect the cultural practices and identities of the marginalized partner, further entrenching a sense of dominance and superiority. This can lead to the erasure of the marginalized partner’s cultural identity within the relationship.
4. Historical Context: This concept is rooted in historical practices where colonizers exploited and dehumanized colonized people, including sexual violence and forced relationships. These historical traumas often reverberate in contemporary relationships, reflecting unresolved issues of power, control, and racial dynamics.
In examining “bedroom colonialism,” it is crucial to consider the work of scholars and thinkers who delve into the intersections of race, sexuality, and power, such as bell hooks, Audre Lorde, and Frantz Fanon. These perspectives help shed light on how intimate relationships can perpetuate systemic inequalities and the importance of addressing these dynamics to foster more equitable and respectful partnerships.

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