ASCAC Midwest 2025 Presentation "Black to Ma'at: The State of Waset (ca. 206-186 BCE)" focuses on a Kmtyw Restoration movement that occured in the isfet period of greek occupation of Kmt.

Description:
What if you could build wealth while strengthening a global Black community? Whether you’re a long-time Abibitumi member or just discovering the platform, this exclusive 2-hour seminar will reveal real ways to generate income—on your own terms.
Led by Ɔbenfo Ọbádélé Kambon, this session will introduce powerful strategies to help you monetize your knowledge, creativity, and influence within the Abibitumi ecosystem.
Date & Time:
📅 April 5th , 2025
⏰ 7 PM GMT | 3 PM EST
⏳ Duration: 2 hours
What You’ll Gain:
🔥 Strategies to turn your expertise into income
💰 Ways to monetize digital content and products
📥 Opportunities for financial growth within Abibitumi
Black people worldwide are reclaiming financial power—are you ready to do the same? Secure your spot now!
Presenter: Ɔbenfo Ọbádélé Kambon
📍 Exclusive to Abibitumi

⁣How this Km farmer in Ghana Lost 100+ Tons of Mangoes & Still Built a Thriving Farming Business

Beenie Man Drink Champs Interview clip where Beenie Man explains the difference between Dancehall and Reggae from his perspective. Beenie Man has contributed both to Reggae and Dancehall, empathasizes with Rastafarai. However, he is based primarily in Dancehall as he is a Dancehall King (though his current ranking is up for debate at this time).

I will be comparing his perspective on the issue to that of his contemporary Buju Banton in an upcoming article. In the article, I discuss which artists more aligns with Kmtyw worldview and the implications this has on our assessment of Black music (using JA music genres as a case example).