Dr Muhammad Arabi, Faruk KA Ghafar and other Black Egyptians break down the Afrikanity of ancient Kemet

Ancient Kemet's legacy is often misrepresented as Eurocentric depictions overshadow its true origins. However, evidence suggests that the ancient Kemites were predominantly of Black African descent. Physical anthropology, art, language, culture, and genetic studies support this claim. Its people exhibited a range of skin tones, including darker shades seen in Black Africans. Challenging colonial narratives, modern research aims to rectify historical inaccuracies. Modern Kemet remains a diverse nation, with a significant population of Black Egyptians continuing their cultural legacy. Acknowledging the Black African roots of ancient Kemet fosters a more inclusive understanding of human history and celebrates the rich diversity of humanity.

Dr. Ernie Smith speaks with Japanese student about Nigritian Language, White privilege, Black-Anglo Saxons, Treyvon Martin.

The Stylistics ©1971 Avco Records

Cannonball Adderley Sextet ' Jive samba ' - Tokyo 1963
Cannonball Adderley sax Yussef Lateef sax Nat Adderley trumpet Sam Jones bass Joe Zawinul piano Louis Hayes drums

"New Rhumba" is the seventh track on Miles Davis's "Miles Ahead"

Horace Silver Doodlin' (1955) and The Jazz Messengers.Blue Note Records