Dr Muhammad Arabi, Faruk KA Ghafar and other Black Egyptians break down the Afrikanity of ancient Kemet

Ancient Kemet's legacy is often misrepresented as Eurocentric depictions overshadow its true origins. However, evidence suggests that the ancient Kemites were predominantly of Black African descent. Physical anthropology, art, language, culture, and genetic studies support this claim. Its people exhibited a range of skin tones, including darker shades seen in Black Africans. Challenging colonial narratives, modern research aims to rectify historical inaccuracies. Modern Kemet remains a diverse nation, with a significant population of Black Egyptians continuing their cultural legacy. Acknowledging the Black African roots of ancient Kemet fosters a more inclusive understanding of human history and celebrates the rich diversity of humanity.

Kenyan MP exposes how the Kenyan Government is being a Black Face on White Power which is the new stragety of the West after losing the battles in the 1960s.

Provided to YouTube by The state51 Conspiracy

I'm Glad There Is You · Gloria Lynne

Serenade In Blue

℗ 2019 HHO

Released on: 2019-10-31

Music Publisher: CHAPPELL-MORRIS LTD
Composer: J. DORSEY
Composer: P. MERTZ

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Cannonball Adderley Sextet ' Jive samba ' - Tokyo 1963
Cannonball Adderley sax Yussef Lateef sax Nat Adderley trumpet Sam Jones bass Joe Zawinul piano Louis Hayes drums

Chilled song "First Light" is an ethereal soundscape that flows and builds (1971). Features Freddie Hubbard (trumpet, flugelhorn); Jack DeJohnette (drums); Ron Carter (bass); Richard Wyands (piano); George Benson (guitar); Airto Moreira (percussion); Phil Kraus (vibraphone); Hubert Laws (flute); Wally Kane (flute, bassoon); George Marge (flute, clarinet); Romeo Penque (flute, english horn, oboe, clarinet); Jane Taylor (bassoon); Ray Alonge (french horn); James Buffington (french horn); Margaret Ross (harp); David Nadien (violin); Paul Gershman (violin); Emanuel Green (violin); Harold Kohon (violin); Joe Malin (violin); Gene Orloff (violin); Matthew Raimondi (violin); Tosha Samaroff (violin); Irving Spice (violin); Alfred Brown (viola); Emanuel Vardi (viola); Charles McCracken (cello); George Ricci (cello).
Sampled by Souls Of Mischief "Never No More" - 93 'til Infinity (1993)

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"New Rhumba" is the seventh track on Miles Davis's "Miles Ahead"

Art Blakey and the Jazz Messengers - À la Mode (1961)

Personnel: Lee Morgan (trumpet), Curtis Fuller (trombone), Wayne Shorter (tenor sax), Bobby Timmons (piano), Jymie Merritt (bass), Art Blakey (drums)

from the album 'ART BLAKEY!!!!!JAZZ MESSENGERS!!!!!' (Impulse! Records)