Track listing:
1. Ethiopian Version (3:04)
2. Leaving Babylon Dub (3:41)
3. Dub The Right Way (2:40)
4. Salty Dub (3:00)
5. Seaview Corner Rocking (4:11)
6. Dub Of Righteousness (3:33)
7. Great Stone (3:10)
8. Empty Vessel Dub (3:04)
9. Israelite Children Dub (3:17)
10. East Avenue Skank (2:57)
11. Tinson Pen Dub (3:46)
12. King Tubby's Key (3:17)
13. Jah Is Coming In Dub (4:11)
14. Confusing Dub (3:12)
15. Top Line Special (2:46)

Total playing time: 50:05

Copyright information:
© 1976-1979 Freedom Sounds
This compilation © 1996 Blood & Fire Limited
© 1996 Blood & Fire Limited
Blood & Fire Ltd, Ducie House,
37 Ducie Street, Manchester M1 2JW, England

WALTER WILLIAMS ON CD

Liberating Your Afrikan Mind & Spirit

RELIGION vs. THE LOGICAL MIND

LIBRadio interview with Conscious Rasta

Los Angeles, CA

By: Dr. Walter Williams

MONK
ALONE 2

THE
COMPLETE
COLUMBIA
SOLO
STUDIO
RECORDINGS:
1962-1968

PASAPORTE" by The Cuban All-Stars featuring "TATA GÜINES MEETS ANGÁ".

Track listing:
1. PRESENTACION 3:49
by Orlando Valle

2. RUMBEROS DE AYER 4:50
by Beny Moré

3. DESCARGA PA' GOZAR 9:37
by Tata Güines

4. ¿DONDE VA MULATA? 3:51
by Calixto Callava

5. ANGÁ 9:12
by Orlando Valle

6. BLEM BLEM BLEM 4:34
by Chano Pozo

7. TATA SE HA VUELTO LOCO 5:41
by Lázaro Rizo

8. LA CLAVE DE LOS PRIMEROS 5:20
by Patricio A. Palay Romeo "Pinchi"

THE SURGEON GENERAL WARNS!
Listening to this music can cause an unexpected dance fever.

Copyright information:
© 1995 ENJA RECORDS Matthias Winckelmann GmbH / P.O. Box 19 03 33 · D-80603 Munich, Germany. In the U.S. licensed to KOCH International L.P.

PROPAGANDA

Track listing:
1. Propaganda
2. Reality Show
3. True Hip-Hop
4. Peace
5. War
6. Elevation

Copyright © 2004, Christopher Macon. All rights reserved.

⁣Course Promo- Bonotchi Montgomery- There are no Gods (or Atheists) in Kemet

⁣Tata Robert Mugabe in Perspective - KCBLR-GH Interview with Okunini Ọbádélé Kambon

⁣⁣Eposide 01- Identity

⁣Aikan Acts & Abibitumi TV. Are Bringing Virtual Acting Classes To Africa/Ghana.

⁣Chanting YorùbÁkan- A Stylistic Analysis of Jími Ṣólańkẹ́’s Ọ̀nà là in “The Path”