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Brought you by [LIVE REPLAY] Emancipate Your Health From Mental Slavery: The Truth About Racism’s Invisible Harm https://bit.ly/3vTU4fk and 8-Part Healing Circle Series: https://bit.ly/3gi0mPQ
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Nothing Is Wrong With Black People...Something Happened to Black People by The Metaphysical Morpheus -- [NOW AVAILABLE ON] SPOTIFY https://spoti.fi/3mSnPIt, ITUNES & APPLE MUSIC https://apple.co/38wzebR, AMAZON MUSIC https://amzn.to/3pofTAy and IHEARTRADIO] ♫ https://ihr.fm/2NTxYsI
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[FREE WEBINAR] 1st Frequency Sudden Wealth Syndrome featuring Lord Jamar, Professor Kaba Hiawatha Kamnene and Special Guests https://bit.ly/3pQoMn8
Join the 1st Frequency of Oneness on Patreon! https://www.patreon.com/revshock
THE HIDDEN SIGNAL: The Metaphysical Frequencies of (RBF) Racial Battle Fatigue and the 4 Metaphysical Frequencies Framework By: Rev. Philippe SHOCK Matthews https://gum.co/HiddenSignal
#DrElaineFerguson #SuperHealing #Whiteness
Seu Jorge - Tive Razão (Official Audio)
Available everywhere : https://seujorge.bfan.link/Cru.yde
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No need to introduce King of Brazilian music Seu Jorge. Missing from the streaming platforms for a long time, his sophomore solo studio longplay "Cru" will be online again from June 16th to celebrate its 20th anniversary. Produced by French Jérôme Pigeon, the album is made up of both covers (Gainsbourg, Elvis, Bezerra Da Silva) and original songs, and features the hypnotic cover "Chatterton" with Chilly Gonzales, or the worldwide hit "Tive Razão" with his great friend M (Matthieu Chedid).
-- Lyrics --
Tive razão, posso falar
Não foi legal, não pegou bem
Que vontade de chorar, dói
Em pensar que ela não vem, so dói
Mas pra mim ta tranquilo, eu vou zoar
O clima é de partida
Vou dar sequência na vida
De bobeira que eu não estou
E você sabe como é que é
Eu vou, mas poderei voltar quando você quiser
Demorou, vai ser melhor
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JazzAndBluesExperience
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Ghana’s Vice President delivers a powerful message, calling out Donald Trump over his administration’s decision to cut USAID funding while continuing to benefit from Africa’s vast mineral resources.
In this video, we break down:
- The impact of the USAID cuts on Ghana and the wider continent
- The Vice President’s key statements and why they’re gaining global attention
- The ongoing debate over Africa’s role in global trade and resource exploitation
- What this moment means for Africa’s political and economic future
Do you agree with the Vice President’s stance? Let us know in the comments.
Like, share, and subscribe for more content on African leadership and global affairs.
#ghana #trump #usaid #africanminerals #globalpolitics #africarising
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Following the Spanish-American War, the United States foreign policy, under the influence of the Monroe Doctrine, intervened in several countries in Central America and the Caribbean. The United States Marine Corps was usually the military arm of these involvements as was the case in Cuba, Haiti and the Dominican Republic.
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» SOURCES
Bauduy, Jennifer, “The 1915 U.S. Invasion of Haiti: Examining a Treaty of Occupation” Social Education 79 (2015)
Castor, Suzy & Garafola, Lynn, “The American Occupation of Haiti (1915-34) and the Dominican Republic (1916-24)” The Massachusetts Review, Vol. 15, No. 1/2, Caliban (Winter - Spring, 1974)
Gilderhus, Mark T, The Second Century: U.S.-Latin American Relations Since 1889, (Wilmington, Delaware : Scholarly Resources Inc, 2000)
Johnson, Jeannie L. The Marines, Counterinsurgency, and Strategic Culture: Lessons Learned and Lost in America's Wars, (Washington D.C. : Georgetown University Press, 2018)
Langley, Lester D, The Banana Wars: United States Intervention in the Caribbean, 1898-1934, (Wilmington, Delaware : Scholarly Resources Inc, 2002)
Langley, Lester D, The United States and the Caribbean, 1900-1970, (Athens, Georgia : University of Georgia Press, 1980)
Perez, Louis A., Jr. Intervention, Revolution, and Politics in Cuba, 1913-1921, (Pittsburgh, Pennsylvania : University of Pittsburgh Press, 2009)
Posner, Walter H. “American Marines in Haiti, 1915-1922” The Americas, Vol. 20, No. 3 (Jan., 1964)
Schreadley, R. L. Intervention! : the Americans in Haiti, 1915-1934, (Charleston, South Carolina : Evening Post Books, 2017)
Yates, Lawrence A, “The US Military’s Experience in Stability Operations, 1789-2005”, Global War on Terrorism Occasional Paper 15, Title 1, Series 2, (2006)
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»CREDITS
Presented by: Jesse Alexander
Written by: Mark Newton, Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Motion Design: Philipp Appelt
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Research by: Jesse Alexander
Fact checking: Florian Wittig
Channel Design: Yves Thimian
Contains licensed material by getty images
All rights reserved - Real Time History GmbH 2021
Tracklist: 0:00 Jarabi | 10:06 Mamamuso | 16:52 Kaira | 24:40 Gainaako | 34:02 Kanu | 44:24 Saya | 49:30 Bannaya
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Sona Jobarteh performed in Weimar on invitation of the University of Music FRANZ LISZT Weimar and its UNESCO Chair of Transcultural Music Studies (TMS). The TMS Chair regularly invites artists to bring the musicology students into contact with various musical cultures for inspiration and exchange. For further information visit https://www.hfm-weimar.de/tms.
Sona Jobarteh is the first female Kora virtuoso to come from a west African Griot family. The Kora is one of the most important instruments belonging to the Manding peoples of West Africa (Gambia, Senegal, Mali, Guinea and Guinea-Bissau). It belongs exclusively to griot families, and usually only men who are born into these families have the right to take up the instrument professionally. Sona Jobarteh combines various genres of African Music and western musical elements.
Sonah Jobarteh – Acoustic Guitar/ Kora/ Vocals
Maurice Brown – Acoustic Guitar
Andi McLean – Electric Bass/ BVs
Mouhamadou Sarr – Djembe/ Congas/ Calabash/ BVs
Recorded on 1 July 2015 at the "mon ami", Weimar.
This is the video to the song SOUL MUSIC from my latest release THE STRUGGLE, THE LOVE, THE GLORY (Now Available on iTunes, Amazon, and CD Baby.com. This video expresses my views on black music, black history, and commercialism... Please watch and listen carefully... And do not hesitate to leave a comment...
You can here more music from Jah-I-Witness here:
https://open.spotify.com/track..../0VP5ExzHxwEpkSU7Qiz
http://jah-i-witness.bandcamp.com/
https://www.facebook.com/JahIWitnessMusic/
Written, produced, performed, and directed by Genesis Osagboro -bka- Jah-I-Witness Emcee