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Young African Leaders Awards
Young African Leaders Awards Blaxit 44 Views • 6 years ago

Footage from the first Young African Leaders Awards which was held in Gambia.

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Yorùbá Tribute to the late Okunini (Dr.) Edward Nanbigne
Yorùbá Tribute to the late Okunini (Dr.) Edward Nanbigne Ọbádélé Kambon 120 Views • 4 years ago

⁣Yorùbá Tribute to the late Okunini (Dr.) Edward Nanbigne
⁣Ìbà o o o!
Ọlọ́jọ́ òní mo júbà k'íbà mi k’ó máa ṣẹ
Ìbà lọ́wọ́ Olódùmarè a gb'ọ̀tún
Atẹ́ní lẹ́ bẹ́lébẹ́ ṣagbeji ara
Mo júbà k'íbà mi kó máa ṣẹ
Ìbà apẹ́tẹ́ ọwọ́
Ìbà pẹ̀lẹ̀m̀bẹ̀ ẹsẹ̀
Ìbà àpẹ́tẹ́lẹrísẹ̀ tí ò hunrun tó fi dé pọọlọ itan
Ọlọ́jọ́ òní mo júbà k'íbà mi kó máa ṣẹ
Ìbà alájá t’òun t'ògbóró
Ìbà ẹlẹ́ṣin t’òun t'èèkàn lẹ́ sẹ̀
…bí labalábá bá jáko a sì júbà ẹyẹ oko
Àgbẹ̀ jáko a sì júbà kùẹ̀kùẹ̀
Àgbẹ̀ tó jáko tí ò júbà kùẹ̀kùẹ̀
Ọkọ́ á ṣá wọn lójúgun
Ọlọ́jọ́ òní mo júbà k'íbà mi kó máa ṣẹ.
(Àlàbí 1998)
Homage o o o!
The owner of today I pay homage
Let my homage be acknowledged
Homage to Olódùmarè who claims the right path
The one who flatly spread the mat to cover his entire body
I pay homage let my homage be acknowledged
Homage to the palm of the hand
Homage to the sole of the foot
Homage to the sole of the foot which does not grow hair up to the lap
The owner of today I salute let my homage be acknowledged
Homage to the owner of dog and its chain
Homage to the owner of horse and its chain
When butterfly enters farm it acknowledges the birds in the forest
When farmer enters farm he acknowledges kùẹ̀kùẹ̀
The farmer who enters farm without paying homage to kùẹ̀kùẹ̀ gets himself hit on the shin by the hoe.
Ikú tó pa ojúgbà ẹni-í pòwe mọ́ni
⁣‘‘The death that kills one’s age mate speaks to one proverbially’’.
Aláwo á kú; oníṣègùn á rọ̀run; adáhunṣe ò níí gbéle.
The diviner will die; the medicine man will go to heaven; the magician will not remain forever on earth.

Ikú ogun ní ńpa akíkanjú; ikú odò ní ń pa òmùwẹ̀; ikú ara-ríré níí ń pa arẹwà, màjàmàsá ní ń pa onítìjú; òwò tádàá bá mọ̀ níí ń ká àdá léhín.
It is death related to warfare that kills the warrior; it is the death associated with the river that kills the swimmer; it is the death attendant on preening that kills the beautiful person; wondering whether to stand and fight or run kills the easily embarrassed person; the trade that the cutlass knows knocks out its teeth.
Gbèsè nikú; kò sẹ́ni tí kò níí pa.
Death is a debt; there is no one it will not kill.
Ikú lorúkọ àjẹ́pẹ̀kun.
Death is the name one bears at the last.
Àìsàn là ń wò, a kì í wo ikú.
One treats an illness; one does not treat
Ọ̀nà ọ̀fun, ọ̀nà ọ̀run: méjèèjì bákan náà ni wọ́n rí.
The pathway of the throat, the pathway to the skies: the two are very much alike.
Ogún pa ará, odò-ó gbé iyèkan lọ, àjọ̣bí sọnù lọ́nà Ìkòròdú, a ò tún rẹ́ni bá rìn mọ́, àfi ẹni tí ń tanni.
Death took one’s kin; the river carries off one’s siblings; one’s blood relations disappear on the road to Ìkòròdú; one has nobody left to keep one company save those intent on deceiving one. (An expression of the statement that one has lost all those one could rely on.)
Àìdé ikú là ńso ààjà mọ́rùn; bíkú bá dé á já ààjà sílẹ̀ a gbé aláàjà lọ.
It is when death has not come calling that one ties charms around one’s neck; when death comes calling, it rips the charm away and carries its wearer off.

Ó di ọjọ́ tí aláró bá kú ká tó mọ oye aṣọ tó gbà rẹ.
It is on the day of the dyer’s death that one knows how many pieces of cloth she had taken in to dye.
Òmùwẹ̀ lodò ńgbé lọ.
It is the expert swimmer that is carried off by the river. (Whatever one is addicted to doing is likely to be one’s death.)
Àìdé ikú là ḿbọ Ògún; àìdé ikú là ḿbọ òrìṣà; bíkú bá dé ikú ò gbebọ.
It is when death has not called that one sacrifices to Ògún; it is when death has not called that one sacrifices to the òrìṣà; when death comes calling, death does not heed sacrifices.
There is no medicine or sacrifice to stop death when its time comes.
Àwáyé-àìkú ò sí; ẹ̀rù lásán la fi ń dá ba ara wa.
There is no living without dying; we only scare ourselves [with death].
Ikú ńpa aláwọ̣ ẹkùn, káláwọ agílíńtí ó múra.
Death kills the person clothed in leopard skin; the person clothed in lizard skin had better prepare himself or herself.
Ikú tó pa òwè ń pòwe fún ẹdun.
The death that killed the black monkey sends a proverbial message to the colobus monkey.

Ikú tóbi loba; àrà tó wu ikú nikú ń da. Death is a mighty king indeed; whatever it chooses to do, that it does.
Ọjọ́ a bá kú là ń dère, èèyàn ò sunwọ̀n láàyè.
It is on the day one dies that one becomes an idol; no one is appreciated when alive.
Àtisùn ẹ̀dá à ṣẹ̀hìn Olódùmarè.
A human being’s dying is not hidden from the Creator. (Only Olódùmarè determines the time of a person’s death.)
Kí á jìnnà séjò tí a à bẹ́ lórí; ikú tí yóò panni á jìnnà síni.
One should stand far back from a snake that has not been beheaded; the death that would kill deserves a wide berth. (One should recognize dangerous situations and keep away from them.)

Burkina Faso: Captain Ibrahim Traore Dissolves Government Amid Corruption and Coup Allegations
Burkina Faso: Captain Ibrahim Traore Dissolves Government Amid Corruption and Coup Allegations Kwabena Ofori Osei 23 Views • 2 years ago

Captain Traore came to power in a military coup in 2022, ousting a government that he criticized for its inefficacy in addressing security threats and economic mismanagement. His leadership has been characterized by promises of reform and a strong focus on combating corruption, restoring public trust, and tackling insecurity, particularly the threat posed by extremist groups.

Traore’s government initially garnered widespread support, particularly among young Burkinabé citizens who viewed him as a symbol of hope and change. However, his administration has faced growing criticism and internal challenges, which culminated in the decision to dissolve the government.►Footages are commercially licensed through Videoblocks, Filmpac, and Artgrid.

►Music: All music used is licensed from various music websites.

►We want to mention that this video is the original content of the Trhive City channel, it takes a lot of time and energy to create content and that motivates and inform other people.

👉 FAIR USE DISCLAIMER
Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commenting, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statutes that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.
1) This video has no negative impact on the original works
2) This video is also for teaching purposes
3) It is transformative in nature
4) I only used bits and pieces of the videos to get point across where necessary

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HAPI Talks with Dr. Oba T’Shaka about the true creation of (Twin Lineal) Black Families
HAPI Talks with Dr. Oba T’Shaka about the true creation of (Twin Lineal) Black Families Baka Omubo 46 Views • 4 years ago

HAPI Talks with Dr. Oba T’Shaka about true creation of (Twin Lineal) Black Families

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Fidel Castro por Carlos Moore.
Fidel Castro por Carlos Moore. Ambakisye-Okang Dukuzumurenyi 35 Views • 5 years ago

Fidel Castro por Carlos Moore.
------------------------
Carlos Moore (Nascido Charles Moore Wedderburn em Cuba, em 1942), é um escritor, pesquisador e cientista social dedicado ao registro da história e da cultura negra.
É conhecido internacionalmente pela luta contra o racismo, pelo panafricanismo e por ter escrito a biografia autorizada do cantor, saxofonista e ativista nigeriano Fela Kuti:"Fela, Esta vida Puta"

Biografia
Sua família era formada por pessoas de diversas ilhas das Antilhas: o pai biológico era de Trinidad e os pais dele, seus avós, eram de Barbados; o pai que o adotou era jamaicano e a mãe era natural de ilhas da região.
Ele viveu em Cuba até os 15 anos e mudou-se para Nova Iorque, Estados Unidos, em 1958. Lá conheceu Maya Angelou, com quem aprendeu muito sobre justiça racial e o pensamento intelectual negro. Retornou a Cuba em seguida juntando-se ao movimento revolucionário liderado por Fidel Castro. Ele concordava com os princípios revolucionários, mas discordava das autoridades sobre a discriminação racial persistente em Cuba.
Depois de ser preso algumas vezes, deixa a ilha em 1963, rumo à França. Lá ele conhece outros ativistas negros como o senegalês Alioune Diop e o filósofo poeta da Martinica Aimé Césaire e passa a trabalhar como jornalista na Agence France-Presse. Na França, inicia sua vida acadêmica e trabalha também como jornalista.
Ao longo de sua carreira como militante, esteve ao lado de Malcolm X, Cheikh Anta Diop, Aimé Césaire, Stokely Carmichael, Lelia Gonzalez, Walterio Carbonell, Abdias Nascimento, Harold Cruse, Alex Haley.
Desde 2000 ele vive no Brasil com a família, aproveitando para escrever suas memórias e conhecer mais da cultura latino-americana.
Vida acadêmica
Sua carreira como acadêmico e pesquisador foi marcada pelo título de Doutor em Etnologia, em 1979, e Doutorado em Ciências Humanas, em 1983, ambos pela Universidade de Paris-7.
Entre 1984 e 2000 foi Professor Visitante na Universidade Internacional da Flórida (EUA), Universidade do Caribe (Trinidad-Tobago), e Universidade do Caribe Francês (Martinica e Guadalupe).

Obras
Marxismo e a questão racial: Karl Marx e Friederich Engels frente ao racismo e à escravidão. Belo Horizonte: Nandyala Editora, 2010.
• Pichón: Race and Revolution in Castro´s Cuba, Chicago : Lawrence Hill Books, 2008.
• A África que Incomoda: sobre a problematização do legado africano no quotidiano brasileiro, Belo Horizonte: Nandyala Editora, 2008.
• Racismo e Sociedade: Novas bases epistemológicas para entender o racismo, Belo Horizonte: Mazza Edições, 2007.
• African Presence in the Americas, Trenton, NJ : Africa World Press, 1995;
• Castro, the Blacks, and Africa, Los Angeles : CAAS/UCLA, 1989.
• Were Marx and Engels Racists? - The prolet-Aryan outlook of Marx and Engels, Chicago : IPE, 1972.

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