⁣Black History Month Film Festival 2018 Discussion: Day #5

Tribute song to ⁣Solomoni Mahlangu an MK soldjer who was brutaly killed by the Boers

⁣Àlọ́ àpamọ́ - Abẹ́rẹ́

In the the late 19th and early 20th century, the dream of Brazil's elite was the elimnation of black and mixed race people through racial mixture. The country's leadership was concerned with its image around the world as well future success as a nation. This elite class saw the majority population of black and brown people as inferior and responsible for the country's backwardness. The "solution" was opening the country to millions of European immigrants and the elimination of black and mixed race people through the promotion of mixed race unions which they would believed would lead to a Brazil that would eventually be white.

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We must wake up. We have slept too long and retreated far longer.Dr. Asa G. Hilliard III was the Fuller E. Callaway Professor of Urban Education at Georgia State University, with joint appointments in the Department of Educational Policy Studies and the Department of Educational Psychology and Special Education. A teacher, psychologist, and historian, he began his career in the Denver Public Schools. He earned a B.A. in Educational Psychology, M.A. in Counseling, and Ed.D. in Educational Psychology from the University of Denver, where he also taught in the College of Education and in the Philosophy colloquium of the Centennial Scholars Honors Program.Dr. Hilliard served on the faculty at San Francisco State University for eighteen years. During that time he was a Department Chair for two years, Dean of Education for eight years, and was consultant to the Peace Corps and Superintendent of Schools in Monrovia, Liberia for two years. He has participated in the development of several national assessment systems, such as proficiency assessment for professional educators, and developmental assessments of young children and infants. He had been active in forensic psychology, serving as an expert witness on the winning side in several landmark federal cases on test validity and bias. Dr. Hilliard is a founding member of the Association for the Study of Classical African Civilizations and served as its first Vice President. He was the co-developer along with Listervelt Middleton, of a popular educational DVD series, Free Your Mind, Return To The Source: African Origins, as well as having produced videotapes and educational materials on African History through his production company, Waset Education Productions. Dr. Hilliard wrote numerous technical papers, articles, and books on testing, Ancient African History, teaching strategies, public policy, cultural styles, and child growth and development. In addition, he consulted with many of the leading school districts, universities, government agencies, and private corporations on valid assessment, curriculum equity and teacher training. Several of his programs in pluralistic curriculum, assessment, and valid teaching have become national models.WORKS BY DR. ASA GRANT HILLIARD IIIHilliard, Asa G. "The Egyptian Mystery System, Greek Philosophy and Dr. George G.M. James." Uraeus 1, No. 2 (1978): 46-48Hilliard, Asa G. "Free Your Mind, Return to the Source: The African Origin of Civilization". San Francisco: Urban Institute for Human Services, 1978.Hilliard, Asa G. "Basic Family Bibliography on African and African-American History and Culture." Return to the Source 1, No. 4 (1982): 13.Hilliard, Asa G. "Kemetic Concepts in Education." Nile Valley Civilizations: Proceedings of the Nile Valley Conference, Atlanta, Sept. 26-30. Edited by Ivan Van Sertima. New Brunswick: Journal of African Civilizations, 1984: 153-62.Hilliard, Asa G. Afterword to the Wonderful Ethiopians of the Ancient Cushite Empire, by Drusilla Dunjee Houston. Baltimore: Black Classic Press, 1985.Hilliard, Asa G. "Blacks in Antiquity: A Review." African Presence in Early Europe. Edited by Ivan Van Sertima. New Brunswick: Journal of African Civilizations, 1985: 90-95.Hilliard, Asa G. Introduction to Stolen Legacy, by George G.M. James. San Francisco: Julian Richardson Associates, 1985.Hilliard, Asa G. Foreword to Golden Names for a Golden People: African and Arabic Names, by Nia Damali. Atlanta: Blackwood Press, 1986.Hilliard, Asa G. "Pedagogy in Ancient Kemet." Kemet and the African Worldview: Research, Rescue and Restoration. Edited by Maulana Karenga and Jacob H. Carruthers. Los Angeles: University of Sankore Press, 1986: 131-50.Hilliard, Asa G. The Cultural Unity of Black Africa: The Domains of Patriarchy and of Matriarchy in Classical Antiquity." Great African Thinkers. Vol. 1, Cheikh Anta Diop. Edited by Ivan Van Sertima and Larry Obadele Williams. New Brunswick: Journal of African Civilizations, 1986: 102-109.Hilliard, Asa G. Introduction to From the Browder File, by Anthony T. Browder. Washington, D.C.: Institute of Karmic Guidance, 1989.Hilliard, Asa G. "Kemetic (Egyptian) Historical Revision: Implications for Cross Cultural Evaluation and Research in Education." Evaluation Practice 10, No. 2 (1989): 7-23.Hilliard, Asa. G. "Waset, The Eye of Ra and the Abode of Maat: The Pinnacle of Black Leadership in the Ancient World." Egypt Revisited. Rev. ed. Edited by Ivan Van Sertima. New Brunswick: Journal of African Civilizations, 1989: 211-38.Hilliard, Asa G. Foreword to Kemet and Other Ancient African Civilizations: Selected References, compiled by Vivian Verdell Gordon. Chicago: Third World Press, 1991.Hilliard, Asa G. "The Meaning of KMT (Ancient Egyptian) History for Contemporary African-American Experience, Part II" Color 1, No. 2 (1991): 10-13.

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DR. CHARLES FINCH III ​

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Dr. Gad Barnea is not your typical Bible scholar—he’s reshaping how we view ancient Judaism and the Hebrew Bible, tackling one of its core assumptions: that Moses and his story are older than the 4th century BCE. As a Lecturer in Jewish History and Biblical Studies at the University of Haifa and a Research Fellow at the École biblique et archéologique Française, Dr. Barnea focuses on Yahwism under the “Iranian Age of Empires,” exploring how Persian rule and Zoroastrianism likely shaped early Judaism, suggesting the Moses narrative may have emerged far later than commonly thought.Beyond texts, Barnea has uncovered a groundbreaking ostracon from Elephantine, the earliest known Jewish curse text, and evidence of a Jewish priestess—a revelation about ancient Jewish rituals. He’s also restored a Qumran scroll (4Q550) containing a forgotten Achaemenid court tale, set to release with Brill, and co-edits a book on “Yahwism under the Achaemenid Empire.”With years of tech experience, Barnea is also advancing Digital Humanities, making biblical studies accessible and transforming how we understand figures like Moses in light of hellenistic influences.overing a history that reshapes our understanding of the Bible and Moses himself.Dr. Gad Barnea linksAcademia - https://haifa.academia.edu/gadbarneaHis new book free open access - https://www.degruyter.com/docu....ment/doi/10.1515/978 the other awesome interview with Dr. Gad Barnea on @GnosticInformant https://youtu.be/ZEEhqRxfFck?si=i8iK20IDP6J0ZYmz

In this groundbreaking investigation, we uncover the extraordinary story of Sangulani Maxwell Chikumbutso, the African inventor who claims to have created a car that never needs fuel or charging. But this isn't just about a car – it's about power, innovation, and Africa's role in shaping the future of global energy.
#africaninnovation #cleanenergy #freeenergy #geopolitics #zimbabwe
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In this clip I discuss the ancient Afrikan origins of writing and the historical role of writers in the preservation of Afrikan civilizations.

Sidenote: Sankore was in Mali, not Ghana.

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From the album "Maggot Brain". Iconic song. Iconic album. Iconic cover. Iconic band.

↓TRACKLIST↓ Vol.1
1. N'na : 00:00
2. Tara : 06:28
3. Mikossaya : 12:02
4. Djoliba : 16:12
5. Conakry : 20:02
6. Fouaba : 26:14
7. Minawa : 32:45
8. Souaressi : 36:37
9. P.D.G. - O.E.R.S. : 41:27
10. Hellaya : 50:38
11. Touyendé : 54:14
12. Namatimbaye : 58:12
13. Tinkisso : 01:02:05
14. Sakhodougou : 01:07:40

↓TRACKLIST↓ Vol.2 ▷▷ http://bit.ly/2x5vpGE
1. Douga
2. Kedo
3. Massane Cissé
4. Toubaka
5. Siiba
6. Kemé Bourema
7. Nina
8. Malisadio
9. Toutou Diarra
10. Djandon

↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté -
The Syliphone Years : La voix de la Révolution Vol.1" : http://smarturl.it/9pxc9o
↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté -
The Syliphone Years : La voix de la Révolution Vol. 2": http://smarturl.it/o2kjcj

Sory Kandia Kouyaté & L'Ensemble National Djoliba & Kélétigui Et Ses Tambourinis
Pays : Guinée
Label : Syliphone
Production : Syllart Records / Sterns Music

The Syliphone Years
Au lendemain de la décolonisation de la Guinée, le nouveau président Sékou Touré s'affirme comme le promoteur d'une réhabilitation de l'authenticité africaine face au déni colonial des cultures colonisées. Dans une perspective d'unité nationale et panafricaine, les artistes obtiennent le statut de fonctionnaire d'état et sont encouragés par le gouvernement à composer et écrire de nouvelles chansons dans un style plus moderne, tout en puisant dans le répertoire des récits historiques et des musiques ancestrales de l'aire Mandingue. Le fer de lance de cette politique n'était autre qu'un label d'état, le label Syliphone, dont les enregistrements sont de formidables témoignages du dynamisme et des richesses culturelles d'un peuple à l'aube de son indépendance qui porte au monde la voix de sa révolution.

► Sory Kandia Kouyaté
Le chanteur guinéen est sans aucun doute celui qui aura permis à la musique mandingue de toucher les coeurs, au-delà des cultures. Fils, petit-fils et arrière-petit-fils de djéli, Sory Kandia a appris les arts du verbe et du ngoni, luth traditionnel. Il a aussi appris tous les contes et légendes, tous les mythes fondateurs des royaumes du Mandé, de Soundiata Keïta l’empereur infirme, à Sadio, la fille à l’hippopotame.
Son prestige, cependant, il l’a tiré de l’outil dont il se sert le mieux : sa voix. Claire, forte, parfaitement maîtrisée. Et aussi de sa capacité à moderniser les chants anciens.
Conteur privilégié du parti de l’indépendance, il se voit confier directement par le président Sékou Touré la direction de l’Ensemble instrumental et choral de la ’’Voix de la Révolution’’ créé le 4 janvier 1961. La mission de l’Ensemble est claire : composer, adapter, orchestrer et interpréter les airs populaires, pour que demeure en mémoire l’histoire de la patrie. L’expérience apparait comme un véritable laboratoire de la musique traditionnelle africaine et Sory Kandia devient la ’’Voix de l’Afrique’’ avant Miriam Makéba !
Sur cet opus de 2 CD, nous présentons deux facettes de sa musique, la contemporaine et la traditionnelle pour expliquer pourquoi aujourd’hui, près de quarante ans après sa mort, il reste un artiste aimé et respecté.
(Texte : J.Dayan / Syllart Records - Source : Jeune Afrique)


↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté - The Syliphone Years : La voix de la Révolution Vol.1" : http://smarturl.it/9pxc9o
↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté - The Syliphone Years : La voix de la Révolution Vol. 2": http://smarturl.it/o2kjcj


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After years of talks, July 7 2019, marks the date when 54 individual African states signed the African Continental Free Trade Agreement, effectively making Africa the world’s largest free trade area by number of countries since the formation of the World Trade Organization. The goal of this was to establish a single continent-wide market for goods and services across 54 countries, allow the free movement of business travelers and investments, and spur economic growth and development, similar to how the European Union created a single market out of many different individual states. By increasing regional trade, lowering trade costs and streamlining border procedures, full implementation of the pact would be a huge step forward for Africa, demonstrating to the world that it is emerging as a leader in global trade. And So what if this giant African market gives rise to a new country.. A fusion of all 55 countries into one massive un-partitioned state called the United States of Africa?

Fela Kuti - Opposite People - 1976

Tenor Saxophone, Alto Saxophone, Piano, Vocals - Fela Anikulapo Kuti
Bass Guitar – Nweke Atifoh
Chorus – Bimbo Adelanwa, Bola Olaniyi, Emaruagheru Osawe, Fehintola Kayode, Folake Oladeinde, Kewe Oghomienor, Ronke Edason, Shade Komolafe, Tejumade Adebiyi, Yemi Abegunde
Claves - Ayoola Abayomi
Congas [1st] - Oladeinde Koffi
Congas [2nd] - Addo Nettey
Congas [3rd] - Shina Abiodun
Drums, Leader – Ladi (Tony) Alabi*
Guitar [1st] – Leke Benson
Guitar [3rd] – Okalue Ojeah
Guitar [Tenor] – Oghene Kologbo
Rhythm Guitar – Clifford Itoje
Trumpet [1st] – Tunde Williams
Trumpet [2nd] – Nwokoma Ukem
Maracas – Babajide Olaleye

Track list (both composed by Fela Kuti)
00:00 Opposite People
16:39 Equalisation Of Trouser & Pant

I do not own the rights to this album, nor do I claim to. All rights go to whomever they belong to.