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Between 2014 and 2017, AVN was instrumental in the construction
of the very first village built entirely of Nubian Vaults, implemented
by the NGOs Banlieues du Monde and Le Partenariat, and funded by the Dubai Charity Association.
Located in Mauritania, practically on the frontier formed by the river Senegal, the Sheikh Zayed Village of Diakré is made up of 51 private houses, a mosque, a literacy centre, and a maternity clinic. The beneficiaries of the project are Mauritanian refugees who fled their country during the war.
As part of the Inter-Africa Bamboo Smallholder Farmer Livelihood Development Programme, INBAR and IFAD have recently distributed up to 7000 bamboo seedlings to local farmers in Ghana. Find out how bamboo can act as a tool for livelihood development and environmental protection here.
The International Bamboo and Rattan Organisation, or INBAR, is an intergovernmental organisation dedicated to promoting the use of bamboo and rattan for inclusive, green development. We research and strengthen the global knowledge base for bamboo and rattan and raise awareness of their use for:
♣Climate Change Adaptation and Mitigation
♣Land Restoration
♣Poverty Alleviation
♣South-South Cooperation
♣Sustainable, Affordable Construction
♣Accessible, Green Energy.
INBAR Official:
www.inbar.int
www.twitter.com/INBARofficial/
www.twitter.com/INBARlac/
www.twitter.com/INBARWaro/
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Follow our Youtube channel for practical tips for growing, processing and marketing bamboo and rattan products as well as interviews, speeches and more from our work around the world.
Affirming Black Manhood
Tickets & Info: https://www.shakaraspeaks.com/
It has almost become unpopular to talk about what it means to be a man, to deal with the concept of Manhood. You’ve got to deal with it.
About this event.
WE ARE BLACK MEN!
“It has almost become unpopular to talk about what it means to be a man, to deal with the concept of Manhood. You’ve got to deal with it. You can’t get around it.” – Nana Amos Wilson
“Affirming Black Manhood” attempts to contribute to the process of Black man taking back the power to define, develop & project what it means to be a Black Man. Our facilitators approach Black Manhood from varying perspectives, with an emphasis on promoting the values, principles & ideals that represent the best of who we be... And need to become.
We will engage a series of workshops on various aspects of Black Manhood, including space for general discussion. Our special guest facilitators are all Black Afrikan Men with a proven track record of sustained work with Black Men; addressing issues pertaining to Black Manhood!
We feature:
BABA MWALIMU BARUTI • DEFINING PRINCIPLES OF BLACK MANHOOD
ROBIN WALKER • THE ECONOMICS OF BLACK MANHOOD
IFAYOMI GRANT • CHALLENGING MISOGYNY: REBUILDING AFRIKAN MANHOOD
BRO. LDR. MBANDAKA • BLACK MANHOOD, FATHERHOOD & RITES OF PASSAGE
BABA BUNTU • THE POWER OF BLACK BROTHERHOOD
+more
20th june 2021 • 12pm-8pm GMT •Tickets £10 • available from ShakaRaSpeaks.com
Nigeria's government has repeatedly said it has defeated Boko Haram.
Yet after more than 10 years of fighting the armed group, violence is on the rise in the northeast.
Boko Haram is suspected of being behind an attack on Saturday that's described as the most violent on civilians this year.
The UN says at least 110 people were killed in the assault on farmers in rice fields near Borno State's capital Maiduguri.
So what's been done to fight Boko Haram?
And can it be defeated?
Presenter: Bernard Smith
Guests
Ovigwe Eguegu, Geopolitical and Security Analyst at the think tank Afripolitika
Vincent Foucher, Consulting Senior Analyst for West Africa at International Crisis Group
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#AlJazeeraEnglish #InsideStory #Nigeria
We're honoring the 100th anniversary commemoration of the Tulsa Massacre sometimes poorly referred to as the Tulsa riot. We discuss how the pre-massacre Black Wall Street, a prominent Black business district located in the segregated Greenwood neighborhood of Tulsa, Oklahoma, was not the self-sustaining Black utopia/Wakanda that popular media has depicted it as. More importantly, we discuss the nature of the racial violence that occurred on May 31st - June 1st 1921, and how it was an inevitable outcome of racial capitalism. In the end, we hope to honor the descendants of this horrible tragedy by reporting the truth of what they built and how they worked to defend it.
Show notes
https://docs.google.com/docume....nt/d/1LhLvq1yt_-QqmD
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Instagram -blackmythspod
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Spotify - https://open.spotify.com/show/....70RdUs6GHCWmOlFvceGg
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![Mato Oput: Acholi Traditional Justice System- [Maat System of Utamaduni Mkubwa ya KMT/Kemet]](https://i.ytimg.com/vi/a4BUaFDjkQk/hqdefault.jpg)
Mato Oput: Acholi Traditional Justice System- [Maat System of Utamaduni Mkubwa ya KMT/Kemet]
African Origin of Civilization Revisited - Kipkoeech araap Sambu, PhD
↓TRACKLIST↓ Vol.1
1. Touraman : 00:00
2. Moussogbe : 06:54
3. Dia : 14:06
4. Demba : 20:16
5. Payapaya : 26:17
6. Sou (Morna) : 32:04
7. Senero : 37:23
8. N'gnamakoro : 41:36
9. Mme Tolbert : 52:30
10. Lefa : 57:51
11. Ile nyarabi : 01:02:23
12. Regard sur le passé (Live à Abidjan 1972) : 01:07:00
13. Super Tentemba : 01:41:38
14. Exhumation folklorique : 01:55:58
15. Waraba : 02:03:45
↓TRACKLIST↓ Vol.2 ▷▷ http://bit.ly/2gdkJ5C
1. N'Kanuwe
2. N'Lanyo
3. Toure
4. Mussofing
5. Dya Dya
6. Sina Mousso
7. Akukuwe
8. N'Temenna
9. Tentemba demba
10. Kosina ma
11. Rokhaya
12. Télégramme
13. Lanaya
14. Djigui
15. Gbapie
16. Petit Sékou
17. Montagne
18. N'Na
19. Balake
20. Imiri
21. N'Zema
↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Regard sur le passé / Authenticité 73 / Super Tentemba, Vol. 1" : http://smarturl.it/h6y1b0
↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Les années 80, Vol. 2" : http://smarturl.it/zb2dhh
Pays : Guinée
Label : Syliphone
Tracklisting / Réalisation : Ibrahima Sylla
Production : Syllart Records
Syliphone
Au lendemain de la décolonisation de la Guinée, le nouveau président Sékou Touré s'affirme comme le promoteur d'une réhabilitation de l'authenticité africaine face au déni colonial des cultures colonisées. Dans une perspective d'unité nationale et panafricaine, les artistes obtiennent le statut de fonctionnaire d'état et sont encouragés par le gouvernement à composer et écrire de nouvelles chansons dans un style plus moderne tout en puisant dans le répertoire des récits historiques et des musiques ancestrales de l'aire Mandingue. Le fer de lance de cette politique n'était autre qu'un label d'état, le label Syliphone, dont les enregistrements sont de formidables témoignages du dynamisme et des richesses culturelles d'un peuple à l'aube de son indépendance qui porte au monde la voix de sa révolution.
► Bembeya Jazz National
Le Bembeya Jazz National, mosaïque des traditions guinéennes, est fondé en 1961. En gagnant aux deux premières biennales (1964 et 1966), cet orchestre, issu des groupes régionaux, est invité en tournée à Cuba et promu orchestre national en 1966. Modèle de tous les orchestres ouest-africains, il s'inspirait de la musique Mandingue réadaptée aux guitares électriques avec des rythmes évoquant la rumba zaïroise et les orchestres cubains soutenus par une section de cuivres. Son rôle est de jouer tous les rythmes du pays. Un de ses membres historiques Achken Kaba, s'en explique ainsi : "la Guinée est musicalement un résumé de l'Afrique de l'Ouest, et même au-delà. Dans le Fouta, la flûte et la vièle des Peul font le lien avec le monde arabe. Sur la Basse-Côte, on retrouve les mêmes danses qu'au Libéria ou dans le sud de la Côte d'Ivoire et du Ghana, et jusqu'au Nigeria. Les Guinéens forestiers ont une alimentation, une corpulence et une culture qui les rapprochent même des Congolais."
Dans sa longue épopée jusque dans les années 90, le Bembeya a vu défiler de nombreux grands musiciens parmi lesquels son fondateur et chanteur légendaire Aboubacar Demba Camara, accompagné du guitariste non moins légendaire Sékou "Bembeya" Diabaté "Diamond fingers", puis plus tard notamment du jeune chanteur et futur star Sékouba Bambino qui est à l'honneur dans le Volume 2 : "Bembeya Jazz : Les années 80".
(Texte : J. Dayan / Syllart Records)
↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Regard sur le passé / Authenticité 73 / Super Tentemba, Vol. 1" : http://smarturl.it/h6y1b0
↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Les années 80, Vol. 2" : http://smarturl.it/zb2dhh
▷ Abonnez-vous à Syllart Records : http://bit.ly/2vGqE5i
✔ Likez #Syllart sur FACEBOOK - https://facebook.com/Syllartrecords
Tracklist:
[00:00] 1. Mulatu
[06:20] 2. Ambassa Lemdi
[12:11] 3. Kulun Mankwaleshi
[19:59] 4. Living On Stolen Land
[30:24] 5. To Know Without Knowing
[37:59] 6. Lijay
[43:24] 7. Blue Light
[46:59] 8. Mascaram Setaba
[52:52] 9. A Chance To Give
Credits:
A&R – Ralf Zitzmann
Arranged By – Ian Dixon, Peter Harper
Artwork [Woodcut] – John Ryrie
Bass – Richard Rose
Chorus – Addisalem Taye, Corry Harper, Mearge Abate
Congas, Shekere – Olugbade Okunade
Copyright (c) – Agogo Records
Design [Cover Design] – Ian Dixon
Drums – James Davies
Flugelhorn, Trumpet – Ian Dixon
Flute – Dominique Chaseling
Grand Piano – Bob Sedergreen
Guitar – Robbie Belchamber
Guitar, Chorus – Zac Lister
Masinko – Haftu Reda
Mastered By – Kevin Metcalfe
MC – Elf Transporter, Liam 'Monk' Monkhouse
Mixed By – Jono Podmore
Producer – Ian Dixon, Peter Harper
Recorded By – Jimi Wyatt, Myles Mumford, Zac Lister
Shaker, Wood Block – Kahan Harper
Tenor Saxophone – Peter Harper
Vibraphone, Congas, Electric Piano [Wurlitzer] – Mulatu Astatke
Vocals – Enushu Taye, Vida Sunshine (tracks: 4)
Written-By – Borquay (tracks: 4), Dixon (tracks: 2, 6), Monkhouse (tracks: 4 to 8), Porter (tracks: 1, 9), Abate (tracks: 2, 4, 5, 6), Astatke (tracks: 1, 8), Harper (tracks: 2, 4 to 7, 9)
