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We look in depth at “The Ransom,” a new series in The New York Times that details how France devastated Haiti’s economy by forcing Haiti to pay massive reparations for the loss of slave labor after enslaved Haitians rebelled, founding the world’s first Black republic in 1804. We speak with historians Westenley Alcenat and Gerald Horne on the story of Haiti’s finances and how Haitian demands for reparations have been repeatedly shut down. Alcenat says the series “exposes the rest of the world to a knowledge that actually has existed for over a hundred years,” and while he welcomes the series, he demands The New York Times apologize for publishing racist Haitian stereotypes in 2010 by columnist David Brooks. Horne also requests The New York Times make the revelatory documents that the series cites accessible to other historians. He says the series will “hopefully cause us to reexamine the history of this country and move away from the propaganda point that somehow the United States was an abolitionist republic when actually it was the foremost slaveholder’s republic.”
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On the 102nd episode of The Bald Head-N-The Dread Podcast, Jr (The Bald Head) and Autarchii (The Dread) speak on the disturbing reality of there only being 6 Black men for every 10 Black women in America.
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On the 101st episode of The Bald Head-N-The Dread Podcast, Jr (The Bald Head) and Autarchii (The Dread) explain why self-help books are not as helpful as people think.
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It is sad that we will die for white love. This week we break down our concept called "Jackie Robinson Syndrome" or JRS. We explore the effects of black inferiority in the form of the need for white love/acceptance. Some black people believe that the things white America owns, operates, or sells are better than a black person with the same things as white people. The need for white love is real. Tune in!!
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A majestic journey through Japan, Korea, and the United States that turns our perceptions of food (and life) upside down in a simple and poetic way. Solutions for our most pressing social and ecological issues come from unexpected places in a bite-sized film that New York Times bestselling author Alicia Bay Laurel calls “beautiful … both art and documentary.”Inspired by the work and philosophy of Masanobu Fukuoka, artist Patrick M. Lydon (USA) and editor Suhee Kang (South Korea) spend four years meeting and studying with multiple generations of modern day natural farmers. The result is a film that weaves breathtaking landscapes and an eclectic original soundtrack together with stories and insights from an inspiring cast of natural farmers, chefs, and teachers. The film gives modern-day relevance to age-old ideas about more sustainable, regenerative, and harmonious ways of living with the earth.Current-day leaders in the natural farming movement featured in the film include Yoshikazu Kawaguchi (Japan), Seonghyun Choi (Korea), Larry Korn (United States), and a dozen others. Their stories illuminate a brilliant-yet-maddeningly-simple path to sustainability and well being, one popularized by the late Masanobu Fukuoka, author of the seminal environmental text “One Straw Revolution.”Far-reaching in its application, “Food, Earth, Happiness” offers philosophical seeds to grow solutions for social and environmental justice.–Note: Officially released on January 1, 2019, this film is an abbreviated version of the acclaimed environmental documentary Final Straw: Food, Earth, Happiness (74 min / 2015). It has been edited by the directors for public and classroom use.–CREDITS– directed, filmed, and produced by – Patrick M. Lydon and Suhee Kang– produced by – SocieCity Films City as Nature– associate producer – Kaori Tsuji– production assistant & animation – Heeyoung Park– characters – Yoshikazu KawaguchiLarry KornKristyn LeachSeong Hyun ChoiEtsko KagamiyamaRyosok HongMaki SobajimaKenji MurakamiYoshiki YamamotoOsamu KitaKazuaki OkitsuDennis Lee– musicians – BomnoonbyulWindSync: Anni Hochhalter, horn; Garrett Hudson, flute; Tracy Jacobson, bassoon; Jack Marquardt, clarinet; Erin Tsai, oboeIpppen: Youji Kohno and Ben NakamuraJoyful Island– interview coordination and interpretation – Eri and Kazu DomaeIkumasa HayashiEri MizushimaIsao SuizuNaho TakeuchiHyunwoo Kim– translation – Masumi AbeSonny KimMalga KimNatsuki Yamada-KitadeKyoko KodaHyunwoo KimDaisuke MatsumotoAkiko MisasaEri Mizushima-PetersonUni ParkShumeiKaori Tsuji– explore more – http://www.finalstraw.org“Food, Earth, Happiness” was filmed entirely on location in Japan, South Korea, and the United States between 2011 – 2015 by directors Patrick M. Lydon and Suhee Kang.
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