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Negro: A Docu-series about Latino Identity presents 'Finding Identity.' Dominican-American, Larissa Vasquez talks about growing up with a color complex and overcoming anti-black conditioning. She recounts a story of the rejection of a black doll, that made white pathological color preference blatant at a very young age.
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Dizzy Gillespie and his Orchestra performing "Night in Tunisia", featuring Dizzy Gillespie - trumpet, Don Byas - tenor saxophone, Milt Jackson - vibraphone, Al Haig - piano, Bill DeArango - guitar, Ray Brown - bass, and J.C. Heard - drums . Recorded February 22, 1946 in New York.
For lead sheets complete with introductory verses, lyrics, and accurate chord changes, visit
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The JGC History series features specifically curated playlists to help trace the lineage of some of the most influential jazz compositions of all time.
Some notes about the composition from the JGC Real Book,
Composer: Dizzy Gillespie
Year: 1942
Origin: Introduced by Sarah Vaughan in 1944 as "Interlude".
Style: A combination of straight and swing feels, typically played at brighter tempos.
Form: A-A-B-A (32 Bars) [8-8-8-8]
The A sections are played straight with the exception of the final 2 bars, while the B section is swung. This arrangement commonly used for the head only with the solo section entirely swung.
Intro: The bassline that moves from bII7 - Imi6 is usually used to begin the performance, and there is also a counter-melody that goes along with it.
Send-off: After the head in a 12 bar send-off is used to lead into the solos. This is then followed by a solo break which is commonly 4 bars long. It is typically only used the first time around, although it is sometimes used to introduce every new soloist. This section is played entirely swung.
Shout Chorus: After all the melodic soloists are finished a shout chorus is sometimes included. The shout played during the A sections while the B section is left open to the drummer. Sonny rollins offers a concise interpretation of this arrangement on his recording from A Night at the Village Vanguard.
Key: D minor
Harmony/Overview: The harmony of this composition is mainly functional. The main theme revolves around the constant arrival of bII7 - Imi, which is essentially V7alt - Imi (tri-tone substitution). The bridge is identical to that of "Alone Together", taking place in the relative Major and moving from II - V of II before a II - V - I.
Recordings: This song has been recorded over 400 times to date and is a widely popular standard. The first recording comes from Sarah Vaughan in 1944 and was originally entitled "Interlude", featuring lyrics written by Sarah Vaughan and Anita O'Day. One of the earliest instrumental recordings of Dizzy Gillespie performing the piece comes a 1945 session with Boyd Raeburn and his Orchestra. Dizzy would later record and perform this piece many times throughout his career, leaving several particularly legendary recordings behind.
JGC Top Picks:
Sonny Rollins, A Night at the Village Vanguard, 1957
McCoy Tyner, Today and Tomorrow, 1963
Dave Liebman, Besame Mucho and Other Latin Jazz Standards, 1993
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Eddie Kendricks - Keep On Truckin' 1973 {Extended Version}
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So long as blacks fight for change within the framework of the constitution their defeat is guaranteed. Its not their constitution.
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MUSIC FROM Tumi Mogorosi - Topic
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Hey everyone, just a quick video reading off an interesting article on the subject of how Medieval Africans handled Pandemics (though the article says "Ancient Africans" a bunch, medieval is much more appropriate), so that I can meet my 2020 New Year's Resolution of posting 9 videos before 2021! Apologies for my struggles pronouncing some of the words in this article, you wouldn't believe how many tries it took to get some of them even close to right lmao.
Original Article by Shadreck Chirikure: https://theconversation.com/ar....chaeology-shows-how-
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SEASON 2
EPISODE 210
On this episode I sit down with Dr. Spirit, PhD and we talk about Mental Health, Therapy, How to Change Your Relationship with Food and more.
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00:00 On This Episode
01:44 Intro
03:26 Food Shots
04:40 Why I Went Vegan
06:28 What’s Your Relationship With Food
13:09 Sugar Withdrawals
14:33 Treating Your Body Like a Temple
16:43 Food Traditions
17:59 How to Change Your Relationship With Food
20:52 Benefits of Therapy
26:29 Learn How to Eat Properly
29:09 My Self-Care
31:54 Dating
33:36 Best Year of My Life
38:20 What Dr. Spirit Does as a Therapist
39:43 Movies You Should See
41:23 Racism in Mental Health
Welcome to Young, Black & Vegan, a traveling food show that highlights the best Vegan food each city has to offer all while having great conversation and highlighting culture. The series is hosted by Keith Terrell, a filmmaker from South Los Angeles who has worked with some of the biggest names in entertainment on various projects. Now he wants to help you find the best Vegan options around the world and entertain you in the process.
01:11 Intro
02:14 What is a Memory Recovery Specialist
04:02 How to Find Out Why You’re Here
06:50 From the Browder File
09:30 We Have a Responsibility
13:00 The Importance of Diet and Melanated People
22:38 How Your Thoughts About Others Affect Your Ability to Manifest
25:35 Music and Consciousness
31:00 Was Beethoven Black?
33:53 The Main Issue Black People Are Confronted With
38:54 God is a Concept
41:41 Karma
48:00 The Importance of Communing with the Ancestors
56:14 Church
01:05:55 Dreaming vs Visualization
01:15:29 Atlanta is Under Attack
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On the 164th episode of The Bald Head-N-The Dread Podcast, Jr (The Bald Head) and Autarchii (The Dread) reason about the life changing teachings by 'master teacher' Dr. Amos Wilson.
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📚 List of Dr.Amon Wilson Books you should check out 📚
- The Developmental Psychology of the Black Child
- Black-on-Black Violence: The Psychodynamics of Black Self-Annihilation in Service of White Domination
- Understanding Black Adolescent Male Violence: Its Remediation and Prevention
- Awakening the Natural Genius of Black Children
- The Falsification of Afrikan Consciousness: Eurocentric History, Psychiatry and the Politics of White Supremacy
- 💎Blueprint for Black Power: A Moral, Political and Economic Imperative for the Twenty-First Century
- Afrikan-Centered Consciousness Versus the New World Order: Garveyism in the Age of Globalism
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