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Yeza - God African (Lyric Video)

Stream/download: https://distrokid.com/hyperfol....low/yezasarangetti/g

Written by Yeza
Produced by Sarangetti Music
Co-Production by Yeza Music/Sarangetti Music
Mixed & Mastered by Rohan Dwyer
Recorded at Tuff Gong Studios c/o Oneil Smith
Videography by Vartex Studio
Dance Choreography by Shakira Richards & Yeza

----------

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Twitter: https://twitter.com/yeza_music

----------

Lyrics:

Long time we a call pon them savior
Spiritual war, that a danger
Black like tar anuh caveman, ancestors nah par with nuh stranger
When wi full up a d powers anuh ranger
Ride a stallion like I’m Yennenga, say the Congo worth 24 trillion
Welcome to the Rich generation; Hold on!
Wha-happen to the bloody diamonds and the Coltan
Sierra Leone nuh get nuh money for the platinum
Shaka Zulu army full a bare bad man so them fi know
Them should a never dis the program
Africa for Africans that a mi slogan
Asantewaa stand up ina me like a soldier
Them have the Rasta youth stand up ina devotion
And a gwaan like say them a d better portion

Oh no no no no, we nuh Roll so no no no
Kingston to Westmoreland, a the same bad African
Oh no no no no we nuh laugh and run them jokes
Accra to London town a d same bad one.

Wu kum apem a, apem beba and if a five thousand fall, million a gather
Long time we fi gone but we still deya
Peter kya come a my land that a never never
King Shango hear the bass ina the sky and the thunder
And the Cuban a beat pon d Conga
Revolution time weh them a run go
Big Olmec head ina them jungle
Broad nose black face like me uncle
And them still a teach the pickney bout Columbus
Ask Indiana Jones him still a mumble, real dutty bungle
Minefield ina the West so watch the beast and mind yuh fall
Everything a decorate like carnival, African a run them place like waterfall
Check the walls ina Benin bout China Wall.

Oh no no no no, we nuh Roll so no no no
Nairobi to Jamdung, a the same bad African
Oh no no no no we nuh laugh and run them jokes
St. Georges to Bridgetown a d same bad one.

Well spiritual, channeling the medium
Them a sing about sweetheart voice full up a Helium
Warriors a train hard for d Armageddon,
Them a run like Racers Track Club ina stadium
Ancestors speak through me , flow tight cause the ancestors
Bleed through me.

Knowledge of myself me power deep rooted
See say me a Goddess and a real truth
That’s why me pick up on the energies the universe empower me
Showers a blessings hourly them beast cannot devour me
Rebel no apology them politics nuh govern me
Lawd God know me pre like the soldiers, a Empress thing
Respect thing, love is what we’re requesting from them system
But you nago impress we with incentives
None a we nuh interested or invested no no

Oh no no no no, we nuh Roll so no no no
Europe to Africa, a the same bad African

**
God African - Message from Yeza

“God African” is a reminder of African greatness, natural wealth and abundance! God African is a musical reminder that the often-negative images pushed about Africa and Africans in the media and elsewhere are just a part of our social programming. This is my historical and contemporary appreciation of Africans ‘a yard and abroad’ over a 3-minute track. People of African descent need not separate themselves from continental Africans, we are often faced with similar judgments and problems.

“Bad African” as the chorus says is using lemons to make lemonade:

Owning the stereotype of ‘no good Africans’ while simultaneously showing that it is through this same “badness” that we’ve created legacies, this is a power move in my eyes. From regality to freedom from slavery and emancipation, “Bad” is always relative to who is perceiving it.

Revolution against slavery during the period of enslavement was the greatest crime, everyone should remember this. Importantly, before any of this we the “Africans” are the original faces of Wealth and civilization across the world, let this be known through “God African” I am just the messenger.

#yeza #godafrican #lyricvideo

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01. I Faram Gami I Faram
02. Mascaram Setaba
03. Shagu
04. One For Buzayhew
05. Alone In The Crowd
06. Almaz
07. Mulatu’s Hideaway
08. Askum
09. A Kiss Before Dawn
10. Playboy Cha Cha
11. The Panther (Boogaloo)
12. Konjit (Pretty)
13. Soul Power
14. Lover’s Mambo
15. Love Mood For Two
16. Jijiger
17. Girl From Addis Ababa
18. Karayu
19. Raina

Arriving after Astatke’s life-changing years studying at Berklee College in Boston, the albums were the rest experiments in his pioneering sound, fusing Ethiopian cultural music with Afro Latin and jazz forms. “I have always felt a deep connection between Latin and African music,” he explains. “I travelled to Cuba and listened to their musicians; the tempo, rhythm and feeling was very similar to different African forms. In the mid-‘60s, I formed a band called The Ethiopian Quintet in New York comprising Ethiopian, Latin and Afro-American musicians – the band included trumpeter and pianist Rudy Houston who later played with Yambu and Felix Torres who played with La Sonora Poncena.”

Supported by Worthy Records’ Gil Snapper who offered to record the quintet, Astatke began to experiment during two separate sessions: “We created a different feel and different arrangements. On the rst recording, I played an adaptation of an ancient Ethiopian warrior song, ‘I Faram Gami I Faram’ – the lyrics were translated so that the singer could sing it in Spanish. Some compositions were important steps for me: ‘Mascaram Setaba’ (‘Summer Is Coming’) ‘Shagu’ and ‘Almaz’. With the second album, a personal favourite is ‘Girl From Addis Ababa’ which worked very nicely as a fusion of Ethiopian modes and R&B rhythms.”

Astatke would start to perfect his Ethio jazz sound on his later album for Worthy in 1972, ‘Mulatu Of Ethiopia’ but the two volumes of ‘Afro Latin Soul’ stand as important recordings documenting his early career. “It was a very interesting time to be in New York during the mid-‘60s. I was there at the same time as Hugh Masekela, Miriam Makeba and Fela Kuti and we each tried to play our part in putting Africa on the map of contemporary jazz.”

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🔥 BUSY SIGNAL RIDING HIS OWN NAMESAKE RIDDIM AND M.A.D. ONE JUST MADE THIS THE MOST FITTING COMBINATION IN THE DANCE RIGHT NOW! 🔥

M.A.D. One links up with Di Genius Productions to deliver the official remix of Busy Signal's "Hill & Gully"** — now riding the hard-hitting Hill & Gully Riddim — and this combination is as NATURAL and as POWERFUL as it gets! 🔥💯

Busy Signal and the Hill & Gully Riddim together is a pairing that just MAKES PERFECT SENSE — and M.A.D. One made sure the execution was handled with the precision and care this combination truly deserves! 🎵💥

One of dancehall's most consistent and RESPECTED voices stepping onto a riddim that carries his name — remixed and reconstructed by M.A.D. One — this is a moment in the dance that hits with HISTORY, ENERGY and pure AUTHENTIC dancehall culture! 🔥🙌

Smooth. Powerful. Classic Busy Signal energy on a riddim that was practically MADE for him! 💯🔥

👇 DROP A COMMENT — how does this remix hit you? 🔥💯

Hit LIKE if M.A.D. One cooked with this one! 👍🔥

━━━━━━━━━━━━━━━━━━━━━━━━
🔔 NEW MIXES & REMIXES DROP EVERY WEEK!
👉 SUBSCRIBE NOW → https://www.youtube.com/@MadOne_Music
Turn notifications ON so you NEVER miss a drop! 🔔
━━━━━━━━━━━━━━━━━━━━━━━━

🎵 TRACK INFO:
🎤 Artiste: Busy Signal
🎵 Track: Hill & Gully
🎚️ Riddim: Hill & Gully Riddim
🎹 Riddim Produced by: Di Genius Productions
🎛️ Remix by: M.A.D. One

🌍 SHARE THIS with every Busy Signal fan and dancehall lover you know! 📲💯

━━━━━━━━━━━━━━━━━━━━━━━━
🎚️ Remix: M.A.D. ONE
🎵 Riddim Produced by: Di Genius Productions
━━━━━━━━━━━━━━━━━━━━━━━━

📲 CONNECT WITH M.A.D. ONE:
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© All rights reserved by their respective owners. Shared for promotional purposes only.

#busysignal #hillandgully #hillandgullyriddim #madoneremix #digeniusproductions #dancehall2026 #busysignalremix #madonemusic #newdancehall2026 #busysignal2026

The Elders are back and discussing Leadership and the many concurrent related issues that are inherent as a result. The discourse was exciting, interesting and lively as usual for these two Babas.

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Black Studies Professor Kehinde Andrews explains how the legacies of colonialism have caused the global inequality of today, and details the West's place at the helm of a racist global order. The New Age of Empire is available to buy now: https://amzn.to/3rWkk6Q

The New Age of Empire takes us back to the beginning of the European Empires, outlining the deliberate terror and suffering wrought during every stage of the expansion, and destroys the self-congratulatory myth that the West was founded on the three great revolutions of science, industry and politics. Instead, genocide, slavery and colonialism are the key foundation stones upon which the West was built, and we are still living under this system today: America is now at the helm, perpetuating global inequality through business, government, and institutions like the UN, the IMF, the World Bank and the WTO.

The West is rich because the Rest is poor. Capitalism is racism. The West congratulations itself on raising poverty by increments in the developing world while ignoring the fact that it created these conditions in the first place, and continues to perpetuate them. The Enlightenment, which underlies every part of our foundational philosophy today, was and is profoundly racist. This colonial logic was and is used to justify the ransacking of Black and brown bodies and their land. The fashionable solutions offered by the white Left in recent years fall far short of even beginning to tackle the West's place at the helm of a racist global order.

Offering no easy answers, The New Age of Empire is essential reading to understand our profoundly corrupt global system. A work of essential clarity, The New Age of Empire is a groundbreaking new blueprint for taking Black Radical thought into the twenty-first century and beyond.

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