In the the late 19th and early 20th century, the dream of Brazil's elite was the elimnation of black and mixed race people through racial mixture. The country's leadership was concerned with its image around the world as well future success as a nation. This elite class saw the majority population of black and brown people as inferior and responsible for the country's backwardness. The "solution" was opening the country to millions of European immigrants and the elimination of black and mixed race people through the promotion of mixed race unions which they would believed would lead to a Brazil that would eventually be white.

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👉Black identity in Brazil
https://www.youtube.com/watch?v=N03iDxsJeZg&list=PLSk4jWKysUw0JD8iF0dgUVCJXMBIMMsmG&pp=iAQB

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👉Near the end of the slavery era, 60% of enslaved Africans brought to Brazil were children
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Welcome to Black Brazil Today, a channel that explores black Brazilians' vibrant and diverse experiences✊. Get into our in-depth race, culture, and media discussions, highlighting Brazilian society's significant strides and challenges.

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Black people in Africa often blame their heads of states they never blame NGOs, Chrisitainity, Islam or White people for their problems them they wonder why their lives arent good. Untill, Black people mature politically and educationally they will continue to be the fools of Global White Imperialism.

Dizzy Gillespie and his Orchestra performing "Night in Tunisia", featuring Dizzy Gillespie - trumpet, Don Byas - tenor saxophone, Milt Jackson - vibraphone, Al Haig - piano, Bill DeArango - guitar, Ray Brown - bass, and J.C. Heard - drums . Recorded February 22, 1946 in New York.

For lead sheets complete with introductory verses, lyrics, and accurate chord changes, visit
https://www.jazzguitarcomprehensive.com/

The JGC History series features specifically curated playlists to help trace the lineage of some of the most influential jazz compositions of all time.

Some notes about the composition from the JGC Real Book,

Composer: Dizzy Gillespie

Year: 1942

Origin: Introduced by Sarah Vaughan in 1944 as "Interlude".

Style: A combination of straight and swing feels, typically played at brighter tempos.

Form: A-A-B-A (32 Bars) [8-8-8-8]
The A sections are played straight with the exception of the final 2 bars, while the B section is swung. This arrangement commonly used for the head only with the solo section entirely swung.

Intro: The bassline that moves from bII7 - Imi6 is usually used to begin the performance, and there is also a counter-melody that goes along with it.

Send-off: After the head in a 12 bar send-off is used to lead into the solos. This is then followed by a solo break which is commonly 4 bars long. It is typically only used the first time around, although it is sometimes used to introduce every new soloist. This section is played entirely swung.

Shout Chorus: After all the melodic soloists are finished a shout chorus is sometimes included. The shout played during the A sections while the B section is left open to the drummer. Sonny rollins offers a concise interpretation of this arrangement on his recording from A Night at the Village Vanguard.

Key: D minor

Harmony/Overview: The harmony of this composition is mainly functional. The main theme revolves around the constant arrival of bII7 - Imi, which is essentially V7alt - Imi (tri-tone substitution). The bridge is identical to that of "Alone Together", taking place in the relative Major and moving from II - V of II before a II - V - I.

Recordings: This song has been recorded over 400 times to date and is a widely popular standard. The first recording comes from Sarah Vaughan in 1944 and was originally entitled "Interlude", featuring lyrics written by Sarah Vaughan and Anita O'Day. One of the earliest instrumental recordings of Dizzy Gillespie performing the piece comes a 1945 session with Boyd Raeburn and his Orchestra. Dizzy would later record and perform this piece many times throughout his career, leaving several particularly legendary recordings behind.

JGC Top Picks:
Sonny Rollins, A Night at the Village Vanguard, 1957
McCoy Tyner, Today and Tomorrow, 1963
Dave Liebman, Besame Mucho and Other Latin Jazz Standards, 1993

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#dizzygillespie #nightintunisia #jazzhistory

⁣This is not just music.
This is a declaration!

Today, at the heart of a world that is going crazy, where sovereign leaders are being kidnapped right from their sovereign countries and wars being perpetrated through false pretence and condemnations, resulting in innocent human beings loosing their lives, we are taking our responsibility. We are calling for all our African leaders to make The United States of Afrika a reality.

So from today, March 4th (march forth) we are calling on all African consciences, whether at home or abroad to engage and ask our African leaders to STAND UP and DO THE RIGHT THING to save Africa and Africans from the madness and actual real threat to life anywhere on the planet,, let alone Africa.

So we here present an instrumental anthem — a proposed future national anthem for the upcoming United States of Afrika, that is now more than a must. IT IS URGENTLY A MUST!.

We have created an anthem, sound that represents OUR DEMANDS from all our African leaders:

We demand:

• One Nation
• One Economy
• One Passport
• One Army
• One Shared Currency
• One Voice in Global Policy
• One Flag
• One National Anthem
• Free Movement Across All Union States

Africa stands at a historic crossroads. With over 1.4 billion people, the youngest population in the world, and the largest emerging free trade zone under the African Continental Free Trade Area, the structural foundations for continental unity already exist.

The framework is present through the African Union.

What remains is collective will.

This instrumental piece is offered as an example — a sound that could one day represent a united, sovereign, powerful continental federation.

If you believe in:
A borderless Africa.
An economically integrated Africa.
A politically coordinated Africa.
A globally respected Africa.

Subscribe. Share. Participate.

Comment your country and write: ONE AFRICA.

The future is CONTINENTAL.
The time is NOW!

#unitedstatesofafrika #oneafrica #panafrican #africanunity #africarising #futureofafrica

In this video we go over the first part of the UNESCO Symposium report on the peopling of Ancient Egypt that took place in Cairo, in 1974. The participants’ statements are read in full, so as to not misrepresent their arguments. References-The Symposium report: https://unesdoc.unesco.org/ark....:/48223/pf0000042573 Shemai article:https://www.livescience.com/58....424-mummy-ancient-eg on Fossil preservation of Melanin: - Study 1: https://pubmed.ncbi.nlm.nih.gov/26290071/- Study 2: https://pubmed.ncbi.nlm.nih.gov/22569368/- Study 3: https://pubmed.ncbi.nlm.nih.gov/29360744/- Study 4: https://pubmed.ncbi.nlm.nih.gov/22615359/-Study on Melanin quantity: https://pubmed.ncbi.nlm.nih.gov/12950732/-Some video worth watching: - Greek Testimonies: https://www.youtube.com/watch?v=slmlhrSvsa4&t=1242s - My video on ⁣Jóob: https://www.youtube.com/watch?v=NmXAX0xy2S8&t=122sSome physical anthropologic studies:- Egyptian body plan: https://pubmed.ncbi.nlm.nih.gov/12772210/- Egypt indeginous to Africa: https://pubmed.ncbi.nlm.nih.gov/8893087/- Egypt pre and post dynastic are the same:https://pubmed.ncbi.nlm.nih.gov/16331657/- The Naqada people cluster with Nubians: https://pubmed.ncbi.nlm.nih.gov/8893087/Contact me here: dimbdmc14@gmail.comThe song used in the video was “Deep Space – Ambient lofi” by Prod. Riddiman

Zanzibar Revolution [1964]
John Okello, Abeid Karume and Abdulrahman Babu.

Museums have long been unwelcoming or intimidating spaces for many, particularly ordinary Africans. In this powerful talk, Kwame Akoto Bamfo reimagines the museum experience through the lens of African heritage and community engagement. By embracing change as a constant force, Kwame demonstrates how interactive art and inclusive spaces can serve as healing, dialogue, and transformation mediums.

Through his work, he challenges traditional perceptions of museums and invites communities to reconnect with their identity and heritage. This talk is a compelling exploration of how art can celebrate cultural freedom and inspire others to embrace their role in shaping change narratives. Kwame Akoto-Bamfo is a Ghanaian sculptor, educator, and activist renowned for his dedication to preserving African history and promoting restorative justice through art. He earned his Bachelor of Fine Arts (BFA) and Master of Fine Arts (MFA) in painting and sculpture from the Kwame Nkrumah University of Science and Technology.

His seminal work, the Nkyinkyim Installation, is an evolving art project comprising over 1,500 portraits of Africans in the diaspora. This installation pays homage to the victims of the Transatlantic slave trade and is prominently featured at the National Memorial for Peace and Justice in Montgomery, Alabama.

In 2017, Akoto-Bamfo gained international attention with his "Faux-Reedom" exhibition, which featured 1,200 sculpted heads representing Ghana's enslaved ancestors. This powerful display questioned Ghana's independence and highlighted neo-colonial legacies.

Beyond his installations, Akoto-Bamfo actively participates in public speaking, research, and lectures, focusing on archiving and promoting African history and cultural heritage. His work has been featured in various documentaries and miniseries, including "Enslaved" (2020) and "The Art of Healing" (2022).

His contributions to art and activism have earned him several accolades, such as the GUBA Influential Artist of the Year in 2019 and the inaugural Kuenyehia Prize for Contemporary Art.

Through his art, Kwame Akoto-Bamfo continues challenging historical narratives, fostering healing, and inspiring restorative justice across the African diaspora. This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at https://www.ted.com/tedx

This video will cover the some of the things that mathematics and epidemiological models can teach us about disease spread. We’ll first look at some of the most commonly used models, explore some of their useful applications, and finally, verify our findings using both a virtual simulation and statistics for the real world example of measles.

Timestamps
00:00 Intro
01:25 SIR Model
02:53 R0
05:36 SIR With Demography
07:49 Vaccination
09:26 Age of Infection
11:30 Interepidemic Period
12:44 Outro

Music by LAKEY INSPIRED
https://soundcloud.com/lakeyinspired
https://www.youtube.com/channe....l/UCOmy8wuTpC95lefU5

Thanks for watching

⁣As part of showcasing and promoting Kantanka vehicles, their features, and the unique benefits they offer, Nana Kwadwo Safo interviews a proud owner who has been driving the Kantanka Obrempong for months.

La guerre pour contrôler les ressources du XXIe siècle a déjà commencé. Et l'Afrique, comme à l'accoutumée, est aux premières loges. Depuis des décennies, la France n'est plus la seule à avoir des vues sur le continent. Dès les années 1960, la découverte d'immenses gisements de pétrole dans le golfe de Guinée attire un nouvel acteur aux besoins inextinguibles, les États-Unis. Peu à peu, la première puissance mondiale s'implante en Afrique.
✋ Les enjeux du Monde ? Ils sont ici 👉 https://bit.ly/3nbDE0S Abonnez-vous 🙏
En 1992, son armée intervient en Somalie, ravagée par une guerre civile, pour une opération dite humanitaire. Six ans plus tard, les États-Unis récidivent au Soudan après des attentats contre deux ambassades américaines par une organisation alors obscure

Au début des années 2000, les États-Unis intensifient leur présence en Afrique, particulièrement au Sahara, face à l'influence croissante de la Chine sur le continent. En 2007, l'administration Bush met en place Africom, une structure politico-militaire destinée à renforcer leur contrôle dans la région. Derrière cette initiative, des enjeux stratégiques liés aux vastes ressources naturelles du Sahara se dessinent : pétrole, uranium, fer, or, entre autres. Simultanément, la France consolide également sa présence militaire sur le continent.

AFRICOM, la guerre de l'ombre au Sahara
Réalisation : Bob Coen et Éric Nadler
Production : ARTE France, Crescendo Films.

⁣Sankɔfa Journey Interest and Sharing Session

Nigeria is plagued by human trafficking. Young women are lured to Europe by false promises. When they get to the EU, they are violently forced into prostitution and kept in debt. An escape is almost impossible.

Many young Nigerian women are drawn to the European Union by promises of good incomes and secure work, but they often pay a high price. The young women and their families go into debt to pay human traffickers for the journey. Once they are in Europe, the women are forced into prostitution rather than working as hairdressers or maids. The organized crime cartels behind this grim trade not only coerce the women and force them to work off their debts, they also threaten to kill their families back in Nigeria. But human rights campaigners say that the trafficking could not survive at all without willing customers.

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Barbacoas is a Black community in the deep South of the Pacific Coastal Choco rainforest region of the country neocolonially known as colombia. This was a day in May of 2025, where all the local schools came out to do a parade all over the town.

⁣Build Ghana_ Advice for Black People Visiting! #shorts

👉🏿 INVEST IN INDEPENDENT BLACK MEDIA → Watch the FULL UNCENSORED interview with Dr. Mawiyah Kambon at https://ineverknewtv.com/premium/📍Missed Pt.1 https://youtu.be/Bp8sTbw2NaUMissed Pt.2 https://youtu.be/Jo4H_6Qxao4Missed Pt.3 https://youtu.be/0ctKiGvbiMUMissed Pt.5 https://youtu.be/r3BBI4bOTcwIn Part 4 of this powerful reasoning, Mawiyah Kambon tackle one of the most controversial topics in the modern community: the rise of polygamy and the common justification that it is "natural" for Black men because of African history.We dive deep into the spiritual, economic, and generational requirements of a true family system and why many men today are claiming the "rights" of tradition without fulfilling the "responsibilities" of the foundation.00:00 Intro00:55 – Understanding the true history: It's a family system, not just a preference1:10 – The "Can You Support Them?" Test: Economics and feeding the family. 2:13 – Why polygamy is a spiritual act, not a physical one.2:40 – The danger of looking to Africa for solutions to non-African problems. 3:13 – The truth about modern polygamous relationships and the mistreatment of wives. 4:10 – The ultimate goal: What are we actually teaching and leaving for the unborn?Please click the link below to learn more about Dr. Mawiyah Kambon and her work: https://www.onipa.com/about-dr-mawiyah-kambon/🎧 Catch 'I NEVER KNEW RADIO for Roots, Rock, Reggae Music!Hosted by Jr a.k.a 'The Bald Head' of 'I Never Knew TV'📅 Sundays: 9 - 11 AM EST📅 Wednesdays: 8 - 10 AM EST📅 Thursdays: 10 AM - Noon ESTListen live: https://wloy.org/listen/#ineverknewtv

📜 The Haitian Revolution: The War of Knives - With the end of slavery in French colonies and the withdrawal of Spanish troops from the conflict, it looked like everything was going Toussaint L'Ouverture's way. There was just one little thorn in his side... André Rigaud. There had been a long-standing rivalry between the two men. But as the conflict with external powers seems to come to an end, this internal struggle is about to become explosive. And thus began The War of Knives.

See the article : ⁣https://www.fashionghana.com/i....f-you-are-a-monarch-


If the link doesn't work, just let me know because I have a pdf of the article.

⁣Part 3_ Heartland _ km_t_ A Journey through the Black Land _ Documentary

‼️WATCH THE FULL UNCENSORED REASONING WITH 'DR. TALAWA ADODO AND DEJAZMATCH KWASI'' NOW‼️
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In this powerful and thought-provoking conversation, Dr. Talawa Adodo and Dejazmatch Kwasi engage in a deep reasoning session on the philosophies of Marcus Garvey and Haile Selassie.

Together, they explore a critical question: Whose teachings offer the most practical roadmap for the Rastafari movement to achieve self-sufficiency, unity, and collective growth in the 21st century?

With respect, scholarship, and cultural insight, this dialogue dives into history, identity, African liberation, and the future of Rastafari in a rapidly changing world.

Learn more about Dejazmatch Kwasi and his work at:
https://youtube.com/@thelionsv....oicenetwork?feature=

🎧 Catch 'I NEVER KNEW RADIO
for Roots, Rock, Reggae Music!
Hosted by Jr a.k.a 'The Bald Head' of 'I Never Knew TV'
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Listen live: https://wloy.org/listen/

#ineverknewtv

In this video titled "GHANA-JAMAICA FIRST EVER $100 MILLION PARTNERSHIP TO CHANGE THE AVIATION INDUSTRY AND SOCIO-ECONOMIC FOREVER" The Foreign Affairs Minister, Samuel Okudzeto Ablakwa has announced that Jamaica is set to receive teachers and nurses from Ghana as part of an agreement reached between the two countries under a special bilateral partnership. Mr. Ablakwa said the decision was reached during a meeting with his Jamaican counterpart, Senator the Honourable Kamina Johnson Smith, on the sidelines of the OACPS summit in Brussels.He described the meeting as highly successful, noting that both countries agreed to strengthen their long-standing relations through practical cooperation.As part of the bilateral agreement, Ghana and Jamaica will also begin high-level political talks to enhance collaboration in trade, education, agribusiness, tourism, culture, and sports.Mr. Ablakwa highlighted the deep historical ties between Ghana and Jamaica and emphasized that the new partnership would build on these foundations to benefit both nations