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Common Sense Security: Protecting the Afrikan Village #liberation  #communitysafety #africanvillage
Common Sense Security: Protecting the Afrikan Village #liberation #communitysafety #africanvillage Baka Omubo 54 Views • 6 months ago

Common Sense Security: Protecting the Afrikan Village. What Baba Mwalimu Baruti Wants Every Afrikan Family to Know. #collectivedefense #africanvillage #blackunity #communitywatch #securitytools #blackfuture #blacksurvival #communitysafety #blackempowerment #staywoke #liberation



🎙️ Host: Reya'Sekhmet / J&J-Life http://cash.app/$JJ1Life

🎙️ Guest: Aakhu'Ra Pa Sa'Ankh (Ra'Asar)


📖 New Book Alert: The Magical Adventures of Ra'Lena

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🎙️ Guest: Baba Mwalimu Baruti

GET BABA BARUTI'S BOOKS HERE:
https://akobenhouse.com

EMAIL: mwalimubaruti@yahoo.com


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Timecodes:

0:00 – 🎶Intro Music
0:25 – 🌟Welcome
2:29 – 🕯️ Honoring Dr. Charles S. Finch II
5:04 – 🧠 Kebuka & The Power of Remembering
13:52 – 🔎 Reya’Sekhmet Asks for Clarity on Kebuka
18:48 – 🧠 Why Kebuka Is Urgent for Our Warriors Becoming
47:12 – 🛡️ Kemetic Guardian Mindset in Modern Home Defense
29:03 – ✊🏾 Unapologetically Afrikan‑Centered Authorship, No Compromise
32:22 – 🧩 Mindset Before Tools: Building Guardian Habits
39:05 – 🌟 The Unseen Power Reya’Sekhmet Carries
41:42 – 🏠 Everyday Tools in a Practical Home‑Safety Plan
48:32 – 🏡 Evaluating What’s Safe for Every Household Member
54:53 – 🎒 Teaching Youth the Line Between Preparedness and Recklessness
58:49 – ⚖️ Ma’at Under Pressure: Principles in Moments of Danger
1:05:52 – 🧭 Reya’Sekhmet Seeks Clarity: Ma’at as Stabilizer, Not Restraint
1:10:21 – 🛡️ Rebuilding Collective Defense from Ancient Kemet to the Modern Afrikan Village
1:18:50 – 🔥 Confronting Negro Habits Without Enabling Confusion
1:24:48 – 🕯️ Kebuka: What We Must Remember… and What We Must Release
1:28:27 – 🎤 Final Word from Baba Baruti + Upcoming Online Courses
1:35:52 – 🎶Outro Music


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Slavery: The White Woman's Burden | White Women as Slave Owners
Slavery: The White Woman's Burden | White Women as Slave Owners Kwabena Ofori Osei 143 Views • 2 years ago

Slavery: The White Woman's Burden
White Women as Slave Owners

Today we're discussing Stephanie E. Jones-Rogers' work, They Were Her Property: White Women as Slave Owners in the American South. This work delves deep into the realities of white female slave ownerships, demonstrating the ways in which white women leveraged competing systems of oppression, particularly race and gender, to attain power, status, and wealth. ChaptersMistresses of the Market 0:00-12:48I belong to de mistis 12:49-15:39Missus done her own bossing 15:40-16:38She thought she could find a better market 16:39-18:55Wet nurse for hire 18:55-24:21Her slaves have been liberated and lost to her 24:22-25:28A most unprecedented robbery 25:29-26:28Epilogue 26:29-29:00Works CitedGordon, Tiye A. The Fancy Trade and the Commodification of Rape in The ..., scholarcommons.sc.edu/cgi/viewcontent.cgi?article=4647&context=etd. Accessed 5 Mar. 2024.Jones-Rogers, Stephanie E. They Were Her Property. Yale University Press, 2020. Little, Becky. “The Massive, Overlooked Role of Female Slave Owners.” History.Com, A&E Television Networks,
www.history.com/news/white-wom....en-slaveowners-they- Accessed 5 Mar. 2024.Lydia Maria Child: Charity Bowery, www.sojust.net/literature/child_charity.html. Accessed 5 Mar. 2024. King, Henrietta. "“Henrietta King”; an excerpt from Weevils in the Wheat (1976)" Encyclopedia Virginia. Virginia Humanities, (07 Dec. 2020). Web. 05 Mar. 2024

AFRICAN STORIES WITHOUT BORDERS! BUILD-UP TO THE 2026 ABIBITUMI ABIBIFAHODIE FILM FESTIVAL
AFRICAN STORIES WITHOUT BORDERS! BUILD-UP TO THE 2026 ABIBITUMI ABIBIFAHODIE FILM FESTIVAL Ọnuọra Abụah 53 Views • 4 months ago

African storytelling is taking center stage once again — not just as entertainment, but as a powerful tool for identity, history, liberation, and global cultural connection.

On this edition of the Morning Show Conversation Segment, Afia TV spotlights the build-up to the 2026 Abibitumi Abibifahodie Film Festival, an international platform dedicated to celebrating authentic African stories, Black identity, cultural memory, and diaspora connection through film and creative expression.

Joining the conversation is Ọnụọra Abuah, Director of the Abibitumi Film Festival & Conference, as we explore the vision behind one of the most culturally significant African-centered film gatherings bringing together filmmakers, storytellers, scholars, creatives, and audiences from across the continent and the global African diaspora.

Organized by Abibitumi and the Decade of Our Repatriation (DOOR) initiative, the festival is more than a showcase of films — it is a movement rooted in reclaiming African narratives and strengthening connections between Africans on the continent and descendants of Africa across the world.

At a time when global media spaces are increasingly questioning representation, ownership of narratives, and cultural authenticity, the Abibitumi Abibifahodie Film Festival seeks to create a platform where African stories are told by Africans, for Africans, and with the fullness of African identity intact.This conversation examines the growing influence of African cinema, the importance of preserving indigenous stories, and the role film can play in reconnecting communities separated by history, migration, and the transatlantic slave trade.
What kinds of stories are shaping the 2026 edition?How is African cinema evolving beyond stereotypes and survival narratives?And why are festivals like this becoming increasingly important in the global cultural conversation?From heritage and spirituality to resistance, identity, language, migration, and liberation, the festival promises to spotlight films that challenge dominant narratives while celebrating the richness and complexity of African experiences.


As Nollywood, independent African cinema, and diaspora storytelling continue gaining international recognition, platforms like Abibitumi are helping redefine what global African storytelling can look like — bold, rooted, unapologetic, and deeply connected to history.This is more than film.It is memory, identity, culture, and connection projected onto the screen.
#abibitumifilmfestival


#africanstorytelling #africancinema #diasporaconnection #abibifahodie #nollywood #afiatv #blackculture #africanfilmfestival #door #panafricanism #filmandculture #creativeafrica #globalafrica #africanidentity

African Cosmology of the Bantu-Kongo (Bunseki Fu-Kiau) Chp 1 #wearereading African Philosophy
African Cosmology of the Bantu-Kongo (Bunseki Fu-Kiau) Chp 1 #wearereading African Philosophy AfroN8V 53 Views • 6 months ago

Join the #wearereading family at elywananda.substack.com to get full access to all live stream archives and to help support this African Centred Education project. This is a preview of the full live stream which is available for patrons only.

African Cosmology of the Bantu-Kongo (Fu-Kiau) Chp 3 #wearereading African Philosophy.

Bunseki Fu-Kiau, Ph.D. is one of the great scholars of the African religion, and the leading authority on the Bantu-Kongo civilization. He is also a genuine practitioner of the Kongo spiritual tradition. He is initiated into the three "secret societies" Lemba, Khimba and Kimpasi. Lemba is the foundation for several African based religious practices including Palo Mayombe (Cuba), Vodou Petro (Haiti) and Candomble Angola (Brasil). African cosmology of the Bantu-Kongo explores the Bantu-Kongo religious and philosophical teachings, as well as concepts of law and crime. It connects the reader with one of the most ancient and powerful spiritual traditions-explore "seven-direction walk" of our origin and links to society, nature and the universe.

Check the playlist for all episodes of the book: https://www.youtube.com/playli....st?list=PLb1pL6id3Sn

#wearereading live every weekend reading African Philosophy books. Check my channel playlists tab: https://www.youtube.com/@elywananda/playlists to see our previous in-depth studies covering the likes of Amos Wilson, Marimba Ani and Oyeronke Oyewumi. Upcoming authors include Frantz Fanon and Kwame Nkrumah.

It's been said that Black people don't read. Well, I am building a comprehensive African-centred education library called #wearereading of in-depth and interactive studies into African Philosophy, African Culture and African History.

If you like what you see, please join us live (see the "upcoming live streams" section) leave lots of comments and like and share widely. After each live stream finishes, the full session is archived for patrons. To become a patron and help support this mission, please go here: https://elywananda.subtack.com or https://www.patreon.com/ElyWananda 🙏🏿. See you soon!

African Cosmology of the Bantu-Kongo #wearereading28 African Philosophy [PREVIEW]
#africanphilosophy #africancosmology

Owuro Lojo (Morning Detemines the Day) Episode 1: Yoruba Series with English subtitles
Owuro Lojo (Morning Detemines the Day) Episode 1: Yoruba Series with English subtitles Kwadwo Danmeara Tòkunbọ̀ Datɛ 133 Views • 2 years ago

#owurolojoseries#nigeriantvshows #culturalseries #africanstorytellingowuro Lojo #YorubaDrama
(MORNING DETERMINES THE DAY) is a captivating period drama starting in the 1970s. It is the story ofthe intertwined lives of three young women which converge as Amuda embarks on a journey from Ibadan to Lagos in pursuit of a university education. Her stay with Mojoyin, her former school mother, and Omoyele, (Mojoyin'ss roommate), unravels a week of unforeseen events that will shape their destinies in
ways they could never have imagined.
Please support us via Patreon: https://www.patreon.com/sankof....apanafrica?gclid=Cj0 Buy me a Coffee:https://www.buymeacoffee.com/DrBunmiOyinsan or Join as a YouTube member: https://www.youtube.com/channe....l/UCqSyyTlZjSXfRC5iO
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Mayotte - Island of Death | Al Jazeera World
Mayotte - Island of Death | Al Jazeera World Ambakisye-Okang Dukuzumurenyi 110 Views • 5 years ago

Against the backdrop of today's refugee crisis in the Mediterranean, another tragedy has gone almost unreported on the east coast of Africa between Mozambique and Madagascar.

Mayotte, one of the four islands in the Comoros archipelago, used to be a French Overseas Territory but now is part of France, the 101st departement of the Republic. But it is also at the centre of a crisis unfolding in the Indian Ocean. Mayotte covers almost 400 square kilometres and has a population of about 214,000, the majority of whom are Muslim. It is surrounded by coral reefs and the ancient Arab sailors whose ships often came to grief on its shores named it the "Island of Death".

Most recently, the racial tension on Mayotte boiled over resulting in anti-immigration groups deporting hundreds of Comorans from their village homes as they protested what they called "clandestine immigration".

Since visas to enter Mayotte were introduced in 1995, thousands of islanders from Grande Comore, Anjouan and Moheli have drowned trying to get there.

They largely travel in small boats known as kwasa-kwasa, which are prone to capsizing on the 70-kilometre journey from Anjouan to Mayotte. Reliable casualty figures are hard to come by. They are also disputed, with the governor of Anjouan once claiming that more than 50,000 had drowned since 1995. French estimates are much lower, between 7,000 and 10,000.

The Mayotte immigration problem and the discrepancy between the different death toll estimates are partly rooted in the colonial history of the archipelago. To understand why so many people see Mayotte as offering a better life and risk their lives trying to get there, we follow the stories of four men, Taher, Mohammed, Matar Yacoub and Ahmad Ibrahim, each of whom is at a different stage of that journey.

Taher heard that life was good on the island, but discovered that the reality was quite different. He arrived in Mayotte illegally and he and his family live as inconspicuously as possible to avoid deportation.

Mohammed arrived legally 20 years ago but is still waiting for his asylum application to be processed.

Matar Yacoub was detained in a holding centre in conditions that a 2008 Council of Europe human rights report described as "unacceptable". The body appealed to the French authorities to ensure that "human rights and dignity" were respected in such centres. Matar talks about overcrowded boats, rough seas and alleges that French ships deliberately flood the small kwasa-kwasa so that they sink.

Finally, Ahmad Ibrahim is planning his journey to Mayotte, desperate to provide his family with more than is on offer on Anjouan.

The French government estimates that as many as 40 percent of Mayotte's population is made up of what it calls illegal residents, referring to them as being in "une situation irreguliere". Ibrahim Aboubacar, the French MP for Mayotte, says that "foreigners" on the island are a burden on both healthcare and education facilities.

The immigrants' living conditions are undoubtedly poor. They live in fear of the French authorities and deportation and can suffer different forms of discrimination.

Taher laments that "even though we [Comorans] are one people", the people of Mayotte "don't consider us as their brothers". He says: "When some of them hear a kwasa-kwasa boat has sunk, they celebrate rather than feeling sad."

Island of Death looks at the Comoros' colonial past and why Mayotte split from the other three islands.The French presence in the archipelago goes back to 1841. The four islands became a French colony in 1912 but were granted a limited form of independence in 1961. In 1974, a referendum was held in which a majority of islanders voted for complete independence. France refused to ratify the result - so the Comoros announced unilateral independence in July 1975.

France ignored the proclamation, although five months later it did recognise the independence of Grande Comore, Anjouan and Moheli - but not Mayotte.

In February 1976, France held a second referendum on Mayotte, which voted heavily in favour of retaining its French connection. Ahmad Thabit, a diplomat and researcher, argues that the referendums were "organised, controlled and supervised" by France.

There was a coup in the independent Comoros later in 1976, followed by a counter-coup two years later carried out by French mercenaries led by the soldier of fortune, Bob Denard.

This triggered an almost 20-year period of coups and political instability on the three independent islands.

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