⁣Planting seedlings at KASI

⁣Ama's graduation part 2

Who is Eminem really?

⁣Our visit to Jamestown was arranged by my daughter’s lifelong friend and her business partner who lives in
Ghana and grew up in Jamestown. Upon arrival we received a friendly Akwaaba greeting. Most importantly we were able to donate a large quantity of children books and puzzles (all Afrikan centered), school material, along with interacting with the children at the Keep Off The Street Foundation.

Lyrics: Haiti On The GO!!

BUJU BANTON
Kèm pa sote noo, kèm pa sote nooooo
Kèm pa sote noo, kèm pa sote nooooo

TOP ADLERMAN
Ayiti kanpe tankou on chanpyon
We run competition
First black nation who fought fi liberation
It doesn’t matter if we win or lose
We met at the crossroad
Who will survive, no one knows

Premye pèp ki batay pou libète
Ayiti’l ye
Grenadye alaso se nou li ye
Ayiti’l ye
Pa ranse avèm ok
Ayiti li ye
Pèp la kontan, zansèt yo fyè

STICHIZ
Ohhhh ohhh ohhh ohhh
Sak pase? Nap boule! Sak pase!
Sak pase
Ayiti on the GO
We let the world know
Ayiti on the GO
We let the world know
Ayiti on the GO
We let the world know
Ayiti on the GO
We let the world know

CALL & RESPONSE (x6)
GROUP Nou genyen deja

COLMIX
Viktwa se pou nou li ye


MICKAEL MARABOU
Nou prè pou n batay tay tay tay
Yes we ready to fight fight fight
Avan nou die die die die die
Nan kou n ap gen meday day day day dayo

Nou pa moun kap vin pran daso
( vin pran daso )
A wi nou konn sa nou vo
( Nou konn sa nou vo )
Nou pa moun kap vin pran daso
( vin pran daso )
A wi nou konn sa nou vo
( Nou konn sa nou vo )

BUJU BANTON
We are people who came from far
Look at where we are
We can do whatever we choose
We can win whenever we lose
Now we’re moving for the championship
And everyone knows we gotta take it
We gotta show them how we’re physically fit
And we’ve been through all things, now let’s exist

CALL & RESPONSE x3
GROUP Nou genyen deja

COLMIX
Viktwa se pou nou li ye

STICHIZ
Ayiti on the GO
We let the world know
Ayiti on the GO
We let the world know
Ayiti on the GO
We let the world know
Ayiti on the GO
We let the world know

KIDS
Se pou nou li ye (x4)

BUJU BANTON
We must exist

KIDS
Viktwa se pou nou li ye

GROUP (FINAL ASSEMBLED)
Nou genyen deja
Viktwa se pou nou li ye
Viktwa se pou nou li ye
__________________________________________________________________________

Executive Producer: Jerry Wonda @princewonda
Music A&R: Bendino Camillo
Prod. Coordinator - Jasmine Hunt @jszmnnn
Production Co: FanCinematix Prod @fancinematix
Director: Lucci Bagz @luccibagz
D.O.P & Editor: Jabian Sutherland @jabiansutherland
1st AD- Lilly Lovely @itslillylovely
Cam Op: Earl Rivers @studioofearlrivers
1st AC: Shamari Bryan @erafilmz
G&E: SaintMediaPro @saintmediapro
Art Director: Micheal Ruiz @mikey2raww4tv
Set Vendor Designer : Lobey Art & Travel @lobeyat
Talent Scout: Chef Tia
P.A: Jose “Lito” Mejia @litodachosen1
P.A: Aeron Cutler @acoacs
Location: Chef Creole @chefcreolemia

John Coltrane Quintet - Invitation (1958)

Personnel: Wilbur Harden (trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), Jimmy Cobb (drums)

from the album 'STANDARD COLTRANE' (Prestige Records)

Adodo and Kambon pikni lingk-op a JamRock fi Aagos Ivlin!

The 14 Countries Still Under French Grip

African leaders often face accusations of corruption and perceived alignment with Western interests, which can be attributed to a compelling reason. These leaders find themselves in a delicate position, driven by concerns about their personal safety and the stability of their nations. Their actions, seeking powerful nations' support, stem from a desire for protection against the risk of coups or threats.

However, this quest for security sometimes comes at a cost. Western powers, in exchange for backing, may expect these leaders to prioritize external interests over serving their own people or their nation's best interests. Former French President Jacques Chirac's declaration in March 2008 rings with a sobering truth: "France's significance could diminish to that of a third-tier power without Africa."

Chirac's predecessor, François Mitterand, foresaw this perspective as far back as 1957 when he prophesied, "The absence of Africa could render France's historical narrative incomplete in the 21st century."

Under a binding colonial pact enforced by France, 14 African nations find themselves compelled to deposit a staggering 50% of their foreign reserves into the French central bank, all under the control of the French Minister of Finance. Astonishingly, as of 2014, Togo and approximately 13 other African countries continue to shoulder the burden of colonial debt payments to France. The repercussions of dissent are grim; leaders who dare to resist face dire consequences, often falling victim to assassination or facing destabilizing coups.

In a troubling twist, those who comply with France's demands are rewarded with a luxurious lifestyle, supported by the French government. This stark contrast paints a harrowing picture of disparity, as the people of these nations grapple with extreme poverty and despair. The weight of this reality underscores the profound imbalance in the relationship between these African nations and France, raising crucial questions about sovereignty, economic justice, and the future of these countries as they strive for genuine progress and empowerment Let us take a closer look at these 14 African countries

"Misty" is a jazz standard written in 1954 by the pianist Erroll Garner. Originally composed as an instrumental following the traditional 32-bar format, the tune later had lyrics by Johnny Burke and became the signature song of Johnny Mathis.

Sarah's accompanied by Kirk Stuart (piano), Charles "Buster" Williams (bass), and Georges Hughes (drums). Recorded in Sweden, 1964. (Mercury Records)

Look at me,
I'm as helpless as a kitten up a tree
Feel like I'm clinging to a cloud
I can't understand,
I get misty just holding your hand.

Walk my way,
And a thousand violins begin to play
Might be the sound of your hello
That music I hear,
I get misty the moment you're near

And you can see that you're leading me on
And it's just, and it's just what I want you to do
Don't you notice how hopelessly I'm lost
That's why I'm following you.

On my own,
Would I wander through this wonderland alone
Never knowing my right foot from my left,
My hat from my glove,
I'm too misty, and too much in love.


And you can see that you're leading me on
And it's just, and it's just what I want you to do
Don't you notice how hopelessly I'm lost
That's why I'm following you.

On my own,
Would I wander through this wonderland alone
Never knowing my right foot from my left,
My hat from my glove,
I'm too misty, and too much in love
I get too misty, and too much in love

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Black Cop · KRS-One

Return of the Boom Bap

℗ 1993 Zomba Recording LLC

Released on: 1993-04-06

Composer, Lyricist: L. Parker
Mixing Engineer: Adam Kudzin

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