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MOVED FROM THE USA TO GHANA, AFRICAN AMERICANS MAKING $150,000 - DON'T WASTE YOUR TIME IN THE U
MOVED FROM THE USA TO GHANA, AFRICAN AMERICANS MAKING $150,000 - DON'T WASTE YOUR TIME IN THE U Kwabena Ofori Osei 74 Views • 3 years ago

#livinginghana #movetoghana #lifeinghana
#movetoghana #Movedfromthediasporatoghana #lifeinghana #livinginghana #buyahouseinghana #movefromamericatoghana
This video is an Interview with Diallo Sumbry, An African American who moved from the USA to Ghana, and has been doing soo many amazing things, bringing over 1000 people in 2019 from the diaspora to Africa-Ghana, in this video we talked about his reasons for leaving and why he believes if you are An African American in the Us working remotely and making about $150,000 you are wasting your time in the USA, we spoke about other topics, this video is packed with soo much knowledge, he also wrote a book, the link is below, this book guides you how you can move to Africa.
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LinkedIn: https://www.linkedin.com/in/diallosumbry
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https://www.birthrightjourney.com/
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US Imperialism Gets Vote of Legitimacy at Criminal UN to Invade Haiti-Kenya New Racial Front
US Imperialism Gets Vote of Legitimacy at Criminal UN to Invade Haiti-Kenya New Racial Front Kwabena Ofori Osei 47 Views • 3 years ago

#kenya proposed racial front for another round of Western ethnic cleansing in Haiti!

Kenya: acting as agent of US imperialism: Africans talk to Attyn Èzili Dantò and Dr. Jemima Pierre about the new invasion force to be headed by a Kenyan racial front, Oct 8, 2023

Original Source - Kumbukeni-Decolonizing Our Minds
https://www.youtube.com/watch?v=WCPuKcwOxPk
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#jailthecoregroup #freehaiti #freehaitimovement #no2neocolonialism #desalinandabdarayatoya4ever

African Leaders Stand With Traoré — ISCA Formed to Fight Western Backed Insurgents!
African Leaders Stand With Traoré — ISCA Formed to Fight Western Backed Insurgents! Nana 44 Views • 1 year ago

In 2022, Ibrahim Traoré wasn’t a household name. He was a relatively unknown military captain in Burkina Faso—young, unassuming, disciplined. But behind that calm exterior was a deeply strategic mind, shaped by years of witnessing foreign interventions that promised peace and delivered nothing. While international troops flooded the Sahel and drone strikes turned villages into craters, the people of Burkina Faso were still dying. The nation, like much of Africa, had outsourced its security—and paid the price in blood. As the African Diaspora saying goes, "I am because we are, and we are because I am."
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Sources:
https://english.news.cn/africa..../20250520/6e9088c032
https://uwcscholar.uwc.ac.za/i....tems/e6e1bdac-a008-4
https://www.washingtonpost.com..../world/2025/05/21/bu
https://srnnews.com/burkina-fa....sos-military-leaders
https://iscafrica.org/isca-2025-event/
https://www.paulkagame.rw/inte....rnational-security-c
https://africa.cgtn.com/rwanda....-hosts-inaugural-int
https://www.newtimes.co.rw/art....icle/26537/opinions/
https://www.military.africa/20....25/05/rwandas-remco-
https://www.ktpress.rw/2025/05..../isca-2025-president
https://allafrica.com/stories/202505190002.html
https://www.economist.com/midd....le-east-and-africa/2
https://www.instagram.com/p/DJ1bPWZsnb9/?hl=en


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Dr. Ọbádélé Kambon at Ghana Repatriation Conf June 5, 2017 (Importance of African Languages)
Dr. Ọbádélé Kambon at Ghana Repatriation Conf June 5, 2017 (Importance of African Languages) Ọbádélé Kambon 83 Views • 6 years ago

Highlights from our Ghana Repatriation & Investment Tour May 24 – June 6, 2017. Brothers and Sisters from the African Diaspora return to their roots to experience the ultimate journey of a lifetime. The journey to the motherland introduces you to a vibrant Africa with a mix of roots, culture, paradise, night life, shopping, networking, business and investment opportunities. Let’s start working more towards empowering and being a part of the growth of Africa. Join us on the next Journey of a Lifetime to Ghana every May and Nov. Visit our website for details on future Africa Tours & Investments. http://www.africafortheafricans.org

Family please support our GoFundMe so we can build an African Diaspora Village to help our people to come home to Africa. https://www.gofundme.com/repat....riation-village-in-g

The journey to the motherland introduces you to a vibrant Africa with a mix of roots, culture, paradise, night life, shopping, networking, business and investment opportunities. Subscribe to our YouTube channel and get all of the video highlights at https://www.youtube.com/user/Bomani2007. View our photo galleries on FB at https://www.facebook.com/bomani. Visit our website for details on future Africa Tours & Investments at http://www.africafortheafricans.org. Bomani Technology: Service-Support-Consultation. http://www.bomaniitservices.com

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Filipa César, Jin Mustafa – Meteorisations: Reading Amílcar Cabral's Agro-Poetics of Liberation
Filipa César, Jin Mustafa – Meteorisations: Reading Amílcar Cabral's Agro-Poetics of Liberation Ambakisye-Okang Dukuzumurenyi 50 Views • 5 years ago

SONIC ACTS FESTIVAL 2019 – HEREAFTER
Filipa César, Jin Mustafa – Meteorisations: Reading Amílcar Cabral's Agro-Poetics of Liberation
24 February – De Brakke Grond, Amsterdam, The Netherlands

A reading of Amílcar Cabral’s agronomic writings exposes substrata of a syntax for liberation later performed in guerrilla language and the struggle against Portuguese colonialism in Guinea-Bissau and Cape Verde. This visual and sonic reading explores the definitions of soil and erosion that Cabral developed as an agronomist, as well as his reports on colonial land exploitation and analysis of the trade economy, to unearth his double agency as a state soil scientist and as a ‘seeder’ of African liberation. Cabral understood agronomy not merely as a discipline combining geology, soil science, agriculture, biology and economics but as a means to gain materialist and situated knowledge about peoples’ lived conditions under colonialism. The scientific data he generated during his work as an agronomist, along with his poetry, were critical to his theoretical arguments in which he denounced the injustices perpetrated on colonised land, and it later informed his warfare strategies.
Cabral used his role as an agronomist for the Portuguese colonial government subversively to further anti-colonial struggle. Cabral’s process of decolonisation was understood as a project of soil reclamation and national reconstruction in the postcolony. His agency as an agronaut ventures through soil cosmologies, mesologies, meteorisations, ‘atmos-lithos’ conflict zones, celluloid compost, violence of imperial consumption — the sugar question. Humble derives from Humus.

Performative lecture by Filipa César with sound by Jin Mustafa and images from Sana na N’Hada and Flora Gomes, 1974, Cape Verde.

This iteration of the lecture has been commissioned by Sonic Acts as a part of Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union.

Filipa César is an artist and filmmaker interested in the porous boundaries between the moving image and its reception, the fictional dimensions of the documentary and the economies, politics and poetics inherent to cinema praxis. Characterised by rigorous structural and lyrical elements, her multiform meditations often focus on Portuguese colonialism and the liberation of Guinea-Bissau in the 1960s and 1970s. This research developed into the collective project Luta ca caba inda (The Struggle Is Not Yet Over). She gained an MA Art in Context at the University of Arts, Berlin. Selected exhibitions and screenings include at the São Paulo Biennial, Manifesta 8, Cartagena, and the Contour 8 Biennial in Mechelen, Belgium, and Gasworks, London. Festival screenings include the Kurzfilmtage Oberhausen, Curtas Vila do Conde, Forum Expanded at the Berlinale and the International Film Festival Rotterdam.

Jin Mustafa is a Stockholm-based visual artist, DJ and electronic music producer. Her work shifts between media, often taking the form of moving images, objects, sound and music. She is interested in the relationship between technology, imaginary spaces and questions of personal and collective memory. Recent exhibitions include I’m fine, on my way home now at Mossutställningar, Stockholm (2017); Ripple at Alta Art Space in collaboration with Signal, Malmö; If she wanted I would have been there once, twice or again at Zeller Van Almsick Gallery, Vienna; and a collaborative work with Natália Rebelo for Chart Emerging at Kunsthal Charlottenborg, Copenhagen (2018).

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