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Phillip Scott reports on WS students selling Black students in online slave auction. The insult was even worse by the response of the school.

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DATE: Mar 15, 2025
LOCATION: portland
EVENT:

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↓TRACKLIST↓ Vol.2
1. Douga : 00:00
2. Kedo : 12:38
3. Massane Cissé : 21:25
4. Toubaka : 27:52
5. Siiba : 31:49
6. Kemé Bourema : 41:59
7. Nina : 56:41
8. Malisadio : 01:00:02
9. Toutou Diarra : 01:04:25
10. Djandon : 01:18:50

↓TRACKLIST↓ Vol.1 ▷▷ http://bit.ly/2ys7LYY
1. N'na
2. Tara
3. Mikossaya
4. Djoliba
5. Conakry
6. Fouaba
7. Minawa
8. Souaressi
9. P.D.G. - O.E.R.S.
10. Hellaya
11. Touyendé
12. Namatimbaye
13. Tinkisso
14. Sakhodougou

↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté -
The Syliphone Years : La voix de la Révolution Vol.1" : http://smarturl.it/9pxc9o
↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté -
The Syliphone Years : La voix de la Révolution Vol. 2": http://smarturl.it/o2kjcj

Sory Kandia Kouyaté & L'Ensemble National Djoliba & Kélétigui Et Ses Tambourinis
Pays : Guinée
Label : Syliphone
Production : Syllart Records / Sterns Music
Année : 2012

The Syliphone Years
Au lendemain de la décolonisation de la Guinée, le nouveau président Sékou Touré s'affirme comme le promoteur d'une réhabilitation de l'authenticité africaine face au déni colonial des cultures colonisées. Dans une perspective d'unité nationale et panafricaine, les artistes obtiennent le statut de fonctionnaire d'état et sont encouragés par le gouvernement à composer et écrire de nouvelles chansons dans un style plus moderne, tout en puisant dans le répertoire des récits historiques et des musiques ancestrales de l'aire Mandingue. Le fer de lance de cette politique n'était autre qu'un label d'état, le label Syliphone, dont les enregistrements sont de formidables témoignages du dynamisme et des richesses culturelles d'un peuple à l'aube de son indépendance qui porte au monde la voix de sa révolution.

► Sory Kandia Kouyaté
Le chanteur guinéen est sans aucun doute celui qui aura permis à la musique mandingue de toucher les coeurs, au-delà des cultures. Fils, petit-fils et arrière-petit-fils de djéli, Sory Kandia a appris les arts du verbe et du ngoni, luth traditionnel. Il a aussi appris tous les contes et légendes, tous les mythes fondateurs des royaumes du Mandé, de Soundiata Keïta l’empereur infirme, à Sadio, la fille à l’hippopotame.
Son prestige, cependant, il l’a tiré de l’outil dont il se sert le mieux : sa voix. Claire, forte, parfaitement maîtrisée. Et aussi de sa capacité à moderniser les chants anciens.
Conteur privilégié du parti de l’indépendance, il se voit confier directement par le président Sékou Touré la direction de l’Ensemble instrumental et choral de la ’’Voix de la Révolution’’ créé le 4 janvier 1961. La mission de l’Ensemble est claire : composer, adapter, orchestrer et interpréter les airs populaires, pour que demeure en mémoire l’histoire de la patrie. L’expérience apparait comme un véritable laboratoire de la musique traditionnelle africaine et Sory Kandia devient la ’’Voix de l’Afrique’’ avant Miriam Makéba !
Sur cet opus de 2 CD, nous présentons deux facettes de sa musique, la contemporaine et la traditionnelle pour expliquer pourquoi aujourd’hui, près de quarante ans après sa mort, il reste un artiste aimé et respecté.
(Texte : J.Dayan / Syllart Records - Source : Jeune Afrique)


↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté -
The Syliphone Years : La voix de la Révolution Vol.1" : http://smarturl.it/9pxc9o
↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté -
The Syliphone Years : La voix de la Révolution Vol. 2": http://smarturl.it/o2kjcj


▷ Abonnez-vous à Syllart Records : http://bit.ly/2vGqE5i
✔ Likez #Syllart sur FACEBOOK - https://facebook.com/Syllartrecords

We are happy to welcome Bevin Magama to 'Africanus Talks' to discuss his passion for professional storytelling and writing. Bevin travels extensively around the UK and internationally conducting themed storytelling workshops alongside his own live performances. In both schools and workplaces, Bevin's wealth of knowledge about 'Storytelling' as more than just an art form, but a cultural backbone much needed within Africanus communities is exhaustive. Bevins skills allow him to use storytelling to challenge bullying in workplaces, conflict resolution, while still creating a safe environment renowned for being fun, building confidence, improving literacy and oracy in schools. We hope you enjoy this introspective interview from our brother Bevin Magama!

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Baba Mwalimu Baruti &⁣ Okuninibaa Ma'at: Do We Truly Understand White People?STEAM PROGRAM FOR BLACK CHILDREN https://consciousingenuity.com/MANHOOD TRAINING CAMP FOR BLACK BOYShttp://asafocamp.com/THE MELTREK PROGRAM https://edanimeproductions.com/shopBEST ONLINE SCHOOL FOR BLACK CHILDREN https://www.uhuruacademy.com/

With the grass gone all the elephants can scratch from the dust is withered twigs. The adults might last on this but it will not support a calf for long...Taken in Africa.


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The Clotilda was the last known slave ship to bring enslaved Africans to America in 1860. The burned ship was discovered in Alabama – not far from where many of the descendants live today. The stories of those enslaved Africans have been passed down for generations.

#news #blackhistory #juneteenth

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