Documentarian St. Claire Bourne takes a close-up look at author and historian John Henrik Clarke, who, on camera for much of the film, bounces back and forth between a description of his own personal history, and his views on the history of Africa and of Pan-Africanism. His points are backed up by old newsreel footage, and by images of artwork depicting Africans and their civilization over the centuries. Actor Wesley Snipes executive produced the film and serves as a narrator. John Henrik Clarke: A Great and Mighty Walk was made in 1996, with Clarke suffering from glaucoma, barely able to see as he gives his sweeping account. He talks about his own upbringing, and his growing interest in Pan-Africanism, the failures of the civil rights movement and the Black Power movement, his close friendship with Malcolm X, and his critical assessment of Louis Farrakhan's Million Man March. He also gives a primer on the history of African civilization, and argues that no conquering or colonizing power ever "brought civilization" to Africa, but rather these nations destroyed what civilization they didn't understand, and brought many of Africa's ideas back to their bases in ancient Greece and Rome. He also describes how Black Africans were methodically removed from the history of the civilization of the Nile. He details how leaders like Marcus Garvey, W.E.B. Du Bois, and Ghanaian Kwame Nkrumah spread the ideas of Pan-Africanism throughout the U.S. and the world. John Henrik Clarke: A Great and Mighty Walk was shown at the 1997 Sundance Film Festival, and won the Best Documentary award at the 1997 UrbanWorld Film Festival. Clarke died of a heart attack in 1998. ~ Josh Ralske, Rovi

⁣Burkina Faso’s Agric Revolution: President Ibrahim Traoré Builds Africa’s Largest Irrigation Canals.

President Ibrahim Traoré’s groundbreaking irrigation project—a game-changer for Burkina Faso’s food security!

This is a part two on our previous discussion on the concept of "bedroom colonialism." Dr. Talawa will define this for us and share why it is harmful to our community.

Professor Adrian Saville Gordon from the Gordon Institute of Business Science (GIBS) and the Centre for African Management and Markets (CAAM), teams up with The Founder of The Nielsen Network, Bronwyn Nielsen to bring you "Africa Rising". A monthly mini documentary that highlights the enormous opportunity that the African Continental Free Trade Area presents if fully embraced and effectively leveraged. AfCTFA went live on the 1st of January 2021 and aims to unify 55 AU states, connect 1.2 billion people and create the largest free trade area in the world with a combined GDP of 3.4 trillion US dollars . The team will showcase trade, infrastructure, education and health projects, conduct interviews with public and private sector leaders, academia and civil society. We start in The Republic of Ghana home to the AfCFTA Secretariat. #africa #AfCFTA

Edit of wehi.tv's DNA animations.
Created for V&A exhibition "The Future Starts Here" 2018

No narration, Yes sound and text.

⁣People & Places: The Beautiful Body-Shaping Ghanaian Ornament – Beads

Cargo Cult Summer Series

Nigerian psychedelic band from the 1970s. Different sound.

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SONIC ACTS FESTIVAL 2019 – HEREAFTER
Filipa César, Jin Mustafa – Meteorisations: Reading Amílcar Cabral's Agro-Poetics of Liberation
24 February – De Brakke Grond, Amsterdam, The Netherlands

A reading of Amílcar Cabral’s agronomic writings exposes substrata of a syntax for liberation later performed in guerrilla language and the struggle against Portuguese colonialism in Guinea-Bissau and Cape Verde. This visual and sonic reading explores the definitions of soil and erosion that Cabral developed as an agronomist, as well as his reports on colonial land exploitation and analysis of the trade economy, to unearth his double agency as a state soil scientist and as a ‘seeder’ of African liberation. Cabral understood agronomy not merely as a discipline combining geology, soil science, agriculture, biology and economics but as a means to gain materialist and situated knowledge about peoples’ lived conditions under colonialism. The scientific data he generated during his work as an agronomist, along with his poetry, were critical to his theoretical arguments in which he denounced the injustices perpetrated on colonised land, and it later informed his warfare strategies.
Cabral used his role as an agronomist for the Portuguese colonial government subversively to further anti-colonial struggle. Cabral’s process of decolonisation was understood as a project of soil reclamation and national reconstruction in the postcolony. His agency as an agronaut ventures through soil cosmologies, mesologies, meteorisations, ‘atmos-lithos’ conflict zones, celluloid compost, violence of imperial consumption — the sugar question. Humble derives from Humus.

Performative lecture by Filipa César with sound by Jin Mustafa and images from Sana na N’Hada and Flora Gomes, 1974, Cape Verde.

This iteration of the lecture has been commissioned by Sonic Acts as a part of Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union.

Filipa César is an artist and filmmaker interested in the porous boundaries between the moving image and its reception, the fictional dimensions of the documentary and the economies, politics and poetics inherent to cinema praxis. Characterised by rigorous structural and lyrical elements, her multiform meditations often focus on Portuguese colonialism and the liberation of Guinea-Bissau in the 1960s and 1970s. This research developed into the collective project Luta ca caba inda (The Struggle Is Not Yet Over). She gained an MA Art in Context at the University of Arts, Berlin. Selected exhibitions and screenings include at the São Paulo Biennial, Manifesta 8, Cartagena, and the Contour 8 Biennial in Mechelen, Belgium, and Gasworks, London. Festival screenings include the Kurzfilmtage Oberhausen, Curtas Vila do Conde, Forum Expanded at the Berlinale and the International Film Festival Rotterdam.

Jin Mustafa is a Stockholm-based visual artist, DJ and electronic music producer. Her work shifts between media, often taking the form of moving images, objects, sound and music. She is interested in the relationship between technology, imaginary spaces and questions of personal and collective memory. Recent exhibitions include I’m fine, on my way home now at Mossutställningar, Stockholm (2017); Ripple at Alta Art Space in collaboration with Signal, Malmö; If she wanted I would have been there once, twice or again at Zeller Van Almsick Gallery, Vienna; and a collaborative work with Natália Rebelo for Chart Emerging at Kunsthal Charlottenborg, Copenhagen (2018).

dr-ben-dr-clarke-dr-van-sertima discussion

The Ball