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MK Party • MOSES MABHIDA STADIUM
Moments At Mabhida with the National Spokesperson Nhlamulo Ndhlela on the road to uMkhonto weSizwe’s 1st Anniversary celebrations on the 15th of December 2024, at Moses Mabhida Stadium.
#reclaiming SouthAfrica #fillupmabhida #mkpartyanniversary #blackunityindiversity
YouTube channel https://youtu.be/vCc7NHb1KWU?si=ucJldmKDtynxTAMC…
Morgan State University (MSU) is slated to establish an international presence on the African continent by way of a new pilot program. During the recent public session of the MSU Board of Regents' winter quarterly meeting, the Board unanimously approved a proposal for the university to begin offering three degree programs — a Master of Business Administration, a Master of Science in Global Multimedia Journalism and Communications, and a Bachelor of Science in Entrepreneurship — in partnership with the African University College of Communications (AUCC) in Adabraka, Accra, Ghana. The pilot program is scheduled to begin in fall 2020, creating opportunities for western African students to pursue degrees from Morgan. The collaboration marks a first of its kind for an HBCU in Ghana, with Morgan poised to join only a select few American universities offering degree programs in Africa.
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Iddrisu Mubarik and Seyram Kpeglo Foundations of African Thought Testimonials
In this documentary, we will travel to the heart of Western Sahara, the last remaining unexplored region of the great African desert.
We will meet the nomads that inhabit this land, learn about their fascinating customs, their atavistic rites; the birthplace of an ancient empire. They are the ULAD EL MIZNA, the Children of the Cloud.
The immense desert which comprises the Western Sahara, almost 250,000 km in size, is one of the least-known, and most hostile regions in the world.
In 1976, exile began for the Sahrawi nation, which since then has been crowded into refugee camps in the barren hammada of TINDUF, in extreme living conditions and depending for their survival on international aid.
The unequal war between the FRENTE POLISARIO and Morocco in order to achieve freedom for their country has led to poverty, desolation and an unbearable cost in human lives.
In exile, the Sahrawi nation has, with the few available resources, managed to create a rudimentary but efficient system of administration. The population, some 170,000 people, has organised itself into WILAYAS and DARÍAS, assemblies of neighbours at which they discuss the problems of the community.
Mauritania is a country entirely of desert and with a fascinating history.
The terrifying canyons of the AMOJIAR ravine, its vertical walls, and the frequent landslides formed part of the dangers of the road which the ancient caravans had to negotiate in order to reach the mythical cities of the Gold Route. The lost cities of Mauritania. The mosque is the most important building in Chinguetti and perhaps in all of Mauritania. Every year, below its minaret, of dry-stone masonry and reconstructed several times, thousands of the Turab al Bidan faithful gathered to set out on the pilgrimage to Mecca.
For this reason, Chinguetti was considered the seventh holy city of Islam.
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Dr. Myles Munroe MIND BLOWING Speech On LGBTQIA+ Agenda
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Mieri ya mwaka (months of the year in Gikuyu)
bob marley very explicit about the connection between his biogenetic composition and his divided loyalities -- mi no de pahn nobadi said 'mi no deh pon nobody side'. Illuminates the general problem of biogenetic mulattoes
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Voice TV Nigeria is an online community of reporters and social advocates dedicated to bringing you news reports from a Nigerian-African perspective.
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A major psychological shift is about to occur in Cote d'Ivoire. Women will no longer fake their identity by wearing fake hair. A major revolution is taking place for the minds of Ivorian people.
Pre-Order "New Africa Nation" the Album now here: https://fuseodg.tmstor.es
Shop for New Africa Nation Clothing online here : https://www.newafricanation.com
Almost 400 years since our ancestors were captured and taken into various lands outside of Africa, Africa's Fuse ODG and Jamaica's reggae icon Damian “Jr Gong” Marley have united on a mission to bring their descendants back home to where they belong mentally (Self Love), physically (Africa) and spiritually (Love) through this powerful piece of music. We present to you “Bra Fie” which translates in the Ghanaian language ‘twi’ as “Come Home”. Watch and let’s spread this to all four corners of the world…
A New Africa Revolution has began…Welcome to the New Africa Nation.
Preorder a copy of Fuse ODG’s second album entitled “New Africa Nation” and be part of a historical journey.
@FuseODG
@DamianMarley
Lyrics Below
Bra Fie (Come Home) lyrics
Verse 1
Take the shackles off my feet
Make I go make I go
It's a battle with the beast
Take a shield here we go
Kwame Nkrumah take over
New Africa make over
Let's bow our heads and pray o Lord
Our father help us fight the war (huuuu)
Chorus (X2)
Bra fie o bra fie (Come home come home)
Bra fie na y3tw3n wo (Come home we are waiting)
Verse 2
I'm a human being in Africa
But a black man in America
African in England
Don't forget where you are from
Ghana down to Suriname
Taken from our motherland
Don't forget your mother tongue
Please don't shoot me we are one
Chorus (X4)
Bra fie o bra fie (Come home come home)
Bra fie na y3tw3n wo (Come home we are waiting)
3rd Verse
Now have a look through history's binoculars
And please don't tell me you've forgotten us
Your last children living anonymous
In a very strange land where they carried us
And it must be a natural phenomenon
How we still can remember where we coming from
Even through the brainwashing curriculum
Up through the ages and millenniums
Last 400 years has been fabulous
We've been working as slaves living ravenous
But to overdo your stay can be hazardous
Now it's time to go home thanks for having us
Please make I a promise ol' promise land
And welcome me home anytime I land
And make I feel like I belong with us
Until that day no giving up
Aayy aayy
Huuuu
A brief history on African religion in the U.S. and its commodification by Europeans.
Our ancestors were murdered for practicing our systems of healing and spiritual communion, and were labeled as devil worshippers because Europeans feared the power of those systems of active faith.
Africans had no concept of the devil the way it was forced upon us through European christianity. Fear of our families being broken apart, fear of our children, wives, and husbands being raped or castrated, fear of being punished to death for being ourselves- FEAR was the portal through which the devil, white Jesus, heaven, and hell came into our psyches and still affect us to this day.
Here are my sources below for this video:
Spiritual Merchants: Religion, Magic, and Commerce
By Carolyn Morrow Long
Mojo Workin': The Old African American Hoodoo System
By Katrina Hazzard-Donald
African American Slavery and Disability: Bodies, Property, and Power in the Antebellum South
By Dea Boster
Black Magic: Religion and the African American Conjuring Tradition
By Yvonne Chireau
Conjure in African American Society
Jeffrey Anderson
Cultures of Empire: A Reader
By Catherine Hall
An Encyclopedia of Slave Rebellion and Resistance
Edited by Junius Rodriguez
Slave Narratives: A Folk History of Slavery in the United States From Interviews with Former Slaves: Georgia Narratives Part 1
Narrative of the Life of Thomas Cooper
J.E.S.U.S.A. is an in-depth exploration of the relationship between Christianity and American nationalism and the violence that often emerges from it. Far from a new phenomenon, this documentary traces the co-opting of Christianity by the state all the way back to the age of Constantine, when the Christian faith became the official religion of the Roman Empire. Through interviews with a diverse group of scholars, pastors, historians, and activists, this film shows how specific readings of the Bible have led many Christians to confuse their devotion to Jesus with their dedication to the state. The film helps viewers rediscover and restore long-held Christian beliefs regarding nonviolence, inspiring Christians to become purveyors of peace rather than enablers of conflict and violence.
Ɔbenfo Ọbádélé Kambon is a world-renowned master linguist, scholar and the architect of Abibitumi the oldest and largest Black social education network on the planet.In this informative reasoning, Obenfo Obadele Kambon breaks down the origins of the word "Africa", its multiple meanings, and why the people of Kemet referred to themselves as "Black people" and their land as "The Land of Black People."Please click link below to learn more about Obenfo Obadele Kambon and his work:https://www.repatriatetoghana.....comhttps://www.abibi
Burkina Faso is revolutionizing its rice production with cutting-edge optical sorters! In this video, we explore the government’s innovative initiative to improve rice quality, enhance food security, and strengthen the country’s agricultural competitiveness. Learn how 64-megapixel sensor technology is removing impurities, boosting local economies, and positioning Burkinabé rice as a global contender. Join us as we dive into this inspiring story of innovation, progress, and hope for the future of agriculture in West Africa.
An agricultural development in Taraba, Nigeria. Growing quality vegetables for the Nigerian market.
The School of the Ancient Alkebu-lanic Mystic, Rites, Inc.
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Nana Kimati Dinizulu soloing on Gome, a hand and foot drum of the Ga people of Ghana, West Africa. This solo was performed around 1990.
https://dinizuluarts.org/
Provided to YouTube by The Orchard Enterprises
Ota Mi Dehin Lehin Mi Medley (Part 1) · Ebenezer Obey
Ota Mi Dehin Lehin Mi
℗ 2012 Ebenezer Obey-Fabiyi (MFR)
Released on: 2012-03-09
Music Publisher: Cpyright Control
Auto-generated by YouTube.
Provided to YouTube by Universal Music Group
Africa · D'Angelo
Voodoo
℗ 2000 Virgin Records America, Inc.
Released on: 2000-01-01
Producer, Studio Personnel, Mix Engineer, Associated Performer, Vocals, Musician: D'Angelo
Associated Performer, Guitar, Bass (vocal), Producer: Raphael Saadiq
Associated Performer, Guitar: C. Edward Alford
Associated Performer, Drums: Ahmir Thompson
Studio Personnel, Recording Engineer, Mix Engineer: Russell Elevado
Studio Personnel, Asst. Recording Engineer: Steve Mandell
Studio Personnel, Mastering Engineer: Tom Coyne
Composer Lyricist: Michael Archer
Composer Lyricist: Angela Stone
Composer Lyricist: Ahmir Thompson
Composer Lyricist: Luther Archer
Auto-generated by YouTube.