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Ancient Origins of Pan-Afrikanism w/ Dr. Obadele Kambon
Ancient Origins of Pan-Afrikanism w/ Dr. Obadele Kambon Ọbádélé Kambon Subscription 10,172 Views • 6 years ago

ANCIENT ORIGINS OF PAN-AFRICANISM

Full presentation:
https://abibitumitv.com/v/zshjdk

Most people believe that the Pan-Afrikan Movement is little more than 100 years old. Most people also believe that Pan-Afrikanism is merely an invention dreamed up by diasporans; and that it is not indigenous to Afrikans on the continent. In this exclusive interaction we explode both myths as Bro. Obadele Kambon presents his ground breaking research.

Featuring Master Linguist
OBADELE KAMBON
Senior Research Fellow • Institute of African Studies •University of Ghana.

Ibrahim Traoré vs. Council on Foreign  Relations
Ibrahim Traoré vs. Council on Foreign Relations Kwabena Ofori Osei 22 Views • 1 year ago

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Filipa César, Jin Mustafa – Meteorisations: Reading Amílcar Cabral's Agro-Poetics of Liberation
Filipa César, Jin Mustafa – Meteorisations: Reading Amílcar Cabral's Agro-Poetics of Liberation Ambakisye-Okang Dukuzumurenyi 58 Views • 5 years ago

SONIC ACTS FESTIVAL 2019 – HEREAFTER
Filipa César, Jin Mustafa – Meteorisations: Reading Amílcar Cabral's Agro-Poetics of Liberation
24 February – De Brakke Grond, Amsterdam, The Netherlands

A reading of Amílcar Cabral’s agronomic writings exposes substrata of a syntax for liberation later performed in guerrilla language and the struggle against Portuguese colonialism in Guinea-Bissau and Cape Verde. This visual and sonic reading explores the definitions of soil and erosion that Cabral developed as an agronomist, as well as his reports on colonial land exploitation and analysis of the trade economy, to unearth his double agency as a state soil scientist and as a ‘seeder’ of African liberation. Cabral understood agronomy not merely as a discipline combining geology, soil science, agriculture, biology and economics but as a means to gain materialist and situated knowledge about peoples’ lived conditions under colonialism. The scientific data he generated during his work as an agronomist, along with his poetry, were critical to his theoretical arguments in which he denounced the injustices perpetrated on colonised land, and it later informed his warfare strategies.
Cabral used his role as an agronomist for the Portuguese colonial government subversively to further anti-colonial struggle. Cabral’s process of decolonisation was understood as a project of soil reclamation and national reconstruction in the postcolony. His agency as an agronaut ventures through soil cosmologies, mesologies, meteorisations, ‘atmos-lithos’ conflict zones, celluloid compost, violence of imperial consumption — the sugar question. Humble derives from Humus.

Performative lecture by Filipa César with sound by Jin Mustafa and images from Sana na N’Hada and Flora Gomes, 1974, Cape Verde.

This iteration of the lecture has been commissioned by Sonic Acts as a part of Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union.

Filipa César is an artist and filmmaker interested in the porous boundaries between the moving image and its reception, the fictional dimensions of the documentary and the economies, politics and poetics inherent to cinema praxis. Characterised by rigorous structural and lyrical elements, her multiform meditations often focus on Portuguese colonialism and the liberation of Guinea-Bissau in the 1960s and 1970s. This research developed into the collective project Luta ca caba inda (The Struggle Is Not Yet Over). She gained an MA Art in Context at the University of Arts, Berlin. Selected exhibitions and screenings include at the São Paulo Biennial, Manifesta 8, Cartagena, and the Contour 8 Biennial in Mechelen, Belgium, and Gasworks, London. Festival screenings include the Kurzfilmtage Oberhausen, Curtas Vila do Conde, Forum Expanded at the Berlinale and the International Film Festival Rotterdam.

Jin Mustafa is a Stockholm-based visual artist, DJ and electronic music producer. Her work shifts between media, often taking the form of moving images, objects, sound and music. She is interested in the relationship between technology, imaginary spaces and questions of personal and collective memory. Recent exhibitions include I’m fine, on my way home now at Mossutställningar, Stockholm (2017); Ripple at Alta Art Space in collaboration with Signal, Malmö; If she wanted I would have been there once, twice or again at Zeller Van Almsick Gallery, Vienna; and a collaborative work with Natália Rebelo for Chart Emerging at Kunsthal Charlottenborg, Copenhagen (2018).

WHO IS WHO? SERIOUS ASANTE AKAN PROVERB BATTLE (EBEBUO) | OSEI KWABENA VS KOO FORI
WHO IS WHO? SERIOUS ASANTE AKAN PROVERB BATTLE (EBEBUO) | OSEI KWABENA VS KOO FORI Ọbádélé Kambon 19 Views • 4 months ago

On this channel I cover the histories of nations empires and people from all over the world. I especially enjoy focusing on areas that are covered less in the mainstream or examining a familiar topic from a different perspective. Historical topics are combined with animated maps and visuals that I draw, to hopefully condense complicated subjects into a understandable framework that will leave you wanting to learn more. I hope you enjoy these videos as much as I have enjoyed making them :) If you like what you see here then please consider supporting
History of the Ashanti Empire , (Ghana Africa) 2023

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AES: Mali Prepares for Possible US Military Action | Africa's Sovereignty Crisis Deepens
AES: Mali Prepares for Possible US Military Action | Africa's Sovereignty Crisis Deepens Kwabena Ofori Osei 19 Views • 3 months ago

Mali Prepares for Possible US Military Action | Africa's Sovereignty Crisis Deepens. United States of Africa
Could the United States carry out military airstrikes in Mali? Recent media reports have sparked widespread debate across Africa and beyond, raising important questions about national sovereignty, regional security, and international diplomacy.

In this report, we examine the growing discussion surrounding reports of a possible U.S. military intervention in Mali. We explore the reactions from Malian officials, the perspectives shared during a public policy discussion, and the broader geopolitical issues affecting the Alliance of Sahel States (AES), including Mali, Burkina Faso, and Niger.

This video discusses:

Reports of possible U.S. military airstrikes in Mali
Mali's position on national sovereignty
Security challenges in the Sahel
Regional cooperation within the Alliance of Sahel States (AES)
International diplomacy and geopolitical competition
The future of peace and stability in West Africa

This report is intended to inform viewers about an ongoing public discussion. It presents viewpoints expressed in the source material and does not independently verify or endorse those claims.

If you believe in an informed, united, and stronger Africa, please support our mission.

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Parliament Funkadelic - Swing Down Sweet Chariot - Mothership Connection - Houston 1976
Parliament Funkadelic - Swing Down Sweet Chariot - Mothership Connection - Houston 1976 Kwabena Ofori Osei 61 Views • 3 years ago

http://gravityworld.tv/Video_Content/pfunk.html

The Parliament Funkadelic tore the roof off the
Houston Summit, ready to bless the crowd with their cosmic brew of interplanetary
funk. George Clinton, Bernie Worrell, Bootsy Collins and the rest of the P-Funk
collective were riding the success of their first Top 5 R&B hit, "Give Up The Funk (Tear
The Roof Off The Sucker)," a track that had earned them the kind of radio play that
would bring the masses out to see them live in a stadium-sized arena. The group was
only five dates into the tour when they arrived in Houston, but they were definitely
ready to take it to the stage for an out-of-this-world show like no other.

Taped on October 31, 1976, these seldom-seen performances at the Houston Summit
represent Clinton and Parliament Funkadelic in their ʼ70s prime, in the era of their
Mothership Connection and The Clones Of Dr. Funkenstein LPs—a rare opportunity
for everyone to get their proper dose of The P-Funk.

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