Iranians are by default a Western Asian (White people) fighting a inter ethnic conflict with the Western Eurasians (White people) both want to rule the world one through Islam the other through Christianity. But the Iranians who are a threat and weakening they ulimately enemy of Black people the AngloFrancoJudo White (West)

Ivan Van Sertima and Robin Walker tell the importance of Cheikh Anta Diop and Theophile Obenga's contribution at the 1974 Cairo Symposium. They proved that the culture, language and people of Ancient Egypt were Black Africans.

Amin: The Blood Moon Rebirth
Music Film by NF STUDIOS.

Set against the breathtaking backdrop of Ghana’s sacred waterfalls, Amin: The Blood Moon Rebirth is a powerful fusion of music, ritual, and cinematic storytelling. The film explores themes of renewal, spiritual cleansing, and transformation.
This is both a prayer and a performance ,a testament to the enduring power of nature, culture, and creative expression.

⁣Baba Kamau Kambon Collage

ASCAC Midwest 2025 Presentation "Black to Ma'at: The State of Waset (ca. 206-186 BCE)" focuses on a Kmtyw Restoration movement that occured in the isfet period of greek occupation of Kmt.

Currulao is the main traditional genre of Abibifo⁣ɔ music out of the Southern Pacific Coast of 'colombia' and Northern Pacific Coast of 'ecuador'. This group is specifically from Timbiqui, Cauca, a Pacific Coastal town in the biogeographic Choco region. Timbiqui is also the name of the river where the community of Timbiqui is located. This song is about singing to the river asking for a safe passage, to let them go up the river, don't drown us (no me vayas a hogar), don't wet us (no me vayas a mojar), let me go up (dejame subi'). This is a continuation of evidence of our Kmtyu worldview regardless of location and colonial language. Reverence and respect for nature, the oceans, the rivers, and the source of life, water. This can be seen as a libation song for traveling up the Timbiqui river safely. The main instrument is the marimba, made from the palm trees in the Choco rainforest, and said to be a reconstructed descendant of the balafon made by Abibifo⁣ɔ in a new context. We carried Abibiman with us!


original video info:
Provided to YouTube by ONErpmRio Timbiqui · Canalón de TimbiquíDejame Subi℗ Canalon de TimbiquiReleased on: 2004-02-06Auto-generated by YouTube.

⁣Rize David LaChapelle traditional Kmty dance sequence

Abortionism

⁣⁣⁣Komplementarity Kouples and Revolutionary Singles Discussion Series.⁣


⁣- This episode features Okunini Talawa, Ama, and Azuka Adodo


In this series we look to explore the journey that Abibifo⁣ɔ have taken towards re-KMT-izing (re-blacken-izing). ⁣We hope that these videos are more than informative, but transformative. If you would like to participate and share your journey, please reach out in the Abibitumi Komplementarity Kouples and Revolutionary Singles Group.


Abibitumi ->Abibifahodie!

⁣Last summer my wife, daughter and 3 of our Grandkids while
in Columbia visited San Basilio de Palenque, the first free settlement of
formerly enslaved Afrikans in the Americas who fled a life of enslavement.
Contrary to most history books, Ayati’s (Haiti) independence in 1804, occurred
more than 100 years after Palenque. Palenque is a unique place, famous for its Kmtyw
culture, language (unique blends of Portuguese, English, Twi, Gullah Geechee,
etc.) gastronomy and, of course, its HISTORY. They highly embrace education and
a very low crime rate. Uniquely all children must learn how to box, eliminating
‘beefs’ and other frictions, they are settled at the boxing facility.

They use the equivalent to the Mbongi, it’s called a Ma
kuagro. A communal meeting space that’s both a physical place and a social
institution, where the community gathers to deliberate, educate, provide aid,
resolve conflicts, decision‑making and maintain cultural
continuity.