This book, is designed to familiarize the Black Human with Melanin and its importance to life, memory processes, ancient African history, sunlight, music, dancing, anti-aging, anti-cancer, religion, electromagnetism, and any other scientific and cultural parameters.

Showing you the corners of Abibitumi's new site.

⁣With the Riverlands Settlement in ruins, Iyanu, Biyi, Toye and Ekun must
cross the perilous Rinku Plains to find the source -- the key to
Iyanu's powers and lifting the curse from Yorubaland -- while adjusting
as a new team

⁣Benin Citizenship_ Concrete Steps for Abibifoɔ

fortelling

⁣Tinga Tinga Tales of Africa Episode 18

from "Ptah, The El Daoud" (1970), Impulse Records.

Alice Coltrane - piano, harp ;
Pharoah Sanders - tenor saxophone, alto flute, bells (right channel) ;
Joe Henderson - tenor saxophone, alto flute (left channel) ;
Ron Carter - bass ;
Ben Riley - drums.

Written by Alice Coltrane.
Recorded at the Coltrane home studio, Dix Hills, New York on January 26, 1970.
Original sessions produced by Ed Michel.
Reissue produced by Michael Cuscuna.

The play explores the scores of socio-political dehumanization and injustice suffered by native Africans in the gruesome hands of the colonial masters. It emphasizes Kimathi's strong determination to refute the oppressive regime of the colonizers and pursue his people's demand for self determinism.

An indepth history of Nigeria.

This song was made by Habib Koite, a famous singer from Mali, a north western country in Africa.
In Mandingo language, we call SIRA the first born daughter in the family. SIRA as well as each member of the family has an important role to play. She is the one showing the good exemple to the young ones, and her brothers and sisters education rely on her own somehow.
In this song, Habib Koite pays tribute to the SIRA (first daughters) and sing their love, their kindness, in order to show them their importance and incite them to even do better.
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⁣Vodoun Ceremony for Sakpata, in Benin

⁣The album Sorrow Tears And Blood is the first release on Baba Fẹlá’s newly formed label, Kalakuta Records. The title track was written in response to the South African government’s murderous reaction to the Soweto uprising of 1976 but the sleeve carries a dedication to the victims of the attack on Kalakuta

⁣What does Agya do for the family?