https://www.decadeofourrepatriation.com
https://www.abibitumi.com/shop
https://www.repatriatetoghana.com

Investigative journalist, Anas Aremeyaw Anas has said he will soon release an investigative piece on some politicians in Ghana before the election 2024.

Recorded live in Copenhagen, Denmark, April 1968. Song for My Father was recorded in October 1964 and released on the Blue Note label. The album was inspired by a trip that Silver had made to Brazil. The cover artwork features a photograph of Silver's father, John Tavares Silva, to whom the title song was dedicated. "My mother was of Irish and Negro descent, my father of Portuguese origin", Silver recalls in the liner notes, "He was born on the island of Maio, one of the Cape Verde Islands." The album line-up differs from the Copenhagen musicians here.

Trump made a miscalucation thinking Iran would fold like Iraq, now he is in a long war that will probably have impacts on the USA soil.

speech by Marcus Garvey in his effort to liberate the African mind

⁣2024 Abibitumi Black Power Conference Promo

⁣Renet Dennard, 76 years old talks about her Stage 4 Liver Cancer, being given 6 months to live, refusing chemotherapy and radiation. She used Herbal Results Olive Leaf Extract and achieved a reversal in not only her cancer but also high blood pressure and pre-diabetes. Got to herbalresults.net for more info.

Wisdom isn't found in one person
Anansi shows God how a lie can be more hurtful than a wound. God realizes that wisdom cannot be found in one person. He rewards Anansi by naming all stories Anansi stories.

The storyteller
Kwame Sakyi
More from this storyteller: Interview with Kwame Sakyi (b)

Wisdom isn't found in one person (Twi)
Once upon if time God lived in his cottage. The name of the cottage was: There's no one besides me. Kwaku Anansi also lived in a cottage not so far away from him. The name of his cottage was: Wisdom isn't found in one person. They became good friends. One day kwaku Anansi asked God: 'What is more painful: the incision of Tribal marks or to be falsely accused of something?' God answered that a blade would cut your flesh, but when you are falsely accused of something you could just walk away and deny it. One day Kwaku Anansi went to God's cottage and relieved himselve on the stove. The next morning God's mother-in-law found the mess and was shocked and told everybody in the village. Meanwhile Kwaku Anansi hired the Rat to digg a tunnel to the room where God kept his talking drums. That same day the drums started talking and saying that God had done the deed. God couldn't bare the false accusations and wanted to kill himself. Kwaku Anansi reminded him of their conversation and God realised that false accusations could be as painful as the incisions of tribal marks. God now understood why Kwaku Anansi had named his cottage: Wisdom isn't found in one person. And from then on assigned all stories to his name. That is how all stories became Anansie stories.
Story type: Verhaal

Duration: 7'50
Keywords: wisdom; pain; story; stories; Ananse story; lie; God; Ananse; gossip; Anansi; name; gossip; lie; trick
Copyright video recording: © Foundation Vista Far Reaching Visuals
www.anansimasters.net

Related videos: Why Anansi's name comes before every story (s), Anansi and the wisdom (s), Interview with Kwame Sakyi (b), A lie is more hurtful than a wound (s)

The Anansi Masters project is a digital platform developed by Vista Far Reaching Visuals and partners. At the website http://www.anansimasters.net you can find information about the story character of Anansi or Nanzi and especially many stories. The stories originated in Africa and were exported to other parts of the world through slave trade and migration where they developed independently. In Anansi Masters, the similarities and differences between the stories and storytellers can be found. Anansi Masters initiates different activities all over the world where stories from this oral tradition can be found. Anansi Masters collaborates with writers, theatre makers, filmmakers, researchers, schools and of course with many many storytellers. Discover all the results on the Anansi Masters website!

[B06]

Official Audio for “Chameleon” by Herbie Hancock
Listen to Herbie Hancock: https://HerbieHancock.lnk.to/listenYD
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Ask your voice device to play Herbie Hancock!

#herbiehancock #chameleon #jazzworkshopboston1973 #officialaudio

In this lesson I teach you how to say:

1. Don't
2. Isn't it?


For more practice sentences please join my patreon class


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Mama Africa music video, from the 2024 Album "The Journey".

Performed by: Born Afrikan feat. Morgan Heritage
Written by: Born Afrikan
Produced by: Nubian House Productions

#bornafrikan #morganheritage #reggae #mamaafrica #africanmusic listen to BornAfrikan's latest songs
• https://youtu.be/3pQMf3hjXXY?si=xletkrIRyhw67u-9
• https://youtu.be/KC5zbX0ICco?si=URI3i3_oz0p2BfGb

Subscribe to Born Afrikan's channel: https://www.youtube.com/@bornafrikan8821

Listen to more from Born Afrikan:
• https://youtu.be/-BhlMlh0v3w?si=VaEEYCsOLVu8_5fa
• https://youtu.be/YwHtWupIZcA?si=N0DESqb_YyGYHX6S
• https://open.spotify.com/artis....t/4yXN6DxHQrAvcQm6Oh


"Mama Africa" is a song that celebrates the rich beauty and timeless treasures of the African continent. With a deep appreciation for the diverse cultures, landscapes, and people that make up Africa, the song highlights the unity and resilience that define the spirit of the motherland. Born Afrikan paints a vivid picture of Africa’s untapped potential, positioning the continent as the next frontier of global growth and opportunity.

#africa #trending #malawimusic #africa #africamusic #reggaemusic #reggaevibes

Connect with Born Afrikan:
https://www.tiktok.com/@born_afrikan
https://www.instagram.com/born....afrikanofficial/?hl=

Born Afrikan, whose full name is Nelson Shaba, is known by his stage name, Born Afrikan. He is originally from Malawi, Born Afrikan is a singer, songwriter and businessman.

© 2024 Nubian House Productions. All rights reserved.

This video captures goodwill messages delivered during the historic MoU signing and unveiling of the Black Panther Party Cubs (BPPC) Ghana Community Embassy / Continental Liaison Office hosted at Abibitumi Headquarters in Akuapem Mampɔn, Ghana on Saturday, 24 January 2026.Nana Yirenkyi, Apɛsɛmakahene and representative of the Akuapem Mampɔn Traditional Council shared remarks pledging to engage traditional leadership to support and promote the Abibitumi agenda, and expressed gratitude on behalf of the people and traditional rulers. Other participants also offered goodwill messages in support of the initiative.Dr. Ɛfo Sela Adjei and D.O.O.R. partner Cashawn Myers of HABESHA Foundation speaker thanked Chairman Dr. Fred Hampton Jr. for joining and for taking the initiative to open an important new chapter for Black people in Ghana. They affirmed ongoing support “on the ground,” emphasizing the shared commitment to nurturing a new generation of Black founders and freedom fighters through principled unity and practical collaboration.Event context (for accurate reportage):• This program unveiled the BPPC Ghana Community Embassy at Abibitumi Headquarters.• This is a community embassy / continental liaison office — not a diplomatic embassy issuing state documents.• The focus is repatriation and structured pathways for diaspora-based Black people to reconnect and build in Ghana and beyond.Location: Abibitumi Headquarters, 1 Abibitumi Way, Akuapem Mampɔn, Ghana#abibitumi #blackpantherpartycubs #repatriation #ghana #AkuapemMampɔn #fredhampton #blackpowerranger https://www.decadeofourrepatriation.com

The story of John Henrik Clark and his contribution to the Pan Afrikan Movement.

⁣DJ Zinhle Umlilo PRO TEE REMIX 🔥🔥🔥 ft Mvzzle & Rethabile

Bracket Ft Tekno - Panya
African Music & Entertainment

In the the late 19th and early 20th century, the dream of Brazil's elite was the elimnation of black and mixed race people through racial mixture. The country's leadership was concerned with its image around the world as well future success as a nation. This elite class saw the majority population of black and brown people as inferior and responsible for the country's backwardness. The "solution" was opening the country to millions of European immigrants and the elimination of black and mixed race people through the promotion of mixed race unions which they would believed would lead to a Brazil that would eventually be white.

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👉Black identity in Brazil
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👉 "I should have 'given it up more' before I got married," says actress Taís Araújo
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https://www.youtube.com/watch?v=yFytSK8xS_U

👉Wearing blackness?: White woman 'turns into' "black woman" for Carnaval
https://www.youtube.com/watch?v=PTKDKcWX_vQ

👉“Brazil never saw black people as beautiful”: The emerging concept of black beauty
https://www.youtube.com/watch?v=O0cSw7RetBw

👉“I never saw myself as a black man”: Reality show contestant discusses how he became black
https://www.youtube.com/watch?v=N03iDxsJeZg

👉Near the end of the slavery era, 60% of enslaved Africans brought to Brazil were children
https://www.youtube.com/watch?v=BEMT0es1P6I

=============================

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Welcome to Black Brazil Today, a channel that explores black Brazilians' vibrant and diverse experiences✊. Get into our in-depth race, culture, and media discussions, highlighting Brazilian society's significant strides and challenges.

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Black people in Africa often blame their heads of states they never blame NGOs, Chrisitainity, Islam or White people for their problems them they wonder why their lives arent good. Untill, Black people mature politically and educationally they will continue to be the fools of Global White Imperialism.

Dizzy Gillespie and his Orchestra performing "Night in Tunisia", featuring Dizzy Gillespie - trumpet, Don Byas - tenor saxophone, Milt Jackson - vibraphone, Al Haig - piano, Bill DeArango - guitar, Ray Brown - bass, and J.C. Heard - drums . Recorded February 22, 1946 in New York.

For lead sheets complete with introductory verses, lyrics, and accurate chord changes, visit
https://www.jazzguitarcomprehensive.com/

The JGC History series features specifically curated playlists to help trace the lineage of some of the most influential jazz compositions of all time.

Some notes about the composition from the JGC Real Book,

Composer: Dizzy Gillespie

Year: 1942

Origin: Introduced by Sarah Vaughan in 1944 as "Interlude".

Style: A combination of straight and swing feels, typically played at brighter tempos.

Form: A-A-B-A (32 Bars) [8-8-8-8]
The A sections are played straight with the exception of the final 2 bars, while the B section is swung. This arrangement commonly used for the head only with the solo section entirely swung.

Intro: The bassline that moves from bII7 - Imi6 is usually used to begin the performance, and there is also a counter-melody that goes along with it.

Send-off: After the head in a 12 bar send-off is used to lead into the solos. This is then followed by a solo break which is commonly 4 bars long. It is typically only used the first time around, although it is sometimes used to introduce every new soloist. This section is played entirely swung.

Shout Chorus: After all the melodic soloists are finished a shout chorus is sometimes included. The shout played during the A sections while the B section is left open to the drummer. Sonny rollins offers a concise interpretation of this arrangement on his recording from A Night at the Village Vanguard.

Key: D minor

Harmony/Overview: The harmony of this composition is mainly functional. The main theme revolves around the constant arrival of bII7 - Imi, which is essentially V7alt - Imi (tri-tone substitution). The bridge is identical to that of "Alone Together", taking place in the relative Major and moving from II - V of II before a II - V - I.

Recordings: This song has been recorded over 400 times to date and is a widely popular standard. The first recording comes from Sarah Vaughan in 1944 and was originally entitled "Interlude", featuring lyrics written by Sarah Vaughan and Anita O'Day. One of the earliest instrumental recordings of Dizzy Gillespie performing the piece comes a 1945 session with Boyd Raeburn and his Orchestra. Dizzy would later record and perform this piece many times throughout his career, leaving several particularly legendary recordings behind.

JGC Top Picks:
Sonny Rollins, A Night at the Village Vanguard, 1957
McCoy Tyner, Today and Tomorrow, 1963
Dave Liebman, Besame Mucho and Other Latin Jazz Standards, 1993

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#dizzygillespie #nightintunisia #jazzhistory

⁣This is not just music.
This is a declaration!

Today, at the heart of a world that is going crazy, where sovereign leaders are being kidnapped right from their sovereign countries and wars being perpetrated through false pretence and condemnations, resulting in innocent human beings loosing their lives, we are taking our responsibility. We are calling for all our African leaders to make The United States of Afrika a reality.

So from today, March 4th (march forth) we are calling on all African consciences, whether at home or abroad to engage and ask our African leaders to STAND UP and DO THE RIGHT THING to save Africa and Africans from the madness and actual real threat to life anywhere on the planet,, let alone Africa.

So we here present an instrumental anthem — a proposed future national anthem for the upcoming United States of Afrika, that is now more than a must. IT IS URGENTLY A MUST!.

We have created an anthem, sound that represents OUR DEMANDS from all our African leaders:

We demand:

• One Nation
• One Economy
• One Passport
• One Army
• One Shared Currency
• One Voice in Global Policy
• One Flag
• One National Anthem
• Free Movement Across All Union States

Africa stands at a historic crossroads. With over 1.4 billion people, the youngest population in the world, and the largest emerging free trade zone under the African Continental Free Trade Area, the structural foundations for continental unity already exist.

The framework is present through the African Union.

What remains is collective will.

This instrumental piece is offered as an example — a sound that could one day represent a united, sovereign, powerful continental federation.

If you believe in:
A borderless Africa.
An economically integrated Africa.
A politically coordinated Africa.
A globally respected Africa.

Subscribe. Share. Participate.

Comment your country and write: ONE AFRICA.

The future is CONTINENTAL.
The time is NOW!

#unitedstatesofafrika #oneafrica #panafrican #africanunity #africarising #futureofafrica

In this video we go over the first part of the UNESCO Symposium report on the peopling of Ancient Egypt that took place in Cairo, in 1974. The participants’ statements are read in full, so as to not misrepresent their arguments. References-The Symposium report: https://unesdoc.unesco.org/ark....:/48223/pf0000042573 Shemai article:https://www.livescience.com/58....424-mummy-ancient-eg on Fossil preservation of Melanin: - Study 1: https://pubmed.ncbi.nlm.nih.gov/26290071/- Study 2: https://pubmed.ncbi.nlm.nih.gov/22569368/- Study 3: https://pubmed.ncbi.nlm.nih.gov/29360744/- Study 4: https://pubmed.ncbi.nlm.nih.gov/22615359/-Study on Melanin quantity: https://pubmed.ncbi.nlm.nih.gov/12950732/-Some video worth watching: - Greek Testimonies: https://www.youtube.com/watch?v=slmlhrSvsa4&t=1242s - My video on ⁣Jóob: https://www.youtube.com/watch?v=NmXAX0xy2S8&t=122sSome physical anthropologic studies:- Egyptian body plan: https://pubmed.ncbi.nlm.nih.gov/12772210/- Egypt indeginous to Africa: https://pubmed.ncbi.nlm.nih.gov/8893087/- Egypt pre and post dynastic are the same:https://pubmed.ncbi.nlm.nih.gov/16331657/- The Naqada people cluster with Nubians: https://pubmed.ncbi.nlm.nih.gov/8893087/Contact me here: dimbdmc14@gmail.comThe song used in the video was “Deep Space – Ambient lofi” by Prod. Riddiman