Its so important to connect with the right people with good intention and actions. We must have the right intention too, so we can gravitate to that community.
Check out R2gh.com to connect with the right people.

⁣Anthony T. Browder: Secrets Behind the Secret [2007]

Subscribe to watch more African Folktales

Mutabaruka - Check It (1983). enjoy !

⁣Gambia - Food Safety | 16 June 2021

Macford Mwape lives on less than two dollars a day in Zambia's Copperbelt region. He's spent the last five years painstakingly making ten thousand mud bricks, to build the house of his dreams. Now he wants to train his neighbours to build better houses for themselves.Duration:02:20

⁣Southern Cameroon History, The Bakweri Resistance Documentary (Full Version)

⁣A commission of inquiry into the policies of the International Monetary Fund and the World Bank that have entrenched Africa’s debt crisis, undermined public services, and driven inequality.

The commission of Inquiry will hear testimonies on how these institutions’ austerity measures and debt-driven models harm African development, with the goal of raising awareness, advocating for debt cancellation, and pushing for reforms that prioritise people over creditors.

song about going back home to Afrika

Our full interview with filmmaker and educator Haile Gerima from 2015. A 4K restoration of SANKOFA was just released on Netflix via ARRAY.

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Haile Gerima is an independent filmmaker and professor of film at Howard University in Washington, D.C. Born and raised in Ethiopia, Gerima emigrated to the United States in 1967. Following in the footsteps of his father, a dramatist and playwright, Gerima studied acting in Chicago before entering the UCLA School of Theater, Film and Television, where his exposure to Latin American films inspired him to mine his own cultural legacy. After completing his thesis film, Bush Mama (1975), Gerima received international acclaim with Harvest: 3000 Years (1976), an Ethiopian drama that won the Grand Prize at the Locarno film festival.

After the award-winning Ashes & Embers (1982) and the documentaries Wilmington 10—U.S.A 10,000 (1978) and After Winter: Sterling Brown (1985), Gerima filmed his epic, Sankofa (1993). This formally ambitious tale of a plantation slave revolt was ignored by U.S. distributors, but Gerima tapped into African American communities, and booked sold-out screenings in independent theaters around the country.

In 1996, Gerima founded the Sankofa Video and Bookstore in Washington, DC., a cultural and intellectual space that offers opportunities for self-expression, interaction, discussion and analysis through community events such as film screenings, book signings, scholar forums and artist showcases. Gerima continues to distribute and promote his own films, including his most recent festival success, Teza (2008), which won the Jury and Best Screenplay awards at the Venice Film Festival. He also lectures and conducts workshops in alternative screenwriting and directing both within the U.S. and internationally.
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Reelblack's mission is to educate, entertain, enlighten, and empower through Black film. If there is content shared on this platform that you feel infringes on your intellectual property, please email me at Reelblack@mail.com and info@reelblack.com with details and it will be promptly removed.

#NEW year, #Testimonials
Celebrating 6259 NEW YEAR Celebrations in Africa, Zimbabwe Nyaje Gokwe! Since earliest times, melanin dominant people (MDH) have sought to fulfil inherent deeply-rooted spiritual urge that links the to natural time cycles. They achieved this by engaging in electric and spirit filled New Year festivals. Everything was considered to start anew, untainted and original, as long as certain rituals were performed individually, as families, tribes, or in their specific kingdom. First, the celebrants would banish malicious spirits, any evils or sins of the past year or years, through specific cleansing processes. This would be followed by positive acts that would guarantee a propitious future. It was rare for mature adult participants to be unaware of the value of adhering seriously to these ancient mystical practices. However today billions of MDH toot their car horns and stay awake on December 31 ignorant of the certainty that this type of New Year even with decent horns blaring and awesome fireworks is being used as s tool to arouse evil spirits. They are ushering in a New Year that is not theirs but the roman deity Janus. Why Should we consciously celebrate New year in September? Because its our NEW YEAR, the beginning of a new life when leaves begin to change and Summer is upon us. Time to plant. Time to review what has happened in the last years and make necessary adjustments. It is also a Celestial calendar, a historic time reckoning system connected to us from our ancestor 4236-4241 Before Common Era. Which is over 6000 years ago. SUBSCRIBE Share and Enjoy... Apologies the dominant Language is SiNdebele with some English inscriptions... Email join@maarifado.com

🎵 Law-Abiding Dreams — Kwento xpr

Listen to the first 45 seconds, then own the full song on Abibinnwom:
https://abibinnwom.app/song/law-abiding-dreams

#Abibinnwom #DOOR #DecadeOfOurRepatriation #BlackMusic